Star Cops

A neglected classic. Wonderful low-key SF tales - the titular police department has only a moonbase and a couple of space stations to deal with, but the stories are thought-provoking and frighteningly believable. Best of all, the good guys don't always win. Top-notch acting all round makes this well worth tracking down. Happy hunting...

Star Cops rose above the average in a way that rarely happens: by being more average. How was this? Well, from the start, it's so average, it's. different! It had average theme music - well average for something other than SF. Kind of laid back. Style wise, in the SF arena, it has only recently been matched by the rather less pleasantly warbling intro for the appalling 'Enterprise'. Very laid back.

Acting wise, everyone does a competent job. David Calder is a high point but none of the rest are Patrick Stewart. But they don't need to be. They seem to be either actors playing hard at being `regular Joe's' or - failing that - they're just fairly average actors. Either way, it doesn't seem to matter. The actors play 'space' like it's no big deal. Like they don't want to be there but do want to do their jobs. Even when they are only just on the ball, it's still terribly convincing because it all looks so 'run of the mill'.

The plots aren't overly clever or dramatic. They don't involve saving the earth every week. No vast alien flotillas hove into view to crush all resistance before them. No labyrinthine plots of shape shifters or invisible aliens. Just regular greedy, lazy people and average nut cases doing what they do in the real world: being avaricious, slack and mad - just, it's in orbit! (well, or on the moon as well).

The effects show nice attention to detail but are pretty run of the mill BBC fare. So they're 'effects' but not 'special effects', if you see what I mean, but it's enough. The modelling's quite nice and pretty believable. The script never gets caught up in easy to film stuff like artificial gravity (except the spin on the space station Ronald Regan!), or plot accelerators like faster than light drives.

I know this may sound stupid but, the mix of accents, the run of the mill mundanity. I love it! Why doesn't someone bring it out on DVD or - at least - show the thing on the TV again!

This was sci-fi at its best. No hard-nosed, crew-cut heroes, this was full of people with flaws (I.E. real people). This had everything, politics, corruption...oh and BOX!!!!!!!

I want box! I do not care about any other invention, I want the world's scientists to make one for me now :)

Aside from that, this is a series that made me like sci-fi again, after the rubbish mainstream offerings from Hollywood with their weak plots and special effects-driven scenarios. I am glad I got the videos when they escaped from the BBC archives a few years ago and still enjoy the shows as much as I did when they were first shown.

It's truly sad that Star Cops never got its second season. It was signed up for one, but with A TV technicians strike cutting the first season down to nine epidodes (the last one was also hugely amended after Erik Ray Evans took ill and David Calder replaced him (hence the strange romance bits between him and Pal) and with Calder moving on to another show, there was no realistic possibility of the crew getting back together to make another 13 episodes.

Truly a classic.

No matter how many times I think about it, 'Star Cops' is still quite possibly the greatest science-fiction show ever on television.

The premise is simple--cops in space, something that sounds like a recipe for schmaltz, but it's the execution that makes it rise head and shoulders above the capsule description. The characters, through the space of nine episodes, show more depth and range than a decade of latter-day 'Star Treks'. They have moments of irritability, seething rage, intense fear, mild annoyance and sheer terror, played out over plots that challenge the viewer to keep up. This is a show that improves exponentially with repeated viewings, with complexities opening up and incidental moments gaining significance as you become able to correlate them. The characters are often unlikeable, quarrelsome, and rude--much like real people.

Dialogue is sometimes cryptic, requiring another viewing for you to understand the joke or the significance of the remark. Often, characters speak over each other's lines, much like real people.

The plots, while often standard mystery fare, offer spins new to the science-fiction format, requiring a little knowledge of human nature rather than of physics or chemistry. It's never the science, or a simple whodunit--it's always the motive. The human element is always what is at issue.

And NO SF SHOW has ever been so firmly within the possibilities of REAL SCIENCE, requiring no long explanations or technobabble justifications. It is, without a doubt, the most scientifically probable program that has ever been on the air.

There are only nine episodes, and that's a pity. Blame the BBC for their infinite lack of wisdom. But at least there are NINE, and that's wonderful.

Star Cops is something of a rarity, and it should be noted as such. It sacrifices glitz and glamour for plot and character development, something a lot of 'critically acclaimed' sci-fi shows lack.

While like Doctor Who or Blake's 7, it did have it's budgetary constraints, and that is probably why the 'story before effects' way of writing developed. Something that can be applied to modern TV, overall. Unfortunately, flashes and bangs win out every day on American TV.

Want a good explosion? Turn on Star Trek. Want a good story? Make it worth your while to track down this overlooked gem.