Commando

John Matrix (Arnold Schwarzenegger) was an elite special op who is now retired living in his mountain home with his daughter Jenny (Alyssa Milano). His men are getting killed one by one. One of his former group Bennett (Vernon Wells) joins warlord Arius (Dan Hedaya) to start a coup in his home country. They kidnap Jenny to force John Matrix to fly down to that country to assassinate the president. However he escapes from the flight to track down Jenny with the help of Cindy (Rae Dawn Chong) who he grabs at the airport.

The best thing about this movie is that it doesn't take its time to get started. The action gets going right away. The bad guy has barely gotten one line out about his kidnapped daughter before he gets a bullet in his head. It's all action from Schwarzenegger. There is no negotiations. He delivers some delicious one-liners. The most memorable is "Remember Sully when I promised to kill you last? I lied!!". And who could forget the Jamaican steel drum music. It's just a fun movie.

'Commando (1985)' is slightly camp, a bit cheesy and ever so slightly sub-par and it knows it. This action flick aims solely for that 'turn-your-brain-off' guilty pleasure crowd and hits its mark dead-on. It's hard to watch without a smile on your face. Though it is silly - even stupid at times - and incredibly over-the-top, it is also ostentatious, or just toeing that line, which means you can laugh with the picture rather than at it. You do get the undeniable sense that a cringe-worthy one-liner combined with an outlandish, infinite-ammo action-sequence is just kind of awesome. 6/10.

When I was growing up, I had two heroes on the big screen. One was Rambo and the other was Indiana Jones. They were two relentless characters that would never stop, never give up and their tenacity was stuff that kids or teens would swear by. When we were playing adventure games those were the two characters that always got chosen to play first. But the same year that Rambo II came out, a new hero was born. We all knew who Arnold was, he was the Terminator. But when Commando was released, one of my best friends said to me, " Hey Dan, I think this guy could take Rambo." After all Matrix says to Cook, " I eat green berets for breakfast and right now I'm very hungry!" I would maybe have to concur. Matrix was the toughest man alive ( until MacGyver came out ). And Commando is one of the best memories that I have as a young man growing up in the 80's. Besides it being a damn fine, fun movie, it also has two other elements that began to teach me about film. First a young Bill Paxton was in it and secondly I began to notice the name Joel Silver. He is the producer extraordinaire that is the man behind hits like Die Hard, Predator, Weird Science and more recently The Matrix. Now I look for his name in the producers chair and when he is on that poster as producer, I'll run to that movie.

Commando doesn't pretend to be something that it's not. The Rambo character was more into politics and it took itself a little more seriously than Commando did and that's fine. But this film is nothing but entertainment. It starts fast and violent and it ends hard and violent. You think Rambo kills a lot in Rambo, then count the bodies in this one. But it is so much fun because not only does Arnold have fun with it, but the script, as cheesy as it may seem is actually brilliant. Arnold's one liners are now a staple of his film persona and I think you can look at this film as the root of that persona. For example " Any carry on luggage? " the stewardess asks Arnold, " Just him," he replies pointing at the thug that is escorting him onto the plane. After he beats the hell out of Bill Duke he says, " We'll take Cooks car, he won't be needing it." And of course, to Bennett when they are about to fight mano a mano, "Come on Bennett, let's party!" Commando is littered with small moments like that you won't soon forget. It has stayed with me for 15 years and me and my friends rent it every now and again to laugh and cheer. If this a film that you haven't seen yet, then do so. If you haven't seen this film in quite a while, you should treat yourself to it. It is fun fun and more fun. And this is the first film that Arnold reprises his famous line " I'll be back!" So what's not to like about it?

Solidly entertaining, over the top, comic book style spectacle giving superstar Arnold Schwarzenegger the perfect opportunity to play action hero with more levity than usual. Screenwriter Steven E. de Souza injects lots of wit and memorable one liners into the mix while director Mark L. Lester serves up the assorted action scenes with great relish. Granted, it's absolutely pure nonsense, but irresistible on that level.

Arnold plays John Matrix, retired soldier who's forced back into action when a vengeance minded former dictator (Dan Hedaya) wants him to murder a sitting president and kidnaps Matrix's daughter Jenny (Alyssa Milano) in order to make him do it. Fortunately, Matrix manages to slip away from the bad guys, and acquires some unlikely help in the form of feisty stewardess Cindy (Rae Dawn Chong), while the clock is ticking the entire time.

"Commando" is appreciably unpretentious stuff that knows what it has to do and does it in style. We get to see Arnold, among other things, rip a phone booth out of a wall, dangle a man over the edge of a cliff with one hand, swing from the roof of a mall using balloons, tear a seat out of a car, eat a Green Beret for breakfast (he's VERY hungry, don't you know?), go on an early morning shopping trip at the local surplus store, lug an enormous log around, get a face full of ice cream, drop from a plane into a swamp, and feed a deer. Now, who can read that and pass this up? "Commando" is tons of fun provided the prospective viewer is ready to suspend every bit of their disbelief. The movie just rockets forward with no filler to slow it down, taking place within a limited amount of time, and keeping up an amazing energy level.

Arnold, for the first time here, got to show that he did indeed have a sense of humour about what he did, and is very easy to watch, with a great supporting cast - also including Vernon Wells, as one of the most priceless villains to ever grace the action genre, James Olson, David Patrick Kelly, and Bill Duke, with bit appearances by the likes of Bob Minor, Chelsea Field, Branscombe Richmond, and Bill Paxton. James Horner's music score is awfully familiar, but it does help drive the movie forward, and there are some beautiful moments of extreme violence - including scalping by saw blade and an arm chopped off - to give the presentation some real punch.

Check your brain at the door and you can have a really good time with this one, or in other words, let off some steam.

Eight out of 10.

Arnold Schwarzenegger is the embodiment of 80s-90s muscle-man action cinema, an era we can now look back on with nostalgia, mostly for its unabashed mixture of macho ultra violence and out-of-control kitsch. It's interesting to note that the Austrian Titan's first great commercial disappointment - Last Action Hero - was a parody of the genre he dominated. How do you parody parody itself? The man's best films, the first two Terminator films and Predator, rise above that, but most of his work is inches from being one big spoof.

While you can't parody the genre outright, you can take it to its extreme, and I'm not sure what Commando is or who it was meant for, but that's what it does. Schwarzenegger's John Matrix (a typical Austrian name, that) lives a life of mono parental bliss with daughter Jennie (or, as he calls Alyssa Milano, "Tchainee") until she is kidnapped and he is forced to throw all his retired killing machine skills into saving her.

We can run through the ingredients, it's actually worth it for once: - Body fascination. The film never hesitates to glory on Schwarzenegger's body, and while he isn't showing off with impossible feats (carrying a tree or busy phone booth) he just sits there, bare-chested, for the camera. - Homo-erotic subtext. If it's that in-your-face, it can't really be subtext. Beside the fact that this is probably an affront to gays everywhere, the tension between Ahnuld and main villain Bennett would be interesting if it weren't for... well... Bennett himself. I'd describe the world's most ill-conceived blockbuster villain for you, but I'd rather not ruin the surprise. Just youtube "Last Fight Scene - Matrix vs Bennett". - Gratuitous violence. Not much blood here, but every bullet that grazes the floor creates its own explosion. And the stunt-work reaches miraculous levels of retardation. - "Clever" One-liners. If that's your thing, you're in for a real treat. - Outrageous music: oh boy, you can't imagine... - Sexy but severely underused damsel in distress. Underused? We wish. Sexy, not quite.

It's hard to even rate this film. It makes for a delirious group viewing experience, but then again, nobody could ever honestly call it a good a film. And unlike True Lies, another very silly film, this hasn't aged gracefully at all, hence much of its "charm" is down to nostalgia. It's the only way to forgive the film's confounding technical ineptitude (the number of goofs and continuity disasters sets a record).

You have to see it to believe it. Then again, maybe not. Just check out the wildest bits and watch Predator instead.

Thank you YouTube!