Chiller

With this endeavour, director Wes Craven will not, in all probability, please many enthusiasts of his other films, the majority of which involve a good deal of violence and bloodletting, but he does a workmanlike job with this account of storage cryogeny which goes awry. Wealthy Marian Creighton (Bernice Straight) has kept her son Miles (Michael Beck) in cryogenic suspension for ten years since his death from a liver disease, and when a computer failure results in his sudden thawing, his mother decides upon immediate liver transplant surgery for him, a procedure not available at the time of his demise. Although this surgery is successful, and Miles resumes his former station as CEO of the family corporation, an issue arises as to how one might know of the possible lack of his spirit, or soul, whereas the other two elements of life, body and mind, have plainly been restored. The destructive behaviour of Miles is such that his mother and her clerical friend Reverend Penny (Paul Sorvino) begin to doubt that they should thank a higher power for delivering Marian's son to her, and a metaphysical inquiry becomes dominant in the film. Beatrice Straight gives, as ever, an excellent performance in her role, Paul Sorvino is tastefully nuanced as the troubled prelate, and Michael Beck obviously savours his part as the fulsome Miles, but Craven cannot seem to distance himself from his cinematic terror bromides, most of which become red herrings for a scenario which largely focusses upon ontology.

Corporate bigshot Miles Creighton (Michael Beck) employs cryogenics to have himself frozen after his untimely demise. Ten years later, something goes awry and Creighton is thawed out prematurely.

Once revived, everything seems normal, until Creighton takes his place as head of the family corporation. Now a ruthless psychopath, no one is safe from his selfish, homicidal mania.

Director Wes Craven works fairly well within the confines of 1980's television. Like his other made-for-TV movies, CHILLER suffers from the limitations of the medium. Craven does his best work in the R-rated film format. Still, this movie is watchable enough with good performances and a decent amount of suspense.

Co-stars Beatrice Straight as Creighton's blissfully ignorant mum, and Paul Sorvino as a preacher who suspects that something isn't quite right...

I liked this made for TV movie about a cryogenetically frozen body being brought back to life. Michael Beck plays the cold-hearted lad who dies ten years ago and was frozen by his mother waiting for a chance for science to bring him back via new medical technology. His cylinder goes on the fritz and action must be taken quickly to see if science has the answers now that it did not have ten years earlier. Beck is revived but not the same person. It seems that whilst his body is living again, a chasm only fills the void vacated by his soul's departure. Beck comes back with no regard for human and animal life and only wants to appease whatever appetites he might have at that very moment. Now, this is some pretty absurd stuff I grant you, but director Wes Craven and some good acting save it from being terrible. In fact it does get one thinking about some things. The acting is uniformly good with Beck doing a good job and Oscar winner Beatrice Straight and Paul Sorvino as a cleric really bringing home the bacon. They both do stellar jobs with this material and give it some much needed credibility. Sorvino is very convincing in his role. Some good character acting by Dick O'Neill and Anne Seymour add to the mix, and the addition of beautiful Jill Schoelen doesn't hurt either. Kudos also to Craven for not going overboard as many others might be apt to do. Beck is a man with no supernatural abilities per se but rather just soulless is his approach to another chance to "live."

This 80s film has a very good concept. What if you died and were cryogenically frozen immediately after, then thawed out years later. Would you be "soul-less?" Watch the film to find out.

Some very creepy moments but it's basically a dated 80s TV movie. Why bother releasing a film to DVD if there is no desire to enhance it? To make money I know, but, it's just wrong. The picture quality is awful and that's enough to make you want to shut it off. The "film" could stand a remake with a much broader scope because of it's interesting premise. There are a dime a dozen horror films out there but I don't think this approach to terror has often surfaced. What makes the film all the more relevant is the fact that man-kind could actually come face to face with this issue for real.

Wes Craven through the years directed four different TV movies. To this point I have seen only this one and INVITATION TO HELL (which I liked less than this one). But, as it says above; I think this was a real wasted chance at making a great horror film when you look at all the people involved with it.

It is the story a man named Miles Creighton (coldly played by Michael Beck) who has been frozen cryogenically for almost 10 years. The pod he is in is failing so doctors race and bring him back to life. In the end we see that perhaps Miles isn't the same man he was before.

I do think we have a good premise here written by J.D. Feigelson. But, the film doesn't seem to take us more than a step or two any from this idea. The best comes from Paul Sorvino who plays Reverend Penny who questions if Miles has a soul. Beatrice Straight also stars as Miles' mother Marion. I really enjoyed her in POLTERGEIST, but here I find her almost hammy. Beautiful scream queen Jill Schoelen also stars. Stan Winston also was involved doing FX. I did find the scene involving Miles coming back to the life of the living in the hospital quite formidable in the FX department as this was an 80s TV movie.

So, with that cast, with an FX wiz like Winston and a man in Craven who really did a great job in showing us a new and groundbreaking side to nightmares in A NIGHTMARE ON ELM STREET just a year earlier they really missed in making perhaps one of the best horror films of maybe the 80s. I think if they allowed Craven to expand upon the script and take it away from some of the trappings of TV they may have had a great film here.