Eleni

This is not a comment to the movie itself. The bits I have seen show at least an accurate portrayal of rural Greece in the late 40's along with the political "turmoil" of the time. Acting was above average in general, although some members of the cast, notably Malkovich, could have done a slightly better job.

So, is this propaganda? Of course it is BUT with more grains of truth than your average propaganda film, especially an American made. Yes, Mr Gatzoyannis (unless he is ashamed to use his real family name and resorts to "Gage") had lost his mother during the civil war. He is supposed to be one-sided, who wouldn't? He wrote a book about it, good for him. Someone made a film based on it, good for them. And now, many of us are bickering about what it is, propaganda or not, who are the good and who are the bad ones and so on...

A commentator before said that war is the end of civilization. True! A civil war though makes an "ordinary" war look quite civilized and "noble". Americans surely have their experience, they have gone through a terrible civil war. We, Greeks, have our experience which, sadly, is more "fresh" - lots of people that lived through it are still around to talk about it. Kids being taken from their mothers' arms to be transported..where? Brother killing brother (literally!) and generally bringing down whatever was once dear. Who's the bad guy? Which brother gets moral high ground? The one who took to mountains, kidnapped young ones to put them through a grim life behind the Iron Curtain, laid waste to his land and his home? Or the other, who after suffering all that, imprisoned those left behind (the majority of which were not part of the armed struggle and suffered along too), exiled them to desolate barren islands (there are more than we need of those in the Aegean), made them "dance" with cats in a sack (interesting how democracy, or "democracy", can be as horrendous as communism or any other totalitarian regime) and generally held them at the "border" of society until 1974. Who gets praise and who gets blame? You don't know? I think you do!

History was always written by victors, this is no exception. What is an exception in this case is that this particular "victor" (Gage) abstained his country's drama until it "suited" him to be a part of it. Having lost a loved one, a parent, in war is no unique to him, millions of people did! Did he live the ongoing "plague" that the civil war was? From the comfort of his house, half a world away. It is almost as if I, who have never been to the US, write a book about the drama of the Indians. Whatever moral high ground he possessed he lessened being that "distanced" from the whole scenery of it and its consequences. In short, this book and film portray HIS side, not his ideology's side but his personal side. It is easy to place blame, very hard to do so for one side only!

I will not go into the politics of that period, that is for another place and another time. Decent film, worth a viewing if not for anything else for an accurate portrayal of the "scenery". No stars awarded as I have not seen it all, just bits and pieces.

This is another of those supposedly based-on-a-true story accounts, this one dealing with a man's (writer Nicholas Gage) quest to return to his native Greece and avenge his mother's death which occurred 30 years earlier.

This is not an uplifting story but it's not depressing, either.....but it is grim. It begins with the Grecian mother protecting her kids from the vicious Communisits of the late 1940s. The film switches back and forth from that period to modern-day but it's never disjointed. The acting by John Malkovich, Kate Nelligan and Linda Hunt is excellent and the scenery is pleasing and very little, if any, profanity if memory serves me. It's a decent film but not anything I'd watch more than once.

Powerful performances all around in this tale of a family's struggle to escape the Greek Civil War after World War II. Based on a true story, and with a powerful performance by Kate Nelligan as the title character. John Malkovich does not disappoint as her son who seeks to avenge his mother's execution. Oscar winner Linda Hunt also gives a fine supporting performance. A gripping, suspenseful mystery!

Great movie, with a good performance from Kate Nelligan. Cant believe all the people defending communist kidnappers and murderers, after all the years of Nazi murders, people actually defend thugs kidnapping children, murdering villagers who refused to agree with them, etc, etc, etc.... The Greek Civil War was nothing more than Stalin trying to add Greece to his list of appetizers along with Poland, Hungary, Romania, Bulgaria, etc... Stealing children to take behind the iron curtain, executing parents who try to keep their own children, stealing houses, livestock and food crops to feed the murderers of their own people is not a good thing and this movie sends that message in spades. People are supposed to be happy about being out from under the fascist murderers and put under the domination of communist ones???????

Stunning performances by Kate Nelligan and most of the cast in this powerful story, based on truth, help make this a must-see film.

I wonder if some of the reviewers, such as onceuponatime500, really saw the movie, or if they just wrote from some vicious and preconceived bias.

The communists come to the village to conscript -- kidnap -- children to become guerrilla fighters. The mother, Eleni, takes a drastic step, mutilating her oldest child to spare her from being shanghaied into the communist forces.

Being communists, they will not be thwarted, not by any such reactionary notions as self-ownership, or freedom, or parental rights, or any of that silly stuff: They take the next oldest girl instead.

Eleni loves her children and believes, foolishly according to onceuponatime500, but in line with what Charlie Anderson (James Stewart) in "Shenandoah" said: They're my children, not the state's, not some murderous movement's.

For years after seeing this powerful and haunting story, I could recall Nelligan's last scene and be moved to tears.

The agony Eleni went through was duplicated millions of times in the bloody 20th Century, as some government or another, or some tyrannical movement or another, kidnapped young people to force them to risk their lives for some cause most of them didn't understand, much less support.

Think Viet Cong, think Hitler's armies, think Stalin's and Mao's imperialist and aggressive armies, and, yes, think of the poor draftees from the United States.

Think, contrastingly, of parents, parents who spent years loving and caring for their children, hoping those children would be able to live to a better adulthood than their parents. Think of those parents seeing their children sometimes literally torn from their grasp, thrown into lines to be cannon fodder for cruel warlords -- communists, Nazis, imperialists of one kind or another, even when disguised as crusaders.

"Eleni" works at almost every level except for the incredibly horrible performance by John Malkovich.

If it hadn't been seen as anti-communist, even Hollywood would have honored "Eleni." But its being anti-communist made "Eleni" an outcast in that artistically and morally corrupted town. However, "Eleni" is powerful drama.

Added 25 November 2017: Watching "Eleni" on YouTube, I am wondering if my dislike of John Malkovich's performance is at least as much for how unpleasant he makes Nick Gage. As portrayed by Malkovich, Gage is rude, cold, aloof; he has no personality, doesn't respond to people, not even to his wife who asks questions. As performed by Malkovich, Gage's personality is enough to chase away a viewer.

We are now exactly 100 years after the Bolshevik revolution in Russia, an event that led to hundreds of millions of deaths, and destruction of entire nations, of entire peoples.

There is an irony in Nick Gage's working for The New York Times, which has been frequently pro-communist, and nearly always anti-anti- communist, with its Moscow correspondent Walter Duranty infamously painting a rosy picture of the Soviet Union during the time of the murderous monster Josef Stalin.

This century anniversary makes "Eleni" even more poignant and even more important.