Death Wish 3

Oh my word!! I have never seen a film so lacking in any kind of moral judgement or consideration for anything other than the death of the scum! Michael Winner here makes a valid observation of human desires in displaying a gung-ho troth world of deep and damaged execution. Not only does he spoon feed us with utter hell on earth seen through the face of the moustached Bronson, but he also shows us the spoon he's feeding us with and says "look at what your watching now look at your self and ask the question: Are you enjoying this?" And even though you'll tell yourself NO IT CAN'T BE!!!! You'll know that deep down inside you'll know...it's a masterpiece

What a romp this is. The great Kersey (Charles Bronson), ignoring advice to lay low for a while (like ten years!), relocates his trigger finger and bad attitude to New York City.

A long sequence where Kersey runs the streets shooting at everything in sight redefines this as a crazy modern Western. All sense goes out the window and the angry vigilante's original reasons for revenge fade slowly into the bullet-ridden background.

You get exploded thugs, burning cars, bodies through glass, dozens of bullet-riddled corpses and a lurid directing style that is perfect for the material.

Not as fine as DEATH WISH 2, but fine, nevertheless.

Wow! What a movie! I can't get over how much I enjoy it! I watch this movie time and time again and enjoy it more and more. This is by far and way the best of the Death Wish series.

The directing is superb, (particularly the scene with Charles and Ed Lauter patrolling the streets shooting punks to a funky 70's soundtrack.)Winner builds up just the right amount of tension, action, humour and emotion at exactly the right moments. There is a high standard of acting on display here. Apart from Charles's flawless performance, there is a career best from Ed Lauter here as the vigilante cop. The plot is superbly written, the only drawback is, it was too short! (I hope they bring out a DVD version with extra scenes soon) Best Bit:- Hard to choose, there are so many classic scenes. Lookin for trouble ma'an? (You'll know what I mean when you see the film) Best Line:- Tell you what I'm gonna do. I'll kill a little old lady, just for you. Catch it on the 6 o'clock news!

Paul Kersey has returned to New York to visit an old war buddy, but finds his mate lying dead in his rundown apartment. Who did a gang of thugs who rule the area beat to death. Kersey gets accused of the murder when the police arrive and he sits in the cell for a while. Although the chief of police realises who he is and decides to let Kersey bring justice to this untamed part of town that they can't seem to control. So Kersey takes up residence in his late friend's apartment, befriends those living there, starts seeing the public defence attorney and goes to work to finally rid this neighbour of their out-of-control mugs.

Talk about over-the-top! The first two films were searing thrillers that realistically exploited its leering material with scathing pot shots or gritty intensity. Instead this addition (which would be director Michael Winner's final outing in the series) goes for an all-out action romp that's excessively cheesy and outrageously delirious. With that on mind. Most of the fun is to be had with this particular item of the franchise.

The seriously dour nature of the earlier films don't really evolve within this one, because Winner favoured more of a tongue-in-cheek style of mayhem that basically parodies (don't know if it was intentional, though) what he done before. Suspenseful thrills are replaced by bigot action looking for nothing more than a large body count. This really does let loose in the film's cracking climax, where no one is safe from the colourfully cartoonish onslaught. What can one say? It's an urban jungle out there for some… but Kersey sees it as a shooting parlour. And his well equipped (carrying a Wilbur Mangum and holding onto a rocket launcher) this time to take out the trash! Sadly though, Charles Bronson is looking terribly downtrodden in the role. He might be sleepwalking it, but what he brings to the table a resourceful character that you can't help but cheer on. Even though the feeble script doesn't emotionally pull you into his compassionate plight like the previous two. The contrived story is pretty much bare bones and very stereotypically (like the multi-race living in the apartment building who finally stand up for their rights as citizens) plotted. The police really do get a touch up in their incompetence of how they do things and their lack of actions. It really does leave a sour taste in your mouth, which I'm sure that's what it was aiming to do.

While, the obligatory romance sub-plot is beyond forced and only there to give Kersey more motivation when needed. An adorable Deborah Raffin plays Bronson's love interested, but with her talent she's wasted in a throwaway part. Ed Lauter trumps in with a quality performance of the cutting, hard-nosed NY detective. Gavan O'Herlihy perfectly cooks up a storm in his nasty role as Fraker the gang leader. With features like his striking hairdo and cold-stare, he managed to reek of brute fear and be sufficient in leading the chaos. Making an appearance as one of the wild punks is a young Alex Winter (who'll be best known for "Bill and Ted's Excellent Adventure"). The rest of the supporting cast are reasonable. Winner's direction is durably crafted and tautly laid out in its no-bars framework to shove it in your face. Again for such a lesser sequel, Winner makes it look reasonably up to par despite it being a flawed technical production. Although it is being set in NY, it was basically shot in London. Its stays on a few locations and at times they come across as purely sets. An impressive array of camera-work is on the ball by John Stainer. Attached to the music score was Jimmy Page again. Instead of the sickening riffs presented in number 2. It's oozing with a more sweepingly funky and overpoweringly scorching rhythm.

A different breed that might be considerably toned down in its rough exploitative nature, but the gung-ho violence does run freely and you got Bronson walking the walk… of death. For a quick fix, you can't go wrong with ultra-chaotic and downright brainless "Death Wish 3".

Thus continues Paul Kersey's journey through lands densely populated with criminals...

In this installment, yet another of Paul's friends dies at the hands of thugs. But Paul's not going to stand for it-- he'll take the law into his own hands! Again! Naturally, the dark spectre of crime follows him like a bad penny. In a single afternoon he witnesses more felonies than most of us will see in a lifetime.

Paul's new neighborhood is a checkerboard of cinder-blocked windows, bodegas, flophouses and piles of rubble. His slum is populated by various law-abiding ethnic types being tormented by a motley gang of knuckleheads who aren't willing to let Paul take control of their turf. Some of the ne'er do wells have a funny logo painted on their foreheads. By day and night they rape, pillage, murder and invade the homes of innocents.

Yet -- paradoxically -- the area remains bustling with civilized activity. In the face of danger, its citizens brazenly (or ignorantly) go about their lives. But there is a stiff penalty to pay for such defiance and only the swift arm of Paul Kersey can put it right, all the while inventing new ways to extract teeth from would-be burglars.

Classic formulaic film-making from Cannon films!

6/10