Disciples of the 36th Chamber

The most boring and boring of the trilogy, the protagonist, smart ass (in the worst context of the word) too, in others these acts are redeemed by the effort and will to fight for the oppressed, here we see him fighting for ambition, ease and fun, without redemption, inflicting suffering on the family and especially the mother, who almost sold herself for him, unpleasant...

This is the second film where Lui Chia Hui plays San Te. He, however, is not the focus of the film. Fong Sai Yuk, played by Hsiou Hou, is the main character and occupies most of the screen time. Fong Sai Yuk is portrayed as a brash, young super fighter who can't stop getting into fights. He's a bragging, annoying character whose sole redeeming quality is that he can back up his boasts.

One of the last Shaw films before they shut down the studio, the film is set bound and looks like it could have been done ten years earlier. The plot is just decent with a back story that is slightly unexplained. The actors all do a good job. The music is very canned. The highlight is the fighting and there's plenty of it. A moderate amount of wire-fu doesn't detract from some excellent choreography. Liu Chia Liang really got into mass fight scenes towards the end of his time at the Shaw Bros. The final scene at the governor's palace is a small masterpiece of mass fighting.

A good kung fu film.

This is the story of Fong Sai Yuk. I guess some of you will come to think of Jet Li now which is right, this movie is about the same guy as Jet Li plays but with one major different thing. It isn't Jet Li that plays Fong Sai Yuk its the fantastic actor Hou Hsiao which I must say kick Jet Li's butt in most areas. Hou Hsiao would probably win the vote for "best underrated martial artist of all time". You have to see this guy move to believe it! Amazing!

This movie has everything a good martial arts movie shall have. Exciting fights, good acting and its fun moments as well.

I guess this film is one of the best Shaw brothers movies I've seen in my life. And as even Gordon Liu is in this movie, its almost written success all over the title. And now when its digitally restored on DVD (Deltamac or IVL release) it is just even better.

Fong Sai Yuk is the utterly incorrigible young troublemaker who is nearly invincible due to his martial arts abilities. His parents and teachers can't discipline him, and he continually gets into trouble; until one day he messes with the wrong people, and the local rulers decree that he be decapitated. Devastated, his parents secretly send him and his brothers to the 36th Chamber of Shaolin Temple to avoid the beheading, and his mother selflessly agrees to face the consequences of her son's actions.

Once in Shaolin Temple, monk San Te works (played but Gordon Liu) to exhaust the young boy into submission. However, Sai Yuk handles his training regimen easily, and has plenty of energy to spare for his various dirty deeds. Sai Yuk gathers his fellow students in attempts to sneak out of the temple. On his night out, he visits the governor's estate to witness the lantern festival, where he gets into more trouble and earns the wrath of the governor himself. It's not long before the governor begins to plan an elaborate plot to bring down Sai Yuk and all of Shaolin's students with him!

I remember the episode of a podcast I listened to about the fight between DC and Marvel and how during the 70s DC tried to copy Marvel's formula but just seemed to fail, since they just didn't understand what made Marvel's heroes so special. Well, there could be another episode about Shaw Brothers and Golden Harvest, because without knowing too much about Shaw Brother's history, this film makes it quite obvious why they were out of touch while Golden Harvest just continued to deliver hit after hit.

The biggest problem with this film is the main character Fong Sai-Yuk/Fang Shih Yu (Yes, that Fong Sai-Yuk) - to put it simply, he's an idiot, he's really stupid, it's not even fun how stupid he is. He always wants to pick a fight with the Manchus, even if it could cause problem for his own people, he's the oldest in his class (the actor was 27 when this film came out.) and is probably supposed to be in his older teenage years, while the rest of the kids around him is 7-9 years old. He has to use both hands to write letters and also spin the paper around that he's writing on to finish the letters (and I don't think it got to do with the straps that kept him tied up from fighting). The only thing we know for sure is that he's amazing at fighting and there's never anytime you're worried for him, because he's really overpowered, even when it's him against 20-30 enemies, he just laughs it away like it's nothing.

It's really sad, because the fight scenes in this film (and there are many) are really great ones, amazingly choreographed and a nice flow to them. Gordon Liu as the Monk isn't in this film enough, because he's the character that saves this film (or at least tries to) because at the end of the film I just wanted the film to end, because this version of Fong Sai-Yuk was just the worst, no redeeming qualities whatsoever. While Jackie Chan in Drunken Master, Young Master or Dragon Lord starts off as a rascal, those films guides us through as he learns his mistakes and becomes a better person and finally able to defeat the big bad. In this film, Fong Sai-Yuk was just a bully all the way through, he didn't learn anything and the way he defeated the big bad in the end is just awful and cringeworthy.

I really don't want to watch this film ever again.

Gordon Liu Chia-hui reprises his famous Monk San Te role as he tries to support and protect Shaolin her Fang Shih-yu who purposely attacks corrupt Ching officials. Fights by legendary action director Liu Chia-liang are to die for.

I am not knowledgeable enough to properly critique kung fu films. Many seem the same to me. I don't hold this against them, as this is really my fault and not theirs. (As a fan of the slasher film, I would not be surprised to hear someone say they're all the same... few people would want to get to know them like I have.) One thing I do know, however: this film is ground-breaking. It is a Shaw Brothers film at a time that looks to be a transitional state. We still have the great choreography and fights of the Chang Cheh films, but we have what appears to be a much higher production value, something that will really be apparent in "Martial Arts of Shaolin" a year or two later.