Future-Kill

The best part of this movie.... the cover art created by H.R Giger

I got sucked in by the cover when it first came out and I was to STOOOPID not to watch it!

Do spend time looking at Giger art if you aren't familiar with him.

FUTURE-KILL! Holy crap, I revisited this one last night and was shocked at the disconnect between my childhood memories of it and reality. I thought it was cutting edge stuff at the time, but it is just awful. The setting is a futuristic Austin, TX (I assume, they never say) where a gang of painted up punks protest nuclear armament. A bunch of college frat guys head down to the ghetto to play a prank on them, but end up running into radiation-mutated Splatter (Edwin Neal, TCM's Hitchhiker). Splatter kills pacifist anti-nuke leader Eddie during a scuffle and blames it on the frat boys. After that, the film is THE WARRIORS with a $50 budget as they kids try to escape and get help from sympathetic punks including Dorothy Grim (Marilyn Burns). From 30-year-old frat guys to laughable punks, director Ronald Moore gets everything wrong. One would think the re-teaming of CHAINSAW stars Burns and Neal would lead to some interesting moments, but the film has none.

I just saw this film and I have to say it has an interesting concept. However it is poorly done. It is still entertaining, but it would have been way better if it had a half way decent budget. I am a huge fan of Marilyn Burns(Texas Chainsaw Massacre,Helter Skelter) so thats why I was drawn to this film. The box is misleeding because she is only in the movie for a little in the begining and some at the end. SO see it at your own risk. The cheesy 80's rock songs will be in your head for days

oh good grief...get over yourself...this is not that bad at all...when was the last time YOU tried something as difficult as making a film??...yeah..that's what I thought...I give it @ least a 6...have you ever seen WATERWORLD...or ISHTAR...or PEARL HARBOR????....right...and they cost MILLIONS...these kids did great stuff w/ about a buck and a dime...so back off monkey-boy and go back to your almost-worn-out Jenna Jameson collection...

I thought the sequences where the frat boys are being chased were pretty creative and the lighting was very good when you know they didn't have enough money to get all those huge lights they use on the A films...and the punk sequences weren't bad either, considering this was shot in 1984!!! ...I thought a bunch of the punks were real people...you KNOW they didn't have enough money to put all those people in those cool costumes...so they must have brought them from home...

"Future-Kill," with its menacingly hyphenated title and H.R. Giger-esquire (turns out Giger himself actually did it) box art, was a film of quasi-mythic cult attraction in the time of VHS. Its real claim to any sort of notoriety? The participation of two actors from "The Texas Chainsaw Massacre" (Edwin Neal and Marilyn Burns, the latter of which basically has an extended cameo). I rented the film years ago for that very reason, and didn't find it great, but didn't hate it, either; at best, it felt like a semi-coherent mix of "Porky's," "Repo Man," and the early works of Sam Raimi. After viewing it a second time, I can genuinely say I liked the film. While the current DVD version (via Subversive) doesn't perform any alchemy on the film's murky cinematography (it's essentially a port-over of the old VHS), it adds to a strangely nostalgic feel for '80s "No Nukes" protests, New Wave fashions (gotta love the Bowie-esquire eye makeup!), and no-taboo sex comedies that weren't afraid to show a lot of skin. Director/co-writer Ronald Moore has crafted an erratic, borderline-amateur feature that starts like one of the endless rip-offs of "Animal House" (pampered frat guys spurn a rival frat leader), abruptly shifts into a variant on "Escape from New York" (frat guys run afoul of a radiation-poisoned psychotic, aptly named Splatter (Neal), and even finds time to reflect on the socio-economic differences between the bourgeois frat guys and the urban "mutants" looking to live nuke-free (with the final conclusion being that neither is all that different). While Moore's directorial flourishes are minimal, the periodic use of muted slow motion during violent scenes seems to tie in with the film's contradictorily anti-violent philosophy, and is employed to good effect; and while the frat guys aren't very well-defined, some are allowed to develop as characters, to the point where the suspenseful climax actually carries a surprising (albeit low-grade) impact. While "Future-Kill"'s philosophy might not be the most thought-out, and while it may not be a model of superior film-making, it should be given credit for at least attempting to go about its slaughter with some semblance of brainpower. (The funky vintage synth score also deserves a shout-out.)