Fandango

"Fandango", defined at the outset as either a dance, the music for same, or a foolish act, is nothing if not very appealing, capturing a point in the lives of young mens' post-college lives when they have to decide What to Do Now. Gardner (Kevin Costner) prefers to remain rootless, although he and Kenneth (Sam Robards) have both been drafted to serve in the Vietnam War. Kenneth, however, was supposed to get married, and thinks that he has to call it off now. Together with their friends Phil (Judd Nelson), Dorman (Chuck Bush), and the barely seen Lester (Brian Cesak), they head off on the obligatory One Final Great Adventure before they go their separate ways.

This marked the feature filmmaking debut for young Kevin Reynolds, whose student film "Proof" was expanded for theatrical release under the sponsorship of Steven Spielberg (whose recently formed company Amblin produced the film). A truly great film it is not (not every episode is equally compelling), but it's still quite engaging and impossible to resist. It's certain to be relatable to people of a certain age, no matter what era they've occupied (the films' story takes place in Texas circa 1971).

The characters are generally quite interesting to watch, especially Costner, who shows that he can make the most of the situation when given a reasonably colourful role. (Still, his character remains refreshingly human, never turning into a cartoon or caricature.) Nelsons' work is equally impressive, although Phil is the kind of uptight, fastidious guy who could easily wear out his welcome. Fortunately, he becomes more endearing as the story plays out. And Robards is equally ingratiating. Bush doesn't get much to do that's interesting, however, and Cesak is stuck in the ultimate thankless role.

The lovely ladies present get their moment to shine, too: Suzy Amis, as Costners' unnamed girlfriend, Glenne Headly as Trelis, and Elizabeth Daily & Robyn Rose as two "jailbait" girls. Stealing the show for a large chunk of the running time is character actor Marvin J. McIntyre, who'd been in "Proof" and reprises his role here: eccentric diving instructor Truman Sparks.

Accented by lovely Alan Silvestri music and vibrant rural photography, "Fandango" adds up to an appealing way to spend just over an hour and a half. It can boast one striking finish, as the residents of a small town come to the aid of our heroes. In the end, it leaves us with pleasant smiles on our faces.

Seven out of 10.

A very underrated and under-seen film - thanks to the clods at Amblin (presumably because no one in the cast resembled an alien). Great acting, writing, and directing (from Kevin Reynolds). One of the only films Costner has ever acted in where he didn't resemble a stick of wood. I love this movie through and through. The sky diving scene (which is apparently what the film is built around, Reynolds' student film 'Proof') is fantastically funny from beginning to end. Marvin J. McIntyre is a true hero. GREAT soundtrack from beginning to end. The opening credits alone are worth the price of the rental. And the climax scene at Waggner's wedding is one of the most romantic and sensitive wedding scenes ever committed to film.

Don't miss it.

"There's nothing wrong with going nowhere, son. It's a privilege of youth": I think this quote may best summarize "Fandango", which gives much to think about, also in comparison to what is considered the first of all road pictures, "Easy rider". The myth and the out of time fashion of these road trips along US highways, still today pulsing with sense of liberty, is an element of attraction for the public of every time, mainly if accompanied by some good and emotionally powerful music. "Easy rider" was set in the 60's, when the myth of liberty was at its height, it was the celebration of the hippie era, of an ideology and watching it after 40 years, conveys a sense of tenderness towards the ingenuity of these bikers going nowhere, believing in freedom from all constrictions but unconscious of what they were really looking for. "Fandango" is set in 1971 but shot in 1985, US and universal history have taught a lot of things, and what is evident there, mainly in contrast with "Easy rider", is the deep consciousness of these mates, they perfectly know what they are looking for, they want to escape from what is hanging over their future lives, knowing that the myth of life on the road has lost all credibility. It is more a celebration of youth, of an age when you think that friendship and fun will last for ever, but you know that time must come to an end, and you need to do something, in this case an unforgettable road-trip, in order to postpone that end and escape from the forthcoming adulthood. Fandango, although extremely funny, almost irreverent, in situations and dialogues, leaves traces of deep nostalgia, and melancholia, pervaded as it is by such fear about life, in terms of responsibility, burdens, troubles. The skydiving adventure meant as the most extreme searching for life, and a desperate way to exorcise the coming of adulthood, is the most effective moment of the movie. Fandango shows some clichés, which however are part of this kind of movies, it is deeply American in the passionate way it celebrates life, freedom and the feeling of being "born to be wild", through a strong visual impact. However, it is undoubtedly entertaining, moving, thought-provoking, and emotionally engaging: really worth seeing, at least only for the wonderful locations, which frame very good performances, mainly a young and deserving Kevin Costner.

I saw this film this morning, I was transporting to those old films in which Spielberg is th executive producer, thisis a good movie, very nostalgic, this movie was never showd in Colombia and i am so happy to have the chance to watch it

Those were days

There is something so magical about this film and how it captures a fleeting moment in every young man's life. It's sentimental in the best way, harking back to lost youth and that transitional moment into adult responsibility. Kevin Costner has never been more charming (indeed I don't think he has ever tried) and director Kevin Reynolds imbuse this with such a touching sensibility and bravura filming style it really pulls at my heart. I discovered it on TV a decade ago and have always treasured the copy I managed to make of it. Why not available on DVD? Every other piece of s**t is. Wonderful. Not for everyone, not perfect but wonderful. The final frame I even used as a background on my PC for a while and the credits song...perfect. "Have a nice life."