Police Story

Probably Jackie Chan's best film in the 1980s, and the one that put him on the map. The scale of this self-directed police drama is evident from the opening and closing scenes, during which a squatters' village and shopping mall are demolished. There are, clearly, differences between the original Chinese and dubbed English versions, with many of the jokes failing to make their way into the latter. The latter is also hampered by stars who sound nothing like their Chinese originals. In fact, the only thing the dubbing has corrected is the court trial—at the time, trials in colonial Hong Kong were conducted in English, while the original has this scene in Cantonese!

Nonetheless, Chan's fighting style and the martial arts choreography inject humour where possible, so non-Cantonese audiences don't miss much. It's not, after all, the dialogue that makes a Chan flick, but the action and the painful out-takes. The story is easy to follow: Chan plays an incorruptible Hong Kong detective pursuing a gangland godfather (Cho Yeun), and assigned to protect a star witness (Brigitte Lin). The action is superb from beginning to end, and there's not much time to breathe in between. It'll never get you thinking, but what an entertaining, and well strung-together, film. Arguably, this is one of the best martial arts films out there.

Jackie Chan directs this film in which he plays a policeman who, at the film's start, is part of a massive raid that captures a major crime lord. The crime lord's secretary (Brigitte Lin) will be forced to testify against her boss, so the police have Jackie keep watch over her until the trial. That doesn't sit well with Jackie's girlfriend (Maggie Cheung).

What seems like a cute romantic comedy gets a bit darker as the crime lord's henchmen set out to kill both Brigitte and Jackie. There are so many amazing action set-pieces that it's hard to pick which is the best, from cars driving full-throttle downhill through the middle of a shanty town, to Jackie using an umbrella to hang on to the outside of a double-decker bus driving at full speed, to bone-crunching jumps and falls, and a huge action sequence inside a shopping mall.

If the overall story had been a bit more engaging, this might have gone down as one of my all-time action faves. As it is, it's highly recommended for action fans or those who want to know why Jackie Chan spent two decades as one of the world's biggest superstars. This was a huge commercial hit all over Asia, and won multiple awards, making it one of the premiere films in Jackie Chan's career. It has spawned multiple sequels.

This is a high-energy and awesome cop flick starring Jackie Chan, who plays Hong Kong Detective Kevin Chan. He is framed for murdering a fellow cop by a drug lord and, while having to clear his name, Kevin goes on a mission to capture the druggie while, at the same time, keeping his girlfriend.

Chan displays some of his best martial arts action in this film, with incredible stunt work, daredevil jumps and butt-kicking action. It's good old-fashion fighting skills with no wires and CGI.

The plot is pretty simple, nothing too suspenseful, but it's fast-paced with a mixture of humor and drama. And, the acting is pretty good - fun stuff and dialog coming from Jackie Chan, Maggie Cheung, Brigitte Lin. Cheung displays the tenderness in her character while Lin displays more of a feisty personality. And, Bill Tung as the Chief is a lovable and hilarious character.

Highly recommended action film!

Grade A

Out of the 10 plus films Jackie Chan has directed this is his most personal. I can see why its a personal favorite of his because of the energy and sweat that was put into making the movie. The ingredients for success are here with the actor/director's trademark of slam bang action sequences with a touch of the absurd. Jackie Chan as director creates many show stopping moments for this well made feature.

The opening sequence begins with a nicely ser up action moment that pays off with a fantasitc car chase. My favorite opening scene in all of Jackie Chan's films because of its usage of excellent action imagery. Ging Chaat Goo Si/Police Story(1985) does lose some steam after the scene ends but only for a short while. This sequence represents some of the best work in Jackie Chan's output from the 1980s.

The car chase which concludes the opening scene of Police Story(1985) is the big moment of the sequence. Its a amazing moment especially when Kevin Chan drives his car down in and out some Shantytown buildings to catch some drug dealers. This aspect of the car chase makes it stand out from car chases in American films of that period. The originalty of the car chase in Police Story(1985) is what makes the moment fun to watch.

Ging Chaat Goo Si/Police Story(1985) is one of five Hong Kong action pictures that would influence numerous American action pics of the late 1980s-early 1990s. The one actor whose films have been influenced the most by Police Story is Sylvester Stallone. Especially true in films like Tango & Cash(1988), and Demolition Man(1993). Many American action pics have been influenced by this picture and some never reaches the excellence of its action sequences.

What makes Police Story work is the approach to make the character of Kevin Chan Ka Kui into an everyman figure who fights against opponents with strength and will power. Because of this approach the movie becomes much more entertaining. The everyman character that Jackie Chan plays is a part of what makes his films popular with audiences in manny parts of the world. He rarely plays a character who is super tough and is not an everyman.

The stunt work in the action scenes are amazing because of the danger element. Jackie Chan performs such dangerous stunts in Police Story(1985) that it's a testament to his strong conditioning and bravery. Because of his fearless attidude, Jackie Chan always recovers from injury to do more dangerous stunt work. Very few would do what Jackie does and this is what makes him beloved in the eyes of his fans.

Police Story(1985) finishes in style with the action sequence that tops the one at the beginning. The physical work done in this one scene is reward with top notch execution of the action. The closing sequence uses visual gags to strengthen its status as a classic sequence. Many have imitated this one scene but few never bother to make any imitated scene into a great scene.

Maggie Cheung plays a lousy role as the helpless girlfriend of Kevin Chan, May. One of her first major film roles before she became known as a serious dramatic actress. During this period in her career, Maggie Cheung never did any action moves or attempted to do so. This would change when Maggie Cheung took on the role of Thief Catcher in The Heroic Trio(1993).

Police Story(1985) and Police Story 3:Supercop(1992) are the best in the Polce Story series. Both contain strong female characters in the presence of Brigitte Lin and Michelle Yeoh. The two films have dazzling action scenes with creative thought put behind them. Police Story(1985) and Police Story 3(1992) have high octane finalles that never bore or disappoint.

Ging Chaat Goo Si/Police Story(1985) was Jackie Chan's response to the disappointing results of his second American film, The Protector(1985). Has many of the Chan highlights The Protector lacked. Jackie Chan as actor and director wanted to do things with Police Story(1985) he wasn't able to achieve in The Protector(1985). Police Story(1985) benefits from losing the Dirty Harry style of The Protector(1985).

Jackie is one of the key police officers in a bust that captures big time criminal Koo. As a `reward' he is told to guard Koo's secretary, who has turned states evidence. However Koo's men try to get to them before the trial - the least of Jackie's problems as his girlfriend May storms out when she sees him with Selina. When Koo is acquitted, he frames Jackie for the murder of a cop, forcing Jackie on the run to clear his name and get Koo.

The first film in the successful Police Story series is a fair example of a Jackie Chan film for those who have never seen one - reasonable plot, great action, average acting (potentially bad dubbing) and the comic scenes. However it is not as good as some of the sequels and, just generally, some of Chan's other films. Police Story opens with a great shoot out that culminates in a car chase through a shanty town and a fantastic series of stunts on a bus. From this point on it then focuses on the plot and quiet a few moments of comedy. This works reasonable well but it feels like the comedy and action have been divided up into separate sections. This takes away from the film a little bit.

The plot is pretty solid for a Jackie Chan film (by recent standards this is a masterpiece of writing!) although some of the dialogue doesn't quite fit. The moment where Jackie is forced on the run by the police is a bit hammy and the `you don't see us as people' rant just doesn't seem like Jackie. Of course part of the problem with this is the dubbing in the version I watched - I just don't understand viewers who would sooner see a really bad dubbing job than watch a subtitled version! The cheesy American voices here do detract from the performances and I found it difficult to judge some of Chan's comedy lines when they were being delivered by another person in a very flat way. However he still has presence and his physical work is great. Special mention to the stunt men here also, there are a lot of great falls (including a dive from a bus top) that must have hurt - I don't care who you are! Tung's Uncle Bill has fewer funny lines than I'm used to but he is still funny. The female cast are pretty wasted with both Lin and Cheung on screaming duty for the majority of the film (and most grating it is too!).

The film ends on a rather strange shot but set up an angry cop that Chan never really convinced me as - a personae that just seemed to be dropped in the later films in the series, but the overall film is still very enjoyable. The plot is good even if the acting isn't and the action involves plenty of amazing routines and stunts - it's just a shame that the action and comedy were very fragmented, it disjointed the film.