The Lightship

This is one of the great movies from the eighties, however unjustly underestimated and forgotten.

Brandauer plays the captain of the lightship that's constantly anchored at the same place. It's only purpose is to warn other ships for dangerous waters. Robert Duvall enters the scene with his men and his one ambitions. It is also a generation drama about the relation between the lightships captain and his prodigal son.

A brilliantly hermetical story about the thin line between order and chaos, and about relations between people. An excitement that lies not in action but in the trial of strength and the mostly implicit violence, that sometimes breaks out in uncontrolled outbursts.

It also tells the story about the kind of courage that almost looks like cowardice.

Don't miss this one!

The US Coast Guard Captain Miller (Klaus Maria Brandauer) brings his estranged teenage son Alex (Michael Lyndon) on board of his anchored lightship and introduces him to the crew. When they see a boat with three men adrift, the crew brings them to the boat. The leader Calvin Caspary (Robert Duvall) introduces the deranged brothers Eddie (Arliss Howard) and Gene (William Forsythe) to Captain Miller and his crew and soon they overtake the command of the lightship. Alex and the crew is in larger number and wants to resist but Captain Miller has a trauma from his past and wants to protect his men.

"The Lightship" is a boring, annoying and overrated film about a US Coast Guard ship that is overtaken by criminals and the lack of action of her captain that does not want to endanger his crew. There is also a conflict between the captain and his son that believes he is a coward. There are many situations where the crew could easily defeat the criminals that the movie is ridiculous. The duel between the traumatized captain and the nihilist boss of the gangsters is also terrible. The motives of the criminals are not clear. My vote is two.

Title (Brazil): "Ataque em Alto Mar" ("Attack in High Sea")

I served on the Columbia River lightship and I can say, without a doubt, it was the best duty I had in the Coast Guard. Sometimes monotonous, we did get plenty of fishing and managed to poach a crab pot or two. And getting two weeks off after a month aboard without touching your 30 day annual leave surely made up for the semi-isolated duty that transpired. Also, the ride back and forth to the beach across the Columbias River Bar certainly was worth the price of admission. My lightship was WLV-605 which was homeported at the Coast Guard Bouy Base inside the Ballard Locks. Little enlistedman's bar, I remember poor-boy night; the night before payday when schooners of beer were 25 cents. A Coastie with five bucks in his pocket was popular. I also remember playing a dice game, Ship Captain Crew, for beer. After refit, we would steam up Puget Sound, around Tatoosh Head and down the Washington Coast to station. Boy, I wish I cold turn back the hands of time and have just one more rotation on that Galloping Red Ghost of the Pacific Northwest Coast.

Unlike the other commentator, I am not interested in lightships. I didn't even know what a lightship was until I saw this film. However, I am interested by this film. I saw it on BBC 1, a few months ago, in their late night film slot, a slot usually reserved for B Movies.

The Lightship could easily be a B movie, only it stars two great actors, Robert Duval and Klaus Maria Brandauer, putting the actors in what could easily be a conventional thriller scenario. Brandauer is the captain of a lightship, thus a man of law, thus a good guy. Duvall is a mysterious, shady figure who seeks refuge from the sea, possibly a man on the run, thus a bad guy. So a battle between good and bad, order and disorder, is played out.

This actually happens in the film. Not a great film, or even a very good one. But odd. About as odd as finding your grandmother is into S&M. For both men become fascinated with one another, and their respective occupations. To illustrate how odd this is, there is a scene where Brandauer finds Duvall taking a bath in his bedroom. Instead of being taken aback, Brandauer puts his hand in the water, playfully, like a lover, and they talk. They talk a lot in the film. Moreover, the film set a few years after World War II, yet Brandauer is playing a German (in charge of an American boat)and Duvall is a real sweet, gent of a southern lawyer, who is also a dangerous, psychopathic criminal, in charge of a couple of hoodlums.

All this weirdness is not that surprising, after all the director is that Polish guy with the weird (if you're not Polish) name, Skowlimowski, who has directed some strange films in his time.

I didn't like the fact the narration or the eighties-ness about it (ie soundtrack). But the kid was OK.

There isn't much new in this gangsters-take-ship-and-crew-hostage drama, except that it takes place on a floating Light Ship. Having endured 14 months of duty on one of these floating torture chambers myself, I can tell you that nothing this exciting ever took place. All we ever did was bounce up and down and listen to a fog-horn, day and night. Too bad Duvall wasn't out there then, we could have keel-hauled him for making this very inaccurate flick!