Mirch Masala

"Sach aur Sahas hai jis ke man mein, Ant mein jeet usi ki rahe...." The quote is from the movie 'Lagaan'. You must be wondering what this quote is doing in the review of a movie which was released about 20 years back(1985). The reason is that the basic theme in some ways is still the same. Mirch Masala is one of the most powerful film to have been made in India. A low budget movie, starring Nasseruddin, Smita and Om Puri in one of their best performances ever. The story is of a pre-independence Kutch village in India, the British deployed Tax collectors enjoy a total monopoly over the villagers and they have transformed into Bandits, looting and snatching from the villagers whatever they desire: money, cattle, land or women. The head collector (Naseer) is one such guy and on one of his trips to this village comes across a woman (Smita) and immediately develops a liking for her. He tries to woo her a couple of times but finally manages to get slapped by her in front of his goon army. Then starts the chase. The lady runs and finds refuge in a Spice factory guarded by an old Muslim (Om Puri). The factory has 20 odd women working and they are trapped inside too. Naseer tries to lure her out but fails. Om is pressured by many including the factory owner as well as the Village Head (Suresh Oberoi), but he comes across an honest old man willing to sacrifice his life. The movie tackles many social issues like women education, women empowerment etc. The ending scene is very motivating and captivating where a group of 20 odd women (and the old guard) are able to achieve what the 100+ plus villagers could not. That is, rise against the handful oppressors and teach them a lesson. How they manage to do it is something that should be watched rather than told. Excellent movie that can be watched any time and for any number of times.

Absolutely excellent. The hubris of petty officers, the crisis and tension coming from lust and gratuitous violence, the horrifying banality of colonialism, the abuse and victimization of women: all these elements combine to create a tragedy which the Greeks would not have disavowed. We are the transfixed witnesses of a horrendous, and at the same time, magnificent process: the price of a woman's virtue depends on how much it costs for the community. Even feminine solidarity crumbles when submitted to enough masculine pressure… And yet, does it? The fantastic last scene of the film, when everything seemed lost, shows that women have stupendous resources that make one realize the strength of a resistance in which women take part, and I am reminded of the British resistance to Germany during World War 2, when the wives and mothers of soldiers took part in the war effort, and replaced them in the factories and mills of the besieged island. Hurray for women's valor!

Year 2003. Quentin Tarantino directed Kill Bill Vol.1 which had a climax scene of sword action between Uma Thurman & Lucy Liu. There is a beautiful sequence of shots wherein the two duelist are photographed in close-ups & simultaneously, a long shot where, the two actors are placed on the right corner of the screen while, a pivoted water tap moving up and down is placed on the left part of the screen. Year 1985. Ketan Mehta, India's acclaimed director and in his best cinematic achievement, had directed a similar shot wherein one of cinema's most memorable & immortal villain character played by Naseeruddin Shah counts-down from 10 to 1 alarming the lead actress to come out of her hideout simultaneously photographed with a Water Tap on the Extreme Left of the 70 mm screen, creating a magnificent scene.

And since then, there has been no such cinematography ever induced in any other Indian Movies. For those foreign audience, be noted, that this Movie is not a conventional Hindi movie loaded with songs. This Movie is a serious cinema of high degree of art.

Only 4 words can make a review of this movie: "Watch it on Priority" !

A complex and beautifully filmed work. The tale is full of pathos, but the experience is completely enriching! Though it's described in some movie guides as a "feminist" film, do not let that categorization deter you from seeing it.

I had seen this movie as a kid, but all I remembered was the climax scene, because it was so powerful. I saw it recently and enjoyed every moment of it.

The story is set in colonial India, when the British have disarmed the people, and continue to oppress villagers, through tax collectors called "subedars". These subedars in turn lust for more than the tax.

The movie is about one such subedar, who while on his routine tax-collecting tour to a small village, gets attracted to one of the women. The woman, Sonbai, is married, but her husband has just left for the city in search of a better job. Sonbai(played excellently by Smita Patil) refuses to give in, and while escaping the subedars men, takes shelter in a spices factory.

The gate-keeper refuses to allow the subedars men in, and is determined to protect the honour of Sonbai. Here the cowardice of the fellow villagers surfaces, who decide that it is better to give in to the demands of the subedar, than to face his wrath. The movie successfully conveys the cowardice of oppressed men who cannot even think of rebellion, and even beat up their wives when they protest against their decision.

A brilliant film.