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Vagabond

Original title: Sans toit ni loi
  • 1985
  • Not Rated
  • 1h 45m
IMDb RATING
7.6/10
15K
YOUR RATING
Sandrine Bonnaire in Vagabond (1985)
Watch Bande-annonce [OV]
Play trailer2:22
1 Video
65 Photos
Psychological DramaTragedyDrama

A young woman's body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.A young woman's body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.A young woman's body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.

  • Director
    • Agnès Varda
  • Writer
    • Agnès Varda
  • Stars
    • Sandrine Bonnaire
    • Macha Méril
    • Stéphane Freiss
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    15K
    YOUR RATING
    • Director
      • Agnès Varda
    • Writer
      • Agnès Varda
    • Stars
      • Sandrine Bonnaire
      • Macha Méril
      • Stéphane Freiss
    • 63User reviews
    • 58Critic reviews
  • See production info at IMDbPro
    • Awards
      • 8 wins & 5 nominations total

    Videos1

    Bande-annonce [OV]
    Trailer 2:22
    Bande-annonce [OV]

    Photos65

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    Top cast44

    Edit
    Sandrine Bonnaire
    Sandrine Bonnaire
    • Mona sans toit ni loi
    Macha Méril
    Macha Méril
    • La platanologue Mme Landier
    Stéphane Freiss
    Stéphane Freiss
    • Jean-Pierre, ingéneur agronome
    Setti Ramdane
    • Le marocain qui la trouve
    Francis Balchère
    • Un gendarme
    Jean-Louis Perletti
    • Un autre
    Urbain Causse
    • Un paysan interrogé
    Christophe Alcazar
    • Un autre, brûleur de fossé
    Dominique Durand
    • Le premier motard
    Joël Fosse
    • L'autre, Paulo, amant de Yolande
    Patrick Schmit
    • Le camionneur
    Daniel Bos
    • Le démolisseur
    Katy Champaud
    • La jeune fille à la pompe
    Raymond Roulle
    • Le vieux aux allumettes
    Henri Fridlani
    • Le fossoyeur
    Patrick Sokol
    • Le jeune homme au sandwich
    Pierre Imbert
    • Le garagiste
    Richard Imbert
    • Son fils
    • Director
      • Agnès Varda
    • Writer
      • Agnès Varda
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews63

    7.615.1K
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    Featured reviews

    8Xstal

    Bleak, Barren & Bitter...

    You're an outcast, left to fend all on your own, reasons unclear, and only you're the one who knows, wandering the barren lands, in a winter where cold's fanned, on occasion some small morsel might be thrown. The net, that's meant to catch your fall has failed, as you cascade along a lost and lonely trail, folks indifferent to your plight, you're frustrations causing flight, becoming cornered, without wind to catch your sail.

    Through an outstanding performance from Sandrine Bonnaire, the late, great Agnès Varda leaves us under no illusion of the cause of a young woman's death during her winter of discontent.
    7ThurstonHunger

    The Moth Effect?

    With an antagonizing protagonist who is as doomed as the plane trees in the film...this film could be seen as strictly nihilistic. I recently watched "SherryBaby" and strongly preferred this film which I watched a week prior, and yet I still find myself pondering Sandrine Bonnaire's portrayal of a woman who is stranded.

    Indeed "No one makes it alone" could better be the tag line here, and Bonnaire's Mona goes on an odyssey that is nothing short of harrowing. Also trading heroin chic for (self-imposed?) homeless bleak pushed us into less charted filmic waters. Choosing an unknown for the title role was also a good call I suspect. The film is now older than it's lead actress was at the time.

    So much of the film talks about how Mona stinks, perhaps smell-a-vision would have helped ;> Honestly her face is still too attractive, although wide and maybe manly in a way, that for me the sense of her scent didn't wash. That being said, her disaffection was on display so well, that you could see her as having a dirty soul. At nearly every chance of being likable she veers to the other direction, the one notable exception for me being her interaction with the "platonologne" (is that like octogenarian, don't know the French...the characters all had interesting descriptions in the credits)..

    Additionally, from the English subtitles and snatches of French, I sense the dialog (should I say dialogue) in this was quite cutting and clever in parts.

    While Mona lives without roof or law, while she may move without purpose or direction, she is more than a human tumbleweed. She does not live without leaving a trace...but the filmmaker keeps us intentionally distant from her, we are never allowed inside her mental tent. Thus our composite sketch of her is as complex and contradictory as the people she encounters. Not only does Mona live without control over her life, her death as well eludes her.

    Viewers may find it less easy to escape.

    Thurston Hunger 7/10
    10nbott

    A Great Masterpiece

    There are many different reasons to watch a film. I personally enjoy casual get out the six pack of beer type movies and I appreciate sincere great film art. Vagabond is one of the greatest films I have ever seen. I was drawn into this deeply tragic tale from the very opening scene with the wonderful music and cinematography. The documentary style used as a device to tell the story of Mona was bold and very appropriate to convey the depth of the impact this person had on the other characters in the film.

    The acting of Ms. Bonnaire convinced me to care about this deeply troubled character and the isolated existential life she led. I personally have met in my own life people living in this way and I am always perplexed that I can not understand what is going on in that person's head. This film is and example of what makes great art. It tells a story that is universal and yet very personal. See this film. (10 out of 10).
    7gbill-74877

    A bleak tale

    Someone moving through life in a way so counter to the norm, taking the road less traveled and often so vulnerable doing so, is like a mirror held up to humanity. Some react with incredible generosity and try to give her a leg up, and others are harsh or prey on her. To its credit, the film doesn't glamorize this character and frankly she's often hard to like, and yet Varda has a way of bringing out empathy, a big part of which is suspending judgment. It didn't all work for me, like the maid with problems of her own addressing the camera, and it's a bleak tale, but the profoundly deep kindness of the director radiates like a beacon. Sandrine Bonnaire gave a fine performance too.
    10hernanjp

    A masterpiece.

    A Rave! Beautifully photographed by Patrick Blossier, every shot, every frame is a delightfully balanced composition of light, color, and framing.

    What's more amazing still is how Varda can make such a depressing story so mesmerizing. It is a touching, enchanting story of a lost girl slowly sinking deeper and deeper into society's refuse pile. And even though from the first reel we know her fate, we have to see how it unfolds. I don't remember the last time I saw such a beautiful film. One for the film schools. A masterpiece of French neo-realism.

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    Related interests

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Psychological Drama
    Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
    Tragedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The episodes in which the main character is involved are each marked off by a tracking shot, 13 of them.
    • Goofs
      In the opening segment, Mona (Sandrine Bonnaire) is lying in a ditch in the vineyard. The character Mona is supposed to be dead, but if you look at the actress's neck you can clearly see a neck artery visibly pulsing.
    • Quotes

      les Bergers: She blew in like the wind. No plans, no goals... No wishes, no wants... We suggested things to her. She didn't want to do a thing. Wandering? That's withering. By proving she's useless, she helps a system she rejects. It's not wandering, it's withering.

    • Connections
      Featured in Siskel & Ebert: The Best Films of 1986 (1987)
    • Soundtracks
      Variations sur la Vita
      Composed and directed by Joanna Bruzdowicz

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    FAQ16

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    Details

    Edit
    • Release date
      • May 16, 1986 (United States)
    • Countries of origin
      • France
      • United Kingdom
    • Official site
      • Ciné Tamaris (France)
    • Languages
      • French
      • Arabic
      • English
    • Also known as
      • Without Roof or Law
    • Filming locations
      • Nîmes, Gard, France(train station)
    • Production companies
      • Ciné-tamaris
      • Films A2
      • Ministère de la Culture
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 45m(105 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.66 : 1

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