Trouble in Mind

"Trouble in Mind" is a moody and decidedly different film. Take your pick as to whether it's set in an alternate reality or a retro-future. Either way, the inhabitants of Rain City are drifters and lost people whose lives collide as they go on to whatever fate awaits them. Divine makes a surprisingly good bad guy, while Kristofferson is a little wooden but still fits the part. Worth seeing.

Trouble in Mind is a VERY interesting movie, and self-consciously so. Somewhere between gratuitously-quirky and a flawed masterpiece, everything about this movie is just a little off.

And that is also its charm. An exotic casting choice results in a character that is more intriguing than convincing; Another character transforms, gradually, completely beyond recognition without comment. Alternate-Noir atmosphere in a different Pacific Northwest. An inventively-bizarre murder and my nomination for the funniest shoot-out in film history.

And lots of atmosphere. A moody Mark Isham soundtrack with an even moodier Marianne Faithfull partially channelling Billie Holiday. Rain and rain and more rain that does not appear to have required any equipment. And ending in a lingering, scenic shot that has nothing to do with the story but meshes exquisitely with the mood and music, and seems as if it was orchestrated by mother nature exclusively for the film crew. I can't tell whether the weather was incredibly cooperative, or if Alan Rudolph just knew exactly how and when to use it.

The overall effect is a unique but cohesive viewing experience that sticks with you long after the movie is over. It strives, a little too pretentiously, to be quirky, but it is also beautifully humanist.

"Trouble in Mind" is one of those movies that only reveals its greatness about the third time you see it; a wealth of details which, on first viewing, strike the perceptive viewer as scatterbrained or irrelevant, unfold on closer inspection into a rich, lushly imagined fantasy world, and dialogue which at first sounds precious or forced becomes endlessly quotable. It's hard to be an Alan Rudolph "fan," as his work is decidedly uneven; but on this picture, which followed the critical and commercial success of "Choose Me," he is at the peak of his powers. And, if none of this convinces you, you should check this one out for the performances, not least among which is Divine's startling turn as coldblooded (male) gangster Hilly Blue (worthy of awards, in a better world than this).

Very fine moody film, made after, 'Choose Me' and good as that is I have always preferred this. In many ways (until the end) a fairly quite film with people drifting in and out of each others lives. Laid back they may be but there are great performances from Keith Carradine, Genevieve Bujold, Kris Kristofferson and even the lovely Lori Singer, who has probably never bettered this performance. Despite the strange neo noirish look of the rain drenched, neon light streets and signs of decay there are also hints at some future setting and the ambiguity coupled with Kristoffersen's model making constantly create a dreamlike quality to proceedings. The soundtrack is immaculate and the use of the crackling elder Marianne Faithful inspired. Divine is brilliant as the chief baddie and should the uncultured out there drop off for lack of constant action be assured you will awake at the end.

In Rain City, the militia is constantly recruiting. Hawk (Kris Kristofferson) leaves prison and makes his way back to Wanda (Geneviève Bujold) with her diner. Coop (Keith Carradine) and Georgia (Lori Singer) are a newly arrived couple with a baby. Solo (Joe Morton) recruits Coop for various petty crimes. While Coop is gallivanting around town with his ill-gotten gains, Georgia is waitressing and struggling with city life. Hilly Blue (Divine) is a local crime boss.

This is written and directed by Alan Rudolph. He's using Seattle to make it into the neo noir Rain City. It's modern and yet older. It feels like a down and out 70's world or the hard-boiled 50's. It exists out of time. Divine is almost unrecognizable without his drag. The pacing is a little slow. It's a meandering relationship car wreck and crime drama.