Abducted

Pretty young jogger is abducted by crazy mountain man. That pretty much sums up the whole plot. Those expecting some exploitation fare will be disappointed. There is no nudity, though Roberta Weiss does look cute in her sweat suit and she spends the climax of the film in her panties. Speaking of Weiss, she's certainly one of the most attractive actresses of the '80s. I only know of her from two other things: a small part in The Dead Zone and an episode of Tales From the Darkside. A good episode, though. Anyway, back to the movie. The location shooting is nice. Weiss, as I said, is pretty and does a fine job with her performance. Lawrence King-Phillips is good as the psycho mountain man. Dan Haggerty, the reason most people will even see this, is enjoyable essentially playing the Grizzly Adams type of character we all expect. It's not the worst thing I've ever seen but it's pretty pointless. If it was a little seedier it might have more of a cult following, whatever that says about us.

Despite the best efforts of Collins to make this film bad, he accidentally made an interesting movie. Renee (Roberta Weiss) is out in the forest jogging and within the first minute of the movie finds herself captured by Vern (Lawrence King-Phillips). Vern appears insane at first, with his crazy sunglasses and aggressive nature. Events unfold and we come to realize that Vern has a dad (in a very convincing performance by Dan Haggerty) who is exactly the opposite of Vern, calm and level-headed. Above all this movie explores some interesting ideas, like what happens to the abductee after the initial shock of being abducted. Vern and his dad (Joe) are only in the forest because Joe loves his son and society wants to lock him up. Unfortunately, it seems that not much thought went into the last fifteen minutes, but the rest of the movie is definitely worth a watch. Rating: 25/40

This movie has a lot going for it. The plot is simple: a psychotic mountain man kidnaps a young woman while she is out on her morning jog. The problem is the director came up short. Most of the time, the movie tries to focus in on the intensity and insane look in the kidnapper's eyes. There are also a lot of chase scenes in the Canadian rockies. Not much else.

There are some good points. Dan Haggerty plays the madman's father and does a good acting job, but I kept flashing back to his TV series "Grizzly Adams". I half-expected Ben the bear to come trotting out of the bushes at any time. Roberta Weiss at the start of the movie played the role of the damsel-in-distress rather lamely, however she did seem to improve once the madman's cabin had been reached.

The problem is that this movie was not what you'd come to expect from this genre. The danger of sexual assault was there every time Vern got close. However, for a guy that had been out in the woods for two years without a woman, you'd think he could have gotten past the bra. Give this same script to David Cronenberg and you'd have a successful NC-17 movie and a better ending where the hunted becomes the hunter. As is, it is barely PG and not worth renting.

When it comes on Showtime or TNT, take a look if you like Dan Haggerty, as long as nothing else is on.

My review was written in May 1986 after a Cannes Film Festival Market screening.

"Abducted" is a modest little picture, which achieves its goal of presenting a simple story of survival in the mountainous wilds of British Columbia. Tameness of treatment indicates its best market will be for tv audiences.

Shot on handsome, treacherous locations, the story ironically recalls the strictly claustrophobic tale "The Collector". Renee (Roberta Weiss) is a beautiful, young student out jogging in the woods who is kidnapped by primitive backwoodsman Vern (Lawrence King-Phillips). He forces her to climb steep rock faces and trek for several days with him to his remote mountain cabin where he plans to live with her.

Though Renee gradually comes to understand Vern and even pity him, she resists his frequent attempts to assault her and is finally saved from a fate worse than death by the appearance of Vern's dad, Joe (Dan Haggerty) on the scene. Joe warns his son not to hurt the lady and agrees to return her safely to civilization.

After an altercation with some hunters (out to kill the mountain sheep Joe loves and protects), Vern runs off. An Oedipal conflict occurs when he returns, savagely bashes his father with a rifle butt and leaves Joe for dead. Ever the rugged survivor, Joe manages to recover and track Vern down in a predictable conclusion that spells freedom for Renee.

Director Boon Collins smoothly handles this basic material, pulling his punches in the frequent scenes that promise some sex or nudity but never delivers. Robeta Weiss is easy on the eyes even under such a tasteful approach while Lawrence King-Phillips chews the woodsy scenery as a young villain reminiscent of John Drew Barrymore. Haggerty is perfectly cast as a kindly mountain man not too distantly related to his Grizzly Adams persona.

Tech credits are modest but effective, with an assist provided by nice wildlife photography by Tommy Tompkins.

This is an uneven film that is definitely worth seeing. In expressing women's secret fears and fantasies it goes farther than others and is quite frank about the villain's (King-Phillips) sexual frustration. Any woman watching this film is going to ask herself, as I did, what she would do in the same situation, and perhaps imagine differing scenarios. The irony is that the physically adorable but repulsively abusive Vern picks an insipid snob, one he constantly criticizes ("You wouldn't last out here alone," "City people are soft," etc.) despite seething with passion for her.

As Renee, Weiss is perfectly cast and gives an understated performance that may not seem like acting, since she is playing a an ordinary college student, incurious about the wilderness and unskilled at both survival and ingratiating herself to her captor. Being tone-deaf in her dealings with him ("My family has money,") her character is not very sympathetic either. Her attitude toward the lifestyle of both Vern and his father (Haggerty) literally wrenched a gasp from my throat. Her character reminded me of girls I had gone to college with - knowing only society's straight line, not interested in true freedom or the discovery of being desperately wanted by a man, even if he is not her dreamboat.

Unfortunately, the film shies away from the natural consequences of the intriguing situation it has set up, and veers into cliché and sensation. The ending is simultaneously absurd and hilarious, due to a bravura performance by King-Phillips, while Weiss and Haggerty fall into their steps as stock characters. The depth built up in the male characters is lost in the film's rush to its ending, and feels like a betrayal.

King-Phillip's portrayal of Vern apparently has a cult following, and it is justified. It's just too bad that some of the scenarios that I imagined between Vern and Renee (or me) were not expressed for me in this film.