An old woman coughs up what she believes to be a tumor. While asleep, the thing crawls inside of her son and reproduces inside him, then causes him to go on a killing spree to feed it.An old woman coughs up what she believes to be a tumor. While asleep, the thing crawls inside of her son and reproduces inside him, then causes him to go on a killing spree to feed it.An old woman coughs up what she believes to be a tumor. While asleep, the thing crawls inside of her son and reproduces inside him, then causes him to go on a killing spree to feed it.
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Featured reviews
Wonderfully Abysmal...
A young man becomes possessed by THE ABOMINATION, unleashing unholy vengeance upon the unsuspecting. His hyper-religious mum is the most memorable victim of THE ABOMINATION. Her preacher's death is equally magnificent, though far too short.
In spite of this being an ultra-schlock, penniless non-production, the practical effects are nonetheless glorious! The monsters are -somewhat- reminiscent of the alien creatures in DEADLY SPAWN: Big rubber mouths full of big sharp teeth.
Gorehounds will shout with joy! Blood spurts, sprays, and oozes just about everywhere! The chainsaw / brain sequence alone should be enough to bring the love! There's also a grim, cruel atmosphere of ultimate doom! The sporadic camerawork, scattershot editing, and bonkers "plot" all have a role in achieving this miracle!
ADDED ANTI-BONUS: For reasons unknown, the makers of this film decided to include a seemingly endless montage of all the goriest, gushiest bits of the movie... At the beginning! They spoil their own movie!...
In spite of this being an ultra-schlock, penniless non-production, the practical effects are nonetheless glorious! The monsters are -somewhat- reminiscent of the alien creatures in DEADLY SPAWN: Big rubber mouths full of big sharp teeth.
Gorehounds will shout with joy! Blood spurts, sprays, and oozes just about everywhere! The chainsaw / brain sequence alone should be enough to bring the love! There's also a grim, cruel atmosphere of ultimate doom! The sporadic camerawork, scattershot editing, and bonkers "plot" all have a role in achieving this miracle!
ADDED ANTI-BONUS: For reasons unknown, the makers of this film decided to include a seemingly endless montage of all the goriest, gushiest bits of the movie... At the beginning! They spoil their own movie!...
Makes all things desolate!!!!
The abomination (1986) is a ultra cheap and rare horror movie!!! It's about this young man called Cody who lives with his religious mother, the mum coughs up this tumour which starts turning into a monster, the monster controls Cody to kill his friends and bring it food to make it stronger, can Cody fight the monster or will he be just become another victim!!! The film is so bizarre, ultra low budget, it throws in some really fake gore and there's this music that keeps turning up during the movie, music that seems to stay in your head for ages!!! The Abomination is very bad, no doubt about it, but it's really funny and has entertainment value, it's in the "so bad it's good" bracket, and therefore i'll give this Abomination 5/10.
Ultra obscure '80s gore flick
An early offering of the kind of no-budget gore-filled American horror movies that would later fill the STV market in the '90s, THE ABOMINATION is a thoroughly tasteless offering which goes out of its way to offend and disgust at every opportunity. The film is extraordinarily cheap, so all acting, directing and camera-work is of an amateur standard, whilst the special effects are so phony as to be unbelievable – the fakeness of the whole thing is what makes the gore seem palatable.
The basic storyline involves a malignant devil-obsessed tumour which grows in cupboards and leads our wooden antagonist on a crime spree, as he saws through throats, chainsaws heads and generally gets blood and goo all over himself. Surprisingly the film lasts for the whole 1 ½ standard running time, which means there's a hell of a lot of padding (flowers, horses, etc.) and plenty of boredom as you wait around for something to happen.
Two things I liked about the film: the music, which was annoyingly catchy and repetitive, but I loved it, and the monster in the cupboard, which reminded me of the creature in THE DEADLY SPAWN, in a good way. Sadly, somebody decided to show all the best bits in the film's opening 'nightmare' sequence which must be seen to be believed; I thought I was watching a trailer. Otherwise you get just what you expect with this movie; a lot of cheapness, fakery and splashing blood and body bits. Weird and gruesome and thoroughly unrecommendable.
The basic storyline involves a malignant devil-obsessed tumour which grows in cupboards and leads our wooden antagonist on a crime spree, as he saws through throats, chainsaws heads and generally gets blood and goo all over himself. Surprisingly the film lasts for the whole 1 ½ standard running time, which means there's a hell of a lot of padding (flowers, horses, etc.) and plenty of boredom as you wait around for something to happen.
Two things I liked about the film: the music, which was annoyingly catchy and repetitive, but I loved it, and the monster in the cupboard, which reminded me of the creature in THE DEADLY SPAWN, in a good way. Sadly, somebody decided to show all the best bits in the film's opening 'nightmare' sequence which must be seen to be believed; I thought I was watching a trailer. Otherwise you get just what you expect with this movie; a lot of cheapness, fakery and splashing blood and body bits. Weird and gruesome and thoroughly unrecommendable.
Almost great trash
This is a fun no-budget, direct-to-video amateur horror that's energetic, outrageous, and just competent enough technically to be watchable. The creature that materializes for no obvious reason (because the hero's mother watches TV evangelists too much?) is sort of a toothy puppet like the monster in "Little Shop of Horrors," and there is a lot of enthusiastic bloodletting.
The only thing that keeps it from being a minor classic of nonprofessional schlock filmmaking is that the film reaches a logical, full-circle end point, but just keeps going for another 20 minutes, outstaying its welcome. It's rare that a movie of this nature needs to be more than 80 minutes, and "The Abomination" doesn't have enough ideas to plow on to the 100-minute point--it remains lively but starts getting repetitious after a while.
Still, most movies like this are tolerable only in campy excerpt, or if watched with the benefit of a lot of alcohol, and by comparison this one is quite enjoyable if you can handle the extremely low production values and obviously less-than-serious intent.
The only thing that keeps it from being a minor classic of nonprofessional schlock filmmaking is that the film reaches a logical, full-circle end point, but just keeps going for another 20 minutes, outstaying its welcome. It's rare that a movie of this nature needs to be more than 80 minutes, and "The Abomination" doesn't have enough ideas to plow on to the 100-minute point--it remains lively but starts getting repetitious after a while.
Still, most movies like this are tolerable only in campy excerpt, or if watched with the benefit of a lot of alcohol, and by comparison this one is quite enjoyable if you can handle the extremely low production values and obviously less-than-serious intent.
Total laugh-riot!!!!!!
Pious Catholic lady watches a TV sermon given by a shady televangelist, which apparently causes her to hack up a bloody lung cookie. The slimy little tumor wanders about for some time, and ultimately grows into something resembling a gooey hard-luck cousin of H. R. Pufnstuff with long, spiked teeth. The flesh hungry beast takes residence within her kitchen cabinets and telepathically enslaves her son, forcing him to commit murders to feed it.
It's bewildering that this unquantifiable Super-8 morceau-de-merde actually made it off the drawing board to materialize as something vaguely similar to a motion picture. It's as if some guy took a good, long look at his tatty old bean-bag chair, and thought to himself... "I could totally make a movie about this thing." Good God, it's the most rubbish excuse for a monster since THE CREEPING TERROR, which is a marvel of FX wizardry next to the *cough*..."ABOMINATION"...*cough*.
Hopelessly deficient at every juncture of production, and beyond...the cottage cheese rolling out of the headless neck...the ultrasubminimalist Casio score...the montage at the start of the film that shows you everything you're about to see...the actress named GAYE BOTTOMS(poor girl... *snicker*). In short, this is something SPECIAL, folks. Oh, yes it is. Special like a kid who eats crayons. Prepare to pee your pants in a fit of insuppressible laughter.
If you enjoy THE ABOMINATION, you might also like GUZOO: THE THING FORSAKEN BY GOD, a similar, but more proficiently made Japanese gorefest about a formless monster chowing down on girls like they're acid at Woodstock.
It's bewildering that this unquantifiable Super-8 morceau-de-merde actually made it off the drawing board to materialize as something vaguely similar to a motion picture. It's as if some guy took a good, long look at his tatty old bean-bag chair, and thought to himself... "I could totally make a movie about this thing." Good God, it's the most rubbish excuse for a monster since THE CREEPING TERROR, which is a marvel of FX wizardry next to the *cough*..."ABOMINATION"...*cough*.
Hopelessly deficient at every juncture of production, and beyond...the cottage cheese rolling out of the headless neck...the ultrasubminimalist Casio score...the montage at the start of the film that shows you everything you're about to see...the actress named GAYE BOTTOMS(poor girl... *snicker*). In short, this is something SPECIAL, folks. Oh, yes it is. Special like a kid who eats crayons. Prepare to pee your pants in a fit of insuppressible laughter.
If you enjoy THE ABOMINATION, you might also like GUZOO: THE THING FORSAKEN BY GOD, a similar, but more proficiently made Japanese gorefest about a formless monster chowing down on girls like they're acid at Woodstock.
Did you know
- ConnectionsReferenced in Adjust Your Tracking (2013)
Details
- Runtime
- 1h 29m(89 min)
- Color
- Aspect ratio
- 1.33 : 1
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