Absolute Beginners

Julien Temple's extravagant musical adaptation of the classic Colin MacInnes novel never reached the audience it deserved, but it could be that filmgoers of the 1980's weren't ready for the breathless bravado of Temple's vision. A hyped-up take on the classic Freed Unit musicals at MGM, with a rock/jazz score featuring David Bowie, Sade, Gil Evans, Slim Gaillard and other notables, this movie is a visual feast and a treat for the ears as well.

Sadly, you have to hope for a theatrical screening to take in the extraordinary cinematography (there's an opening extended-take through the crowded streets of London that rivals the opening of "Touch of Evil" in complexity and beauty) because there has never been a letterbox release of the film on video or disc. Where's the DVD with a Temple commentary?

A fun musical with a lot of energy and great acting, 'Absolute Beginners' will win a place in your heart. This is the sharpest I've seen Bowie in a film, and Patsy Kensit was beautiful as Suzette. A political piece as well as a time piece, Temple captured the feel of a Broadway or West End musical perfectly. A great turnaround for Temple, who really had me worried after directing 'Mantrap'. It is a musical, so liberties have to be allowed, but for fans of the musical this is a great one to check out. Rating: 27/40

The main attraction here is the score, which features the title song and "That's Motivation," performed and composed by rock icon David Bowie, as well as his version of the classic "Volare." In addition, you get "Killer Blow" performed by Sade and jazz tunes by Charles Mingus and Miles Davis performed by Gil Evans. This movie makes you believe that is David Bowie had been performing in the 1930s he would have been a sensation then too.

A great idea and a huge Brit budget, ABSOLUTE BEGINNERS is so ambitious and so technically well and packed with great 80s Soho jazz musical numbers that it forgets to include the hooks for an audience. It is actually for people in theater and film who love musicals and the techniques. It isn't for the general ticket buying public who expect a conventional story with a structure. The lead actor Eddie OConnell is a bit Ken doll or even Cliff Richard...maybe that is the point but he is lacking in charisma. Visually it is a feast and musically it is very engaging, but like the Minnelli musicals YOLANDA AND THE THIEF or THE PIRATE and the Brit satire Ken Russell musical THE BOYFRIEND or John Waters 1988 film of HAIRSPRAY there has to be a strong core to break though to mainstream cinema goers; otherwise, like those films, it is relegated to cult interest and the 'noble failure' bin. In time it will be a quintessential 80s style musical and we are not far enough away from then yet. It also cost a massive amount and lost it all, killing off the studio that financed the $15m.... ugh. If made today, it would be financed by Absolute Vodka and marketed with panache, finding a huge multiplex audience and making zillions of dollars for all concerned...thus being hailed as a success and a masterpiece.

when you remove aliens and flying space ships from battlefield earth and put god awful music scores and terrible acting in it what do you have? a stupid musical that stars david bowie and some other actors in it that do a terrible job of acting stupid and crummy in a musical that should have been called absolute bummed out.