Siskel & Ebert

The loss of Gene Siskel put to end one of greatest TV relationships. That being Siskel along with Roger Ebert. These two movie critics who worked for rival newspapers in Chicago (Siskel worked at the Tribune, and Ebert work for the Sun-Times) were put together to see if they could work together. Indeed they worked very well. So well they had to switch producers/distributors TWICE, and by the time they did they show for Disney their "Two Thumbs Up" became the standard in movie industry.

Now Richard Roeper has taken on Gene Siskel role, with the power of the "Thumb" along with it. Roeper is not Siskel and nor should he be. Unlike Siskel, Roeper also works at the Sun-Times along with Ebert, and because of this someone might ask can Roeper think for himself? Indeed Roeper can and quite frequently these two critics can give a split vote on movies. Roeper also gives the audience that is someone younger to interact with an elder critic. Roeper was in his teens when Siskel and Ebert started their TV friendship

The show itself is done at a faster pace and their Thumb up/down is shown during the review as well as at recap of the show. The set is now a hybrid of an average TV Set and a Movie theater balcony. Who would put video monitors in the back of a movie theater anyway LOL.

Ebert and Roeper will never be a `Siskel & Ebert' but it does show the movie review program still has some gas in the tank left. How much? I don't know, just enjoy the ride. Even I think their are both nuts at times. Most movie critics are.

Ever since I was 13 years old, and I tuned into "Sneak Previews" with Gene Siskel and Roger Ebert back in 1982, I fell in love with these two guys overnight. Besides being the kings of film critics, they also had the makings of a comedy team in the Abbott and Costello vein (well, you figure out who was Abbott and who was Costello, and the answer is painfully obvious). They were so highly successful they were asked to go onto syndicated TV and do "At the Movies", which did wonders for their forever-famous thumbs and their careers, then another TV show bearing their name, which kept fans rolling in the aisles until Siskel's tragic death in 1999. By the way, replacements for "Sneak Previews" and "At the Movies" were copycats who shouldn't have been there because Siskel and Ebert were always number one. Those annoying copycats included New York's squeaky-voiced, touchy-feely Jeffrey Lyons, the nerdy Michael Medved, the mean-streaked Rex, Reed, and the bimbette Dixie Whatley who didn't really review movies, but her glamourous presence was only to lure unsuspecting viewers. Anyway, we all miss Siskel and no other critic in his chair, not even the new guy, Richard Roeper, could ever review movies the way Siskel did. Ebert does his best with Roeper, and it seems that the corpulent Ebert is now the straight man, which he always needed because he was a better spark plug with Siskel. Still, Roeper is nowhere near as bad as the four copycats in the above paragraph, and the show is still going on, as long as there is Ebert.

The best thing about Siskel and Ebert was that I knew both of them so well that it didn't even matter if they liked the movie or not, I could tell that I still should see it based on why they liked or disliked it. Likewise, Gene was always more discriminating than Roger, so if they both liked it, then the movie probably was very good.

Now with Roeper, we've lost that. He's still a good movie reviewer, but the system of checks and balanced that worked with Siskel and Ebert don't work with Ebert and Roeper. I can no longer tell how good a movie really is since Roeper's taste in movies can be erratic some times. He's liked some really weird movies and hated some that I thought were OK. For a young guy, he's really more jaded than he should be. Likewise, he has a bad tendency to expect too much from certain types of movies, but at the same time, be too forgiving of some real flaws. Everyone does that to a point, but he's very unpredictable and inconsistent.

That's not to say that Ebert is perfect. I think he lets his mood color his opinion too often. Some weeks he'll hate everything and others he'll just love even the worst movie. I'll be watching and be like "He gave thumbs down to the Godfather! He must have slept badly last night."

What can I say? I've known this show all my life. First, it was Ebert and Siskel. I'll also remember how it was when Siskel was in the hosptial and he talked, like, over the phone I think, and tell his reviews of movies like "Godzilla". It seemed to have such an empty hole in the show when it was just Ebert, with his thumbs up or down. I mean, one person's opinion? What fun is that? Then, they had a different guest star every week. Finally, it was all down to just one critic on the show with Ebert: Roeper. Basically, I have no problem with him. Just the simple concept of two critics having reviews of movies is entertaining. The same formula has not worked for shows like "Hot Ticket". I've read Leonard Maltin's reviews and there are a lot of times when I have to disagree with him. He's definitley not my favorite critic. I should start getting some of Ebert review books, but they don't explore as many movies as the Leonard Maltin books.

The one episode where Ebert was reflecting on his reviews with Siskel was probably the most memorable. Sure, I disagree with them, sometimes, but it's cool to know critics that agree with most of what you think. I liked to give a tribute to Gene Siskel for rating "Babe: Pig In The City" as the #1 movie of 1998! I totally agree with him! Anyway, I'll be sure to watch this whenever I can! A 9/10.

As an aspiring film critic myself, I've truly enjoyed Roger Ebert's reviews over the years and like his style when it comes to reviewing them. Gene Siskel is truly missed, and the show has never forgotten him and always treats his memory with respect. Richard Roeper is also a good reviewer and I like the new balance he brings to the show and he and Roger seem to fit together very well on the show. I'm already gearing up for the Best (and especially) the Worst Movies of the Year episodes!