Big Trouble in Little China

One of the Best Maverick, B-Movie Directors Ever, John Carpenter has Gained Legions of Fans and has Attained an Almost Deity Status that, say, Roger Corman Never Could, Mostly because of Home Video and the Internet.

He has Directed a lot of Entertaining Movies, mostly Outside the Hollywood System and has Always been Comfortable Making Low to Mid Budget Movies with that Carpenter Vision. He has made Sure Enough Classics, a Few Mediocre (although His Cult would never admit it) Movies, and a Handful of Bad Ones (Blasphemy).

This is One that when First Released was Unfairly Maligned, Dismissed, and Outright Blasted by the Critics. It was Ignored at the Box Office and was a Big Flop. But the Director Never thought He was in Big Trouble. He just Continued Making Movies as if Nothing Ever Happened. This Film is Part of the Carpenter Canon and has become a Cult Favorite.

It is a High Energy Hoot of a Movie. The Director's Homage to those Mystical Asian Movies Full of Sorcery, Fun and Fantasy, Combined with an Over the Top Take on Marital Arts and Monsters. This was a Colorful, Costumed Creation Done with Wire Works and Real Life Make Up with a Minimal Use of the Primitive CGI Available. It is Entertaining as All Get Out.

I EMPHATICALLY recommend Big Trouble in Little China, but I must say that if you didn't grow up with this movie, I can see being very entertained but not in awe of it. I and many others like me repeatedly viewed this film throughout childhood and still love it just as much now as then. Nowadays, a new viewer who is past puberty will regard it with a more skeptical eye, comparing it to things it shouldn't be compared to. Some newcomers might get it right away, but I don't think they get the same thrill out of it as they might have as a child in the eighties. That's why this film needs to be shared with children (especially boys), who hopefully won't be too jaded by flashy nineties schlock to be impressed, which I think is exactly the problem for adults who are new to the movie. Perhaps it can't be taught, the reverence I mean, but the movie isn't any less fun and awesome for new viewers, just less magical. I would rate it with stars or something but that's like trying to grade your own religion. I love you, Mr. Burton.

This movie occupied most my junior high years. Action, suspense, cheesy diaologue, and martial arts galore. What more could you ask for from a b-movie that is clearly a b-movie? Carpenter and the cast and crew must have had a blast on this film because I can't think of a single movie that combines some of my favorite things about movies: Action, comedy, violence, martial arts, and a small tour bus driver named Egg who also knows a little magic. Magic indeed. This is movie magic. Agree or disagree, you can't deny that Carpenter succeeded on all levels when he made this movie. Saturday matineeish? Yes. B-movie cheese? Yes. Pure movie-going fun? Absolutely. Watch and enjoy.

Give this movie a ten, it has more excitement and pure fun than almost any other, John Carpenter has constructed a masterpiece. This movie is awesome, It's got Kurt Russell at his best. Every line that he says just rocks. This picture is the most unique film that had come around in years when it was released. Nothing comes close to its ingenuity or classic mixture of Chinese mythology. If you don't watch it I will personally search out and destroy you. Like some dude up there said, just chill with your popcorn snacks and drinks, and saddle up, because it's going to be one hell of a ride!

Out of 20th Century Fox, Big Trouble in Little China is directed by John Carpenter and stars Kurt Russell, Kim Catrall, Dennis Dun, James Hong & Victor Wong. The adaptation is by W.D. Richter with the screenplay from Gary Goldman & David Z. Weinstein. Dean Cundey photographs and Alan Howarth doubles up with Carpenter for the musical score.

Truck driver Jack Burton (Russell) agrees to take his friend Wang Chi (Dun) to pick up his fiancée at the airport. Little does he know that he is about to get involved in a supernatural battle between good and evil beneath San Francisco's Chinatown district.

A box office failure upon its release, and known to be the moment when John Carpenter gave up on Hollywood, Big Trouble in Little China has gathered "cult" momentum over the years and shows up rather well these days. Blending Chinese mysticism with chop-schlocky adventure, Carpenter's movie is at once daft but also a ball of energetic fun - propelled by a handsome, but inept action hero. Carpenter had always wanted to tackle a martial arts movie, and here he gets to do it whilst laying on the comedy and playing with effects work as his movie mostly comes alive in a magical underworld of monsters, magicians and sexy green eyed women.

It's evident now that the film was ahead of its time, not from a technical viewpoint, but from the point it tried to Americanise chopsocky. This is some time before Chinese style wire-work and mythology became common to Hollywood, one has to believe that Tarantino was nodding approvingly around about this time. It's also worth noting that although this "American" movie has an American beefcake as its main protagonist, it's the Asian Americans who actually are the heroes of the piece, with Dun's sidekick the stand out hero as Russell's Burton bumbles his way from one sequence to the next. It was a bold move by Carpenter to structure the narrative this way, something that annoyed the executives at Fox and kept the paying public bemused. It's easy to see why the film failed, contrast it with the similarly themed Eddie Murphy movie, The Golden Child, from the same year, which was a box office success. There the public got what they wanted (or what they were used too), the standard American hero fluff where Murphy saves the day and gets the girl.

Carpenter dared to be different and clearly had a lot of fun along the way, as evidently did his cast. It may have taken a decade of VHS and DVD releases to prove he was right, but right he was, Big Trouble in Little China is a damn fine popcorn movie. Russell plays it meat head style, with swagger in tow and tongue stuck in cheek, nicely toned physique for the girls to enjoy, and making vest wearing cool two years before Willis did in Die Hard. Cattrall is wonderfully alluring, red lips and green eyes shimmering bright in a world of colour; and boys do look out for her wet scene, it's wolf whistle time! Dun is likable and athletic, while Hong as Lo Pan gives the action/adventure genre a truly memorable villain. The film is briskly paced and not found wanting in the set piece department either. Not all the effects are high grade stuff, but in a film with such zestful comic book traditions at heart, it hardly matters one jot. With a great home format package doing it justice, Carpenter's movie is now, at long last, getting the appreciative audience it fully deserves. Amen to that. 8/10