Half Moon Street

This tale of an American academic confronting sexism, snobbery and so on while getting mixed up in Middle East politics because she becomes an expensive escort seemed very with it when it was released but now seems very dated. Its view of feminism is pretty narrow. Michael Caine plays Michael Caine and Signourney Waver stands around talking about pretrodollars. The film does not aim for eroticism, but despite that shows plenty of Ms Weaver semi-naked. The ending is a cop-out, and also features an unbelievably incompetent hit man.

This starts off quite well, with some interesting ideas about traditions, rituals and values in different societies, however about halfway into it, the film starts to fall down, triggered by the introduction of thriller elements that just do not quite work. Sigourney Weaver delivers a strong performance throughout though. The rest of the performers do not do much out of the ordinary, but Weaver manages to bring a sense of credibility to her part, although she is too often topless. The partial nudity involving her is excessive for the film's story, but otherwise, she is great to have on screen, and her attractiveness does not hurt. There is not much of a directing vision to the material, the story is only half-good and there are probably a few other minor problems to be found. Sigourney Weaver certainly enlivens the material however, and the film is not bad to start with. For Weaver fans, it is definitely worth a look, however even for others it is satisfactory enough film-making to be perhaps worth checking out.

It's the classic "girl is too poor to pay her bills so she becomes a hooker" story in Half Moon Street. Sigourney Weaver is a highly respected researcher with a low-paying job, but instead of getting an extra roommate or applying for another research position, she gets in touch with an agency and becomes a high-class call girl. Since a lot of her clients are dignitaries, and a lot of them know each other, she also furthers her legitimate career with her contacts.

While Sigourney Weaver might not be the first actress who comes to mind that you would cast as a prostitute, her cool, detached attitude works for the character. During her first appointment, she gets all dolled up, only to look at herself in the mirror, realize she's not being herself, and scrub her makeup off. She shows up in a skirt-suit, glasses, and no make-up. She doesn't use a fake name and actually tells all her clients who she is and where she works during the daytime. It's a very unusual story, since all the other hooker movies you'll watch will feature a completely different character in the lead. If this sort of interpretation appeals to you, you might like Half Moon Street.

Also, while there are quite a few topless scenes, there are no sex scenes. It doesn't glamorize prostitution, but it also doesn't really portray it accurately. Sigourney is never in any danger, or afraid that she might be, and she never alludes to being abused or degraded by her clients. She says to Michael Caine, one of her regulars, that she likes casual sex so she doesn't mind her night job. It's a bit of an offensive statement, since that's never the reason women resort to prostitution. Still, if you like political conspiracy movies, with a bit of sex thrown in, give Half Moon Street a try and see what you think.

The original story, a novella by Paul Theroux, was turned into a screenplay, also by Theroux (he wrote several). It was terrific. You couldn't put it down. It was a highly-atmospheric work with complex characters. We struggled to find the right director, who could give it the right kind of film noir look at which Theroux was clearly aiming. We ran into early problems when few actors we approached for the female lead were willing to play this kind of a role. The nudity was not an issue; they just didn't "identify" with Dr. Slaughter.

Signing Sigourney Weaver was a blessing but also a problem since she's taller than most leading men but fortunately, so is Michael Caine. We got lucky in that combination. We had long conferences with the director, who seemed to understand exactly what Theroux's concept was all about.

During shooting in London, the RKO team (in New York and Los Angeles; our post-production group was based in London) kept asking the head of production how things were going, how the dailies looked, etc. He told us they were on time and under budget, which was true.

When the film was finished, I went to London with the President of RKO Pictures to look at an assemble edit. It was almost unwatchable. I began to wonder if there was a good way to edit around the female lead. But it wasn't really her fault. Who could possibly undress Sigourney Weaver and make her look unsexy? That took a special kind of talent. We walked out of the screening room into the daylight of Dolphin Square and contemplated the end of our careers.

Fortunately we were able to make other pictures and have the time to spend the rest of our lives wondering exactly how to apologize for this one.

The researcher of the Institute for Middle East Study Strategy, Dr. Lauren Slaughter (Sigourney Weaver), is facing economical difficulties since her paltry scholarship of 150 pounds per week is insufficient to live in the expensive London. Lauren is Harvard PHD and had lived in China for many years, and now is working in the institute that seeks a special relationship with the Arab World.

After a dinner in the house of the banker Hugo Van Arkady (Keith Buckley), Lauren receives a videotape from the Jasmine Escort Service at home. When her chief, General Sir George Newhouse (Patrick Kavanagh), publishes her research without any reference to her name, Lauren becomes upset and decides to moonlight at the escort service to raise money to move to Half Moon Street and have casual sex with eventual clients. When Lauren meets the prominent Lord Sam Bulbeck (Michael Caine), who is negotiating peace treaty between Arabs and Israelis, they become lovers. However, Lauren does not know that she is being manipulated by powerful politicians to jeopardize the work of Lord Bulbeck.

In 1986, when I saw "Half Moon Street" for the first time, I liked this film a lot. Yesterday I watched it again and I still found it a good movie without being special. The story of a Harvard PHD researcher that moonlights as a call girl is absolutely unusual and this is the good point. However, the result of her romance with the conspicuous politician is predictable and the conclusion does not surprise the viewer. My vote is six.

Title (Brazil): "Uma Intriga International" ("An International Intrigue")