Hey Babu Riba

My personal feeling is that you cannot divorce this movie from its political/historical underpinnings like so many (American) reviewers tend to do. This is not about growing up on Main Street, USA. It is about growing up in Yugoslavia at a time when it was torn between the East and the West. Just like the guys are torn between Esther and everybody else, and Esther is torn between the "Tovarish Joe" and the guys. There is shame in certain situations that is lost on an audience that has never lived under Tito. I feel the movie is under-rated and it is too bad we have lost the director. Movies like this make freedom feel more important. It is not just "another Eastern European coming of age film"...it is a sensitive portrayal of teenagers walking a fine line that might eventually lead them to real freedom.

A very well made film set in early '60s communist Yugoslavia. The five young actors who are the teenagers at the center of the story give strong, sincere and emotionally deep performances. A clear depiction of how the natural trust and naivete inherent in teens can be easily manipulated and how that impacted the rest of their lives. Highly recommended.

One of the most beautiful movies ever made in ex Yu.Story is very familiar to people in ex Yul because generation after war used to live in the same way.People in the west cant imagine how political situation in our country affect people.The plot is in the 50",When Josip Broz Tito said no to the SSSR and politbiro and because of that our borders becomes open for western influence.But,in a country were people didn't had much money jeans was only ideal and friendship was everything.The friendship between for young people an a girl was so strong that after 40 years of their emigration from Yu is still alive.They get together after all this years on Ester"s funeral and they start to remember of their childhood,before their went to the emigration and become successful people.

In the mid 1980s--before Yugoslavia broke apart and unleashed the strife and ethnic cleansing that prompted international intervention--Torvill and Dean skated "Bolero" on the Olympic ice rink at Sarajevo, and the not yet fractured nation gave us one of the more memorable European films of the era.

Hey Babu Riba presents the beautifully bittersweet story of a quartet of teenagers who form a rowing team, and the female coxswain with whom each is in love. The movie is set dually in summer 1953 and September 1985, in the first case just after the death of Joseph Stalin. The Soviet dictator, despite his demise, has a residual presence in the form of a forearm tattoo and a menacing group of apparatchiks from the ministry of culture (propaganda).

Glen, Sasha, Kicha, Pop, and Mirjana are a "four"--referring to the number of oars, not the number of friends--with quadruple aspirations to become a pair. They are Yankophiles, and take English classes from a woman in Belgrade. When Glen asserts, "I know that Glenn Miller is the best musician in the world," their teacher coaches them that an English speaker would not say, "I know…." in such a context, but rather, "I think…." When the young man applies the lesson at (what appears to be) the U.S. Information Agency office, he finds to his astonishment that his rehearsed memorization works conversationally, although the hip young African-American who staffs the office prefers Gershwin.

Which sets up some background from which the ensuing plot unfolds. Hey Babu Riba opens on a boxcar, approaching the northern Croatian coast, to the singing of "Te Quiero Dijiste" (1929) by Mexican female composer Maria Grever (1894-1951). It comes to the group by way of its use in a 1944 Esther Williams movie, Bathing Beauty. The coxswain thus becomes not Mirjana, but Esther, and the song, which pervades Hey Babu Riba, imprints itself as the movie's signature. The result is a classic of nostalgic youth. Jovan Acin (1941-1991) is the director.

A sharp political comment posturing as a coming of age story is what this movie is. The annoying thing is that it works effectively on both levels. It isn't supposed to but it does. This tale of four boys and a girl growing up in 1953 Communist Belgrade is a heart warmer. It is what gentlemen refer to as classic cinema. Obviously, 1953 Belgrade is not as harsh a dictatorial and fascist environment as the Communist society is often portrayed. One can listen to rock and roll music, one of the songs played is the song "Hey Babu Riba" ala the title of the movie. But jeans cannot be bought nor certain drugs which are illegal to possess. Unlike a heavy-handed criticism of a communist society this movie does it by showing how it affects the lives of the five protagonists who refer to themselves as we four. The girl who has a father in exile in Italy and is awaiting a passport for her mother and she to travel out to join him, the piano that is taken away from communion use from one of the boys, the sudden giving of your home and quarters to your new comrades because they need it. The boys spend a lot of time listening to music and it is made clear they despise the fascism that communism has created as they engage in tiffs with a fascist charlatan who has Stalin tattooed on his hands. These all leads to the actions they take later on and the remembrance of a time fading away, as this movie was released in 1986 in the twilight of the Soviet Empire. A great movie worth seeing again and again. "Repentance is not your enemy but yet it is also nobody's friend."