Highlander

Highlander is perhaps the definitive modern-day, non-horror fantasy adventure. The use of flashbacks within the story is perhaps not unique, but the concept sees its full fruition here. Such integral "flashback storytelling" would later be borrowed by many movies and TV shows (the Highlander series itself, Forever Knight, and Outlaws among the latter). Everyone is well cast, from the major roles (Lambert, Brown, Connery, Hart, and North) to the minor roles (Peter Diamond, Hugh Quarshie, Sheila Gish, and Christopher Malcolm, among others). Of necessity, must be seen in the Director's Cut version. Various web sites also have the further "missing scenes," including the Kurgan's battle with Immortal Yung Dol Kim, and Kastagir and MacLeod actually having that party they mention.

In 16th century Scotland, immortals fought against each other, in a quest for the prize of being the one remaining at the end of the centuries of fighting. Conner Macleod (Christophe Lambert) is trained in the art of sword fighting by Ramirez (Sean Connery) in hope that one day one of them will fight and defeat the Kurgen (Clancy Brown) The story is set over 4 centuries and stretches from the highlands of Scotland to the streets of New York.

Firstly the cinematography in the highlands captures the breath taking scenery beautifully, the story is captivating fantasy, with dialogue and direction to suit the theme, and the cast all perform well enough to entice you into the story and hold your attention, without ever really excelling. Finally the soundtrack is provided by Queen, and it genuinely adds to the emotional feel of the film in quite dramatic style.

Highlander is a very good movie, that has its flaws; but in fantasy, does it really matter? However the sequels are far too contradictory and contrived to be given the same forgiveness. This film really is the only one; and its stands alone without the need for its inferior sequels.

7/10

Highlander isn't a perfect movie by all means, at least in my opinion, the film is a little too long, Christopher Lambert tries hard but comes across as rather bland and the effects towards the end are a little cheesy. However, cinematography, costumes, sets and scenery-wise Highlander is great, and most of the effects are decent. The soundtrack is killer, the storyline is acceptably paced and basically a fun standard sword-and-sorcery sort of tale, the script may have some toshy moments but boy did it entertain me, the action is well choreographed and the direction is very good. Also Sean Connery is as charismatic and memorable as ever, and Clancy Brown's character is written even better and he too is great. Overall, a fun and entertaining film, shame its sequel was such an abomination but that's another story. 7/10 Bethany Cox

When I first saw this film, I thought it was great. Connery is good, Lambert does passably well, the effects are good, the idea of a bunch of special individuals who had known about each other (and in some cases, liked each other) for centuries being drawn together, knowing that only one could come out alive. The effects were, at the time, good and had not been flogged to death. I even enjoyed the introductory clan-on-clan warfare.

Then came Highlander 2, a film which deserved its place on the Bottom 100 and the nadir of Sean Connery's career. As someone else said about that film: "don't break every rule you set up in the first film." Even the series didn't do that. And the reputation of the first good film suffered.

Separating the first film from the bad sequels, and a series that a lot of people can take or leave, it is still a good film. Unfortunately, a good idea was taken and flogged to death afterward.

Highlander is an ingenious and very entertaining science fiction film which has come in for rather a lot of (unwarranted) scathing criticism. Although the plot jumps around with reckless abandon, the scripters Gregory Widen, Larry Ferguson and Peter Bellwood manage to pull in all the loose ends by the climax. The word "confusing" has been used to describe the film quite often as well, but if you stick with it the confusing moments are explained quite cleverly towards the closing reels. This is, in fact, not a bad film at all. I'd venture to say it's a pretty good one.

The opening sequence has Russell Nash (Christopher Lambert) at a wrestling match in New York's Madison Square Gardens. He leaves early, and while walking through the underground car park is confronted by a man with a sword. Nash is not perturbed by this - he merely brandishes a sword of his own, and the pair of them fight to the death, resulting in the decapitation of Nash's opponent. Slowly, we learn (via flashbacks) that Nash is an immortal swordsman who has spent centuries duelling with like immortals. The only way they can die is by decapitation at the hands of one of their counterparts. Each swordsman has spent the whole of history pursuing the others, hoping to be the last one alive whereupon he will gain mortality, virility and vast knowledge.

The film is very energetic (what would you expect from a former music video director?) with dazzling camera work and a pounding, Flash Gordon-style soundtrack by Queen. Sean Connery has a pleasant supporting role as an immortal who teaches Lambert the art of swordplay, and Alan North has a funny part as a bewildered cop who can't figure out why headless corpses keep turning up in his city. The film's intentionally muddled structure is slightly irritating on the first viewing, but with repeated viewings it becomes more comprehensible, even clever. Highlander is a good, inventive piece of hokum.... and it's a real shame that those very same critics who are always grumbling about the lack of cinematic imagination these days didn't give it some merit when it was first released.