The Hitcher

A cat spends the day chasing a mouse. When he finally corners the mouse, he takes sadistic delight in batting it around, playing with it before it goes in for the kill. The cat wishes to savor the look of fear on its prey, instead of merely indulging the reward it's worked so hard to catch. This is the predator/prey relationship evidenced in "The Hitcher," one of the most relentlessly intense and mean-spirited horror films ever made.

Since the setting is the desert, I suppose it would make more sense to call John Ryder (played by Rutger Hauer) a vicious coyote, who is picked up one rainy night by a stray lamb named Jim Halsey (C. Thomas Howell). Ryder, who's apparently been murdering people all over the desert, is looking to do the same with Halsey, who cheats death only to be tormented for the rest of the film by this savage predator. The coyote craves a challenge--in fact, he seems to live for it.

Nothing else needs to be said. "The Hitcher" relies so heavily on a plot that weaves in and out of 'the expected' that any further description would spoil the fun. The two leads are excellent--Rutger Hauer has created one of the great villains of modern cinema, and C. Thomas Howell is a sympathetic and believable victim driven to madness. While the film isn't necessarily deep, the high-energy cast, moody desert settings and twisty script fuel this effort for 98 intense minutes. 3.5 stars out of 5.

Yes, this movie would be remade years later with Sean Bean cast as the hitchhiker that likes to play some rather brutal games and one has to wonder why. Rutger Hauer was perfectly cast here as the psycho and his performance could not have been topped. Maybe they felt the need for a female lead rather than the male one because you know how females never get the chance to be the main character who survives in a horror movie (heavy sarcasm here). This is basically a story of a young man driving in the middle of nowhere who looks to have been very bored and in the need of some company. He finds some in the form of a hitchhiker and suffice to say he should have listened to all the warnings he got of hitchhikers, but on the plus side his travels in the middle of nowhere are about to be a lot less dull. You get a great scene as the two opponents as it were square off for the first time with the young man seemingly getting the better of the hitcher in round one. Unfortunately, everyone in this desert seems to be to kind for their own good as the guy sees the psycho in a car with a family. So other face-offs with this hitcher are coming up and some will be very violent indeed. A rather good thriller/horror type movie with my main complaint coming towards the end as how was he not handled better than that? Other than that you get a very good and chilling game of cat and mouse and you get a performance by Hauer that could not have possibly been beat.

The Hitcher is a marvelous thriller and Rutger Hauer is truly scary as hell. He is undoubtedly one of the best villains in cinematic history. The game that Hauer and C. Thomas Howell play out makes for a great way to spend an hour and a half of your life. You can't help but feel sorry for Howell as he can never escape the madman. Hauer has zero motive and that makes him all the more evil. And how he always finds Howell is something that is unnerving and unexplainable. It's like their paths were meant to cross somewhere out in in the desert. Eric Red's script leaves nothing to be desired. The scene where Howell is eating french fries is one of the most unforgettable in horror history. And so is the event that leads to the capture of Hauer. The end is fantastic and it's something that you want to do through the entire movie. It will definitely make you think twice before picking up hitchhikers. If you enjoyed The Hitcher, Check out Hitch-Hike (with David Hess) and Duel.

One wonders if the filmmakers knew what kind of a film they wanted to make. This movie starts out promising, with C. Thomas Howell as a kid driving across the great dusty southwest (beautifully and desolately photographed and eerie in a Stephen King-esque sort of way) on his way to California, only to be inexplicably pursued by a homicidal maniac, played with cold glee by the chilly-eyed Rutger Hauer. There is a promise here of a psychological thriller a la Hitchcock, with Hauer seeming to have a near-supernatural and truly menacing presence. There is something inhuman and demonic about him, though it's hard to put your finger on precisely what. The relationship (yes, one can call it that) that develops between Hauer and Howell is interesting and deeply disturbing. Behind the enmity, they seem to have some truly dysfunctional need for each other, which makes the cat-and-mouse game all the more suspenseful. Unfortunately, somewhere around the middle of the movie, it degenerates into just another shoot-em-up action flick and Hauer's character seems silly rather than demonic, while Howell is just annoying. After about a half hour of this, I just wanted both of them to die. I didn't care anymore. Had the filmmakers known how to write (and direct) a satisfying, appropriate conclusion to the very suspenseful first half, this could have been a great movie. Instead, it falls on its face--and is all the more disappointing because we expected something better.

A normal ordinary guy picks up a stranger in the middle of nowhere so that he could drive awake. Little does he know that he's going into a road trip from hell...

Rutger Hauer give what I think is his best performance. Sure, there was that menacing Replicant in Blade Runner, but this one overshoots it by a long shot. He delivers a performance so good, that you'll find it difficult to question whether his character is believable or unbelievable.

C. Thomas Howell, one one of the kids in Steven Spielberg's ET, plays the protagonist. Here, he faces every driver's worst nightmare imaginable, and he delivers it with realism. Howell also demonstrates how an ordinary teenager can change into a helpless being who is caught between a psychopathic game of cat-and-mouse set by a brutal man hell-bent on killing him.

The nice New Mexico cinematography of which the film was filmed and set gives tranquility to the picture and makes the film looks good while delivering the thrills. Strongly supporting this topic is composer Mark Isham's gritty yet beautiful score. It;s just perfect for this kind of movie.

The action sequences are handled very nicely here. We got a petrol station blowing up, an intense police car chase, and one of the greatest endings in cinematic history. Period.

The Hitcher (1986) is one of the first films I have ever watched, and I still cherish it to this day. The 2007 remake, or rather, reDO, is a shallow and uninspiring music-videoish piece of crud that will only be liked by the MTV generation, but never the fans of the original. Why was it remade, we will never know.

Overall, it is an excellent movie and one of the best thrillers ever made. Pick this one up, guys, it's worth it.

8/10