Royal Warriors

Hong Kong detective Michelle Yeoh, Japanese Interpol agent Hiroyuki Sanada, and security guard Michael Wong are on a flight when gang members try to hijack it to free a prisoner. They beat the hijackers through a combination of kung fu and sticking the last gangster's head though a window he has broken open. They are hailed as heroes, and think they can go on with their lives. What they don't know is that one of the men they killed was one of a foursome who have pledged their lives to each other. As a result, there are several attempts to kill them, with many collateral deaths, leading to a final confrontation with an insane Ying Bai.

Although Miss Yeoh is top-billed, it's much more the three of them, and they are sketches. The point of the movie is in the bloody fight scenes, lovingly shot with very strong color components. The movie revels in its physicality, and Miss Yeoh looks great running. It's a well made movie for what it is, a programmer meant to cash in on a suddenly popular female lead, but everyone does their jobs very well indeed.

Michelle Yeoh, legend. What a great showcase for her athleticism and fluidity, which just jumps off the screen. At 24 and in her second major role, she cemented herself in the Hong Kong action films of the 80's and 90's with this performance. There are so great scenes here - fighting on the street, in an airplane, during a car chase, in a crane, in a nightclub, with an armored vehicle, and against a chainsaw. Several times it looks like the actors are in real danger of being hurt, and adding to the feeling of being on the edge is the script not being afraid of killing off innocent bystander characters, young and old. It also gives us a nice little backstory for the four villains, though on the other hand it also gives us the annoyingly repetitive romantic overtures of Michael Wong's character to Yeoh's, which was the weakest part of the film. If you think you know where that may end up, however, you might be mistaken. Aside from that, there is a lot of cheese here which may bother you, including some sappy family interaction from a Japanese colleague (Hiroyuki Sanada), the synth soundtrack, and the bad guy's cliché evil laugh, but they just added to the camp appeal for me. I loved its bits of real darkness and how it was Yeoh's character doing the rescuing at the end. A lot of fun, so much so that I rounded up my review score a bit.

Michelle Yip (Michelle Yeoh) of the Hong Kong police is a mild-mannered Kung Fu expert; Michael Wong from air security is happy-go-lucky, stuck on himself, constantly talking, and smitten by her; Yamamoto (Hiroyuki Sanada)is quiet, hard-boiled, leaving the Tokyo police to spend time with his wife and daughter. They form an alliance when they foil a hijacking on a plane flying a mob prisoner from Tokyo to Hong Kong. The mobster and his would-be rescuer die; this sets off two avengers who were their blood brothers. Our three cops become the targets.

Michelle Yeoh and Hiroyuki Sanada star in this hard-hitting cop action film which has non stop action, and of the exhilarating kind. Frantic hand to hand combat, a high-speed chase, a car bomb, the destruction of a nightclub, a spectacular suicide, a fight in a plane, and a tense cliffhanger at the end, all executed with skill. The parts in between the mayhem is much lighter, which is due to Michael Wong who is smitten by Yeoh. It's pleasant, and a break from the mayhem. But ultimately it's the action set pieces and Yeoh's and Sanada's high kicking attitude that makes this a recommended watch for martial arts fans.

Fine follow up to Yes Madam. Not nearly as witty, but heavier on action (most of the scenes are very exciting with extremely tough baddies).

The last baddy is particularly good, with a silly mocking smile and grin. I loved the scene where he shoots the TV set.

The plot is by turns clever and cliched, and the "music" makes the whole thing feel much more cheesy than it otherwise would. Really, in some of these 80's Hong Kong films the DVD's should have an option of removable soundtracks. Alot of the films such as this would come across much stronger now without a synthesizer in the background banging away. Of course this would remove the campy bad guy forte chord which I know many viewers are endeared to.

Those who enjoy hard-edged action over wit might even prefer this to Yes Madam as the best of Michelle Yeoh's early action films.

Michelle Yeoh is very cool. That could be the review; that's enough to make Royal Warriors worth watching.

It's a bit of an oddity as a film, starting out with a dance number and then becoming surprisingly dark, not to mention jarringly violent. It's that kind of hard-edged martial arts movie where the punches and collisions look genuinely painful, and some of the stunts look remarkably dangerous. There are certain parts that aren't entirely believable (an overuse of sped-up footage at the end, and a mat poorly disguised as pavement early on), but most of the action's done really well.

I think it's a movie that hits the ground running to the point where it runs out of steam a little by the final act. It flounders a bit to get to the final action sequence, but once it gets there, it does work.

Some of the melodramatic elements didn't always work for me either, but the core of what's needed for a Hong Kong action movie to shine is intact here, and so I mostly liked Royal Warriors. Michelle Yeoh is very good, and it's interesting seeing a young Hiroyuki Sanada here too, given both he and Yeoh have seen their popularity reach new heights (at least internationally) during the early 2010s. They're both very good here, too.