Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "Mother" is still watching.Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "Mother" is still watching.Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "Mother" is still watching.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Katt Shea
- Patsy Boyle
- (as Katt Shea Ruben)
Hugo Stanger
- Harvey Leach
- (as Hugo L. Stanger)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm not lying, appart from Psycho IV (The concept had died out by then) this is the most underrated Psycho film. And, no matter what anyone says, if you like either Psycho or 1980's horror flix, you should like this. Perkins revises his role and the supporting cast help him along in his ageing role as geeky motel-man "Stormin'" Norman Bates. Mother takes on an even more horrific theme and the madness of Perkins is far more obvious. Perkins directs well and reveals things in a very Hitchcock style, and, even though the Hitch sertainly would NOT approve of this film, I liked it. The comedy ellement is combined with the horror. The spoof of the shower scene left me rolling on the floor (if you can laugh at that sort of thing!). The main problem is the high rating of the film (R in the States and 18 in Britain). The Hitch went through his career taking care of what he showed people, and by this stage in the Bates saga, it was just a see all know all knife flick. 7.5/10 (Not as good as Psycho II) Rated R. Contains scenes of a Sexual Nature, Nudity, Swearing and scenes that some viewers may find disturbing.
Psycho 3 is better than the sequel, which I liked very much, but still suffers in comparisons to the original masterpiece. Now, this sequel is much more close in spirit to the original, which is a great thing. It takes elements from the first film and fashions an almost "copycat" story, but then surprises you when you see where it goes.
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
Anthony Perkins also improves his performance from part two, but still nothing beats his legendary performance from the original. I hate to be comparing it so much to the first two, but with sequels it's hard not to. Perkins is gripping here with much more to work with than he was given in the sequel.
Perkins also directed the film. He does a fantastic job. This is definitely the scariest of the three, but then again the most up-to-date, too. Maybe that's why it feels spiritually guided by the original; 7.5
My fave of the series, this one has a bit more going on than last time. There's also a lot of throwbacks to the original, like Leigh look-a-like Scarwid getting Perkins all aroused, Maxwell investigating Perkins kind of like Balsam in the first, and a stabbing scene very similar to the infamous shower one, with the exception being this times its in a phone booth. This entrys a little more routine than part 2's, with that being a whodunnit. Here, you know whodunnit and basically the characters are more interesting than the story. You wouldn't know Perkins directed with it looking pretty much like any movie youve ever seen with capable photography. And as in the classic part 1, he has it end with his wacko grin glaring up at us. Of course.
this time around you seem to have more of a slasher type 80's film , meaning that there is a lot of teens, school age kids partying at the motel. with Norman's strict upbringing by his mother, his morals come into play here. Jeff Fahey is playing Norman's assistant in running the motel, a nun who has lost her way stumbles upon the Bates motel, upon seeing her Norman is reminded of Marion Crane, he instantly falls for her. seeing that suitcase with the initials M.C. on it certainly must have brought back memories for poor old Norman. although it is not as good the previous entry, it isn't that bad either, the score is very good, the cinematography is great, i think this one suffered a little on the plot, this one seems more campy the Psycho 2 but it's not bad either.
*** This comment may contain spoilers ***
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
...read the introduction of Psycho III on TV. I was excited to watch Anthony Perkins's directorial debut, but I must say that this film had so much more potential to be better than it was.
Psycho III in several ways, is better than Psycho II. It reveals much more about Norman as a person, not just a crazy old man with a mental illness. Anthony Perkins once told David Letterman of the Psycho franchise that "They're not really horror movies. They're tragedies." I really felt sympathy for Norman in this sequel above all the others. There is not a better word to describe everything about Norman than tragic.
Psycho III contains a lot of 'familar' scenes. The bell tower scene at the beginning inspired from Vertigo, when Norman's 'girlfriend' Maureen fell down the stairs of the home, done exactly the same way Detective Arbogast fell in the original film; 'floaty' like. After Norman 'saved' Maureen from her attempt at suicide, they have a quick heart-to-heart, in which Norman says "We all go a little mad sometimes," a famous quote from the original. Clearly Perkins wanted to pay homage to the Master of Suspense.
On to his performance - wonderful as always, but I can't help noticing that a lot of the Bates trademark movements and facial expressions were brought back in this sequel, some unnecessarily so. Sometimes it seemed as if Norman was parodying himself. Jeff Fahey as Duke, a musician with a cocky surfer boy personality was an interesting contrast.
Overall, I think Perkins should be given more credit. Sure, it isn't perfect - but I think it has a lot more heart. I think if certain scenes were removed, it would have been a lot better, particularly the end of the film where he brings back the infamous grinning 'stare.' It counteracts with what Norman overcame only a scene ago. But Psycho III doesn't deserve such a low rating. It's definitely worth a look - but don't expect a masterpiece. 6/10.
Did you know
- TriviaIn an interview with American Movie Classics just before his death, Anthony Perkins admitted he was not up to the task of directing this film, feeling his technical knowledge to be too limited.
- GoofsWhen the reporter Tracy is shown Mrs. Spool's apartment, the manager tells her that the police have already paraded through the apartment. Yet there is mail and a notepad by the phone and magazines with many phone numbers on the covers. It is inconceivable that the police did not take these items in order to get answers to Mrs. Spool's disappearance, especially since one of the phone numbers was for Bates Motel, obviously linking Norman to her.
- Quotes
Duane Duke: [to Maureen] Stupid bitch! You could have been comin' instead of goin'!
- Alternate versionsIn the initial Ontario theatrical and video release, the throat slitting was censored both in its initial depiction and the flashback. The cuts were waived for the 2005 DVD edition and the classification was reduced from R to 14A.
- ConnectionsEdited from Psycho II (1983)
- SoundtracksThe Scream Of Love
Music by Carter Burwell
Written by Steve Bray & David Sanborn
Performed by Carter Burwell, Steve Bray, & David Sanborn
MCA Records
- How long is Psycho III?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Psicosis III
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,481,606
- Opening weekend US & Canada
- $3,238,400
- Jul 6, 1986
- Gross worldwide
- $14,481,606
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content