IMDb RATING
5.5/10
2.1K
YOUR RATING
Emerging from their fallout shelter after a nuclear war, two brothers fashion themselves after 1940s detectives and brave a new world of mutants and freaks.Emerging from their fallout shelter after a nuclear war, two brothers fashion themselves after 1940s detectives and brave a new world of mutants and freaks.Emerging from their fallout shelter after a nuclear war, two brothers fashion themselves after 1940s detectives and brave a new world of mutants and freaks.
- Awards
- 1 win & 1 nomination total
Paul Keller Galan
- Chester
- (as P.K. Galán)
Hilary Shepard
- Biker Leader
- (as Hilary Shapiro)
Gulcin Gilbert
- Greaser Chick
- (as Gulshin Gilbert)
Glory Fioramonti
- Biker #2
- (as Glory Fiormonti)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As a young buck I was an extra in this film in LA. There were so many extras and no real coordination, we didn't know when the camera was rolling and when it wasn't. Shooting seemed to go on forever without a break, so when you got tired you just walked off the set and went home.
We knew when making it that it would go direct to video. It was actually released, and played at my local theater for about two days before it was yanked. I had never before seen a movie taken out of the theater that quickly.
I'm still looking for the video just for nostalgia. I'm glad there are some people out there who can enjoy for something.
We knew when making it that it would go direct to video. It was actually released, and played at my local theater for about two days before it was yanked. I had never before seen a movie taken out of the theater that quickly.
I'm still looking for the video just for nostalgia. I'm glad there are some people out there who can enjoy for something.
Pyun's ambitious effort is well-made but extremely lacking in plot and character development. Essentially, it is a half-baked post-apocalyptic comedy about two Hardy Boys-esquire young guys (John Stockwell and Michael Dudikoff) who see the world for the first time. They run into various zombies, 80s bondage/biker chicks, a genuinely creepy butcher, and several other zany and morally ambiguous characters as they search for their father.
Like a lot of Pyun's films, it doesn't take any effort to level the ground for the audience. It has flashy ideas and camera maneuvers and some decent action, but it was hard to understand what was going on. Or maybe it was hard to understand that the movie WAS going on without any real plot lying underneath its surface. By the end I was giving up on it because there was no interesting conclusions or character accomplishments. If it were trippier and filled with more complex weirdness it could have been more watchable, but it still needed better characters and more fun.
There is a dance number at the end that is pretty amazing though . . .
Like a lot of Pyun's films, it doesn't take any effort to level the ground for the audience. It has flashy ideas and camera maneuvers and some decent action, but it was hard to understand what was going on. Or maybe it was hard to understand that the movie WAS going on without any real plot lying underneath its surface. By the end I was giving up on it because there was no interesting conclusions or character accomplishments. If it were trippier and filled with more complex weirdness it could have been more watchable, but it still needed better characters and more fun.
There is a dance number at the end that is pretty amazing though . . .
This is that rarity amongst post-apocalyptic cinema - a film that dares to show people trying to enjoy life in the ruins of civilization. Although it's eighties heritage shows through in an overzealous use of neon, tacky dance-rock and the frankly dodgy nightclub scenes, any film that can combine a nuclear war with disco has to be applauded.
Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.
Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...
Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.
Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...
The movie itself is not particularly good. B-movie-esque with a few laughs, and the otherwise simple plot is told in a rather incomprehensible and messy way. The acting is pretty bad and the cutting almost hilarious. There are definitely many better movies to watch before this one, unless you have a thing for 80s kitsch (I do).
The movie does however shine in one particular area; the soundtrack. I have watched (or listened to) the first 3 minutes on repeat for a good while already. Hard-punching 80s synth wave / new wave epicness bathed in reverb - I love it!
The movie does however shine in one particular area; the soundtrack. I have watched (or listened to) the first 3 minutes on repeat for a good while already. Hard-punching 80s synth wave / new wave epicness bathed in reverb - I love it!
You will either love this film or wish you hadn't started it.
I loved it, can't help it.
A great post-nuclear-tribe-based world with no rhyme or reason to it. But who cares. Absolute ridiculous. Totally 80s
Lisa Blount is amazing in her pseudo "V" post apocalyptic costume, a must for her fans (which is how I ended up seeing this). Dudikoff is (somehow) hilarious. Albert Pyun juggles the mish-mash of film genres, whether comedy, action, pop video, or detective noir (little bit tongue in cheek with that last one), and keeps the film together going even at its sloppiest.
Escape From New York meets The Warriors meets John Hughes meets Buckaroo Banzai meets Blade Runner meets low budget meets classic 80s DTV.
I loved it, can't help it.
A great post-nuclear-tribe-based world with no rhyme or reason to it. But who cares. Absolute ridiculous. Totally 80s
Lisa Blount is amazing in her pseudo "V" post apocalyptic costume, a must for her fans (which is how I ended up seeing this). Dudikoff is (somehow) hilarious. Albert Pyun juggles the mish-mash of film genres, whether comedy, action, pop video, or detective noir (little bit tongue in cheek with that last one), and keeps the film together going even at its sloppiest.
Escape From New York meets The Warriors meets John Hughes meets Buckaroo Banzai meets Blade Runner meets low budget meets classic 80s DTV.
Did you know
- TriviaThis movie marks the first appearance of the name "Brick Bardo" in an Albert Pyun movie. It has, so far, appeared in seven of his movies.
- GoofsWhen Phil and Marlowe leave their bunker, they bring their car to abrupt halt upon seeing a woman. The sound used is of tires screeching on asphalt, while they are on an obviously dirt road.
- Quotes
Miles Archer: I'm going to blow your head off unless I get those keys!
Marlowe Hammer: So what does this mean, Miles? You don't love me no more?
- Alternate versionsThe United States release of this film includes a written introduction that other cuts of the film do not have. It contains more information regarding the keys and bomb. This can be viewed on the Vestron Video release and the Laserdisc that followed it. The German DVD contains the only Widescreen cut of the film. As a special feature; this intro is included.
- ConnectionsFeatured in Best of the Worst: Cyborg and Arcade (Albert Pyun Double Feature) (2022)
- SoundtracksNightmare
Performed by Jill Jaxx
Written by Michael McCarty, Jill Jaxx and Judith Nee
Produced and Arranged by Michael McCarty
- How long is Radioactive Dreams?Powered by Alexa
Details
Box office
- Gross US & Canada
- $220,038
- Opening weekend US & Canada
- $141,055
- Sep 21, 1986
- Gross worldwide
- $220,038
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