IMDb RATING
5.2/10
7.1K
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An ancient creature called Rawhead is awakened from its slumber near an Irish village and goes on a rampage killing anyone in sight.An ancient creature called Rawhead is awakened from its slumber near an Irish village and goes on a rampage killing anyone in sight.An ancient creature called Rawhead is awakened from its slumber near an Irish village and goes on a rampage killing anyone in sight.
- Awards
- 1 nomination total
Cora Venus Lunny
- Minty Hallenbeck
- (as Cora Lunny)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Apparently, writer Clive Barker was so incensed by this laughably bad adaptation of one of his short stories that he decided the next movie to be based on one of his books would be directed by himself (the result being the rather excellent Hellraiser!). I can't say I blame the poor bloke: for an author to see his hard work turned into such a dreadful movie must be a painful experience.
It's an experience, however, that fans of really bad horror movies will probably find quite pleasurable, thanks to the fact that it not only features some truly terrible acting, but also one of the least convincing movie monsters of the 80s: the titular monstrosity looks like a bargain basement 'predator' (from the Schwarzeneggar movie)a bizarre combination of pro-wrestler, a Mad Max-style warrior, and a bog-eyed mutant pig with ridiculously huge fangs!
The film opens with an Irish farmer attempting to remove a huge, ancient, neolithic monument from his field (he's obviously a man not too concerned about his country's heritage); when he finally gets the stone to shift, Rawhead Rex, a monstrous, nine foot tall creature that had been trapped underneath, is set free...
The rest of the film is pretty much your basic 'creature on the loose' movie (dressed up with some nonsense about a church built on a site originally used in pagan, pre-Christian rituals) which sees the ancient beast creating bloody havoc in the rural community before finally being defeated by 'girl power'. Along the way, viewers are treated to some pretty cheap-looking gore, a funny moment when the church verger is 'baptised' in urine by Rawhead, a shocking performance by the actor playing the scared gypsy kid, and a wonderfully gratuitous spot of female nudity when a woman is dragged though a caravan window by the monster, causing her top to fall off!
It's an experience, however, that fans of really bad horror movies will probably find quite pleasurable, thanks to the fact that it not only features some truly terrible acting, but also one of the least convincing movie monsters of the 80s: the titular monstrosity looks like a bargain basement 'predator' (from the Schwarzeneggar movie)a bizarre combination of pro-wrestler, a Mad Max-style warrior, and a bog-eyed mutant pig with ridiculously huge fangs!
The film opens with an Irish farmer attempting to remove a huge, ancient, neolithic monument from his field (he's obviously a man not too concerned about his country's heritage); when he finally gets the stone to shift, Rawhead Rex, a monstrous, nine foot tall creature that had been trapped underneath, is set free...
The rest of the film is pretty much your basic 'creature on the loose' movie (dressed up with some nonsense about a church built on a site originally used in pagan, pre-Christian rituals) which sees the ancient beast creating bloody havoc in the rural community before finally being defeated by 'girl power'. Along the way, viewers are treated to some pretty cheap-looking gore, a funny moment when the church verger is 'baptised' in urine by Rawhead, a shocking performance by the actor playing the scared gypsy kid, and a wonderfully gratuitous spot of female nudity when a woman is dragged though a caravan window by the monster, causing her top to fall off!
This is an hilarious horror flick, if you like bad movies and especially if you remember Glenroe et al from the 80's..its a veritable spot the face. I loved the fact that the 'bad' priest was church of Ireland, another classic Irish touch.
I found this really amusing, as I love this sort of bad movie. You'll never look at a fairy fort or ring fort the same way after seeing this!
I found this really amusing, as I love this sort of bad movie. You'll never look at a fairy fort or ring fort the same way after seeing this!
So the year is 2011 and time has not been kind to poor old Rawhead Rex (1986) and the monster horror genre in general.
Anyone who has read Clive Barker's short story Rawhead Rex knows that this is a downright disturbing and wicked tale. The monster Rawhead has sexual issues, he hates women, he pisses on priests and has an appetite for eating small children/babies. However, all these awful things are what makes the story such a page turner and adds more depth to what would otherwise be a mindless monster work.
The movie Rawhead Rex (1986) suffers from a very low budget. The main offender is Rawhead's mask itself. Its cheap rubber with little to no animatronics and the rubber shakes as the actor tries to move quickly. A higher budget would have done this monster so much justice, if only a creature master like Stan Winston had gotten involved, this would have been a whole different movie experience.
I would love to see Rawhead Rex remade today with all the trimmings, but unfortunately Hollywood is a complete mess. Bad actors are thrown into quick PG-13 horror crap fests and CGI technology has become the only main focus of everything.
I think it's time for someone to step up to the plate and re-boot the monster movie genre. Rawhead Rex could be an action/monster movie extravaganza if remade correctly. Hollywood simply refuses to take any chances and because of this, the horror genre is more or less dead. In the end, Rawhead Rex is still an enjoyable monster flick for the bored late night horror buff. But it just doesn't measure up to the more well-made 80s monster classics like "Pumpkinhead".
Anyone who has read Clive Barker's short story Rawhead Rex knows that this is a downright disturbing and wicked tale. The monster Rawhead has sexual issues, he hates women, he pisses on priests and has an appetite for eating small children/babies. However, all these awful things are what makes the story such a page turner and adds more depth to what would otherwise be a mindless monster work.
The movie Rawhead Rex (1986) suffers from a very low budget. The main offender is Rawhead's mask itself. Its cheap rubber with little to no animatronics and the rubber shakes as the actor tries to move quickly. A higher budget would have done this monster so much justice, if only a creature master like Stan Winston had gotten involved, this would have been a whole different movie experience.
I would love to see Rawhead Rex remade today with all the trimmings, but unfortunately Hollywood is a complete mess. Bad actors are thrown into quick PG-13 horror crap fests and CGI technology has become the only main focus of everything.
I think it's time for someone to step up to the plate and re-boot the monster movie genre. Rawhead Rex could be an action/monster movie extravaganza if remade correctly. Hollywood simply refuses to take any chances and because of this, the horror genre is more or less dead. In the end, Rawhead Rex is still an enjoyable monster flick for the bored late night horror buff. But it just doesn't measure up to the more well-made 80s monster classics like "Pumpkinhead".
As well as delivering some of the shoddiest straight-to-video horror efforts ever made, the 1980s were also notorious for making stars of the real brains behind most projects - the writers. Popular authors such as Stephen King and Dean Koontz saw their names frequently advertised above the movie's title, used as the main selling point over any actors attached or the director in charge of the adaptation. One of the biggest names to emerge in the decade was Clive Barker, whose pull-no-punches approach and love of the stomach-churning side of sexuality provided a racier alternative to the milder King and Koontz. He would really make his mark in 1987 with his directorial debut Hellraiser, but before that came Rawhead Rex, adapted from a short story from Volume 3 of his Books of Blood series.
Just why Barker seemed so intent on bringing Hellraiser to the big screen himself is made perfectly clear after watching Rawhead Rex, a cheap, schlocky monster movie which Barker himself wrote the screenplay for, but quickly disowned after seeing the final product. Set in Ireland, Rawhead follows American Howard Hallenback (David Dukes), who drags his whole family to the cold, wet countryside in a bid to discover his roots and research sites that may be of religious and historical significance. But little does he know that nearby, a farmer has moved a sacred stone and unleashed the snarling demon Rawhead Rex upon the world. The peculiar priest Declan O'Brien (Ronan Wilmot) starts to act even more bizarrely when he encounters a strange vision after laying his hand on the church altar. Soon enough, mutilated bodies are being unearthed and citizens are vanishing, and with the police seemingly clueless, it's left to Howard to uncover the truth and send the monster back where it came from.
Directed by George Pavlou, Rawhead Rex is a terrible movie, losing points on everything from the camerawork to the acting (although Dukes actually isn't bad). The monster itself looks like hastily clumped-together paper mache school project, with a permanent open-mouthed expression unable to disguise the clear signs that the actor inside is struggling to see where they're going. It's offensive to the Irish, and just about anybody else with reasonable taste in cinema. Still, like many horror movies from the 1980s that receiving a pounding from the critics before gathering dust in the local video store, this is tons of fun for anybody with a weakness for tongue-in-cheek trash. It has a sense of humour, and certainly isn't afraid to have the most helpless of victims be dragged away by the rabid beast when you really expect them to turn up alive. Barker was understandably embarrassed but this certainly doesn't damage his reputation, and is enough to tide us over until Barker hopefully gets around to his long-planned remake.
www.the-wrath-of-blog.blogspot.com
Just why Barker seemed so intent on bringing Hellraiser to the big screen himself is made perfectly clear after watching Rawhead Rex, a cheap, schlocky monster movie which Barker himself wrote the screenplay for, but quickly disowned after seeing the final product. Set in Ireland, Rawhead follows American Howard Hallenback (David Dukes), who drags his whole family to the cold, wet countryside in a bid to discover his roots and research sites that may be of religious and historical significance. But little does he know that nearby, a farmer has moved a sacred stone and unleashed the snarling demon Rawhead Rex upon the world. The peculiar priest Declan O'Brien (Ronan Wilmot) starts to act even more bizarrely when he encounters a strange vision after laying his hand on the church altar. Soon enough, mutilated bodies are being unearthed and citizens are vanishing, and with the police seemingly clueless, it's left to Howard to uncover the truth and send the monster back where it came from.
Directed by George Pavlou, Rawhead Rex is a terrible movie, losing points on everything from the camerawork to the acting (although Dukes actually isn't bad). The monster itself looks like hastily clumped-together paper mache school project, with a permanent open-mouthed expression unable to disguise the clear signs that the actor inside is struggling to see where they're going. It's offensive to the Irish, and just about anybody else with reasonable taste in cinema. Still, like many horror movies from the 1980s that receiving a pounding from the critics before gathering dust in the local video store, this is tons of fun for anybody with a weakness for tongue-in-cheek trash. It has a sense of humour, and certainly isn't afraid to have the most helpless of victims be dragged away by the rabid beast when you really expect them to turn up alive. Barker was understandably embarrassed but this certainly doesn't damage his reputation, and is enough to tide us over until Barker hopefully gets around to his long-planned remake.
www.the-wrath-of-blog.blogspot.com
This is one hell of an odd movie yet it always makes me think of dear old mom. A few years ago my mother had a chemical peel on her face and for a few days she looked just like the monster in Rawhead Rex, in fact I still call her Rawhead Rex every now and again (just for fun). This picture is good for a laugh but that's about it. Pity this picture stars the wonderful David Dukes but i won't hold that against him.
Did you know
- TriviaClive Barker hated the film. While he wrote the screenplay and it is mostly faithful to the original story, he was very unhappy with some of the acting and especially with Rawhead Rex's ogre-like design, as he intended the monster to look like a giant phallus. This dissatisfaction inspired him to take a more central role when making Hellraiser.
- GoofsIn several scenes the monster's mask is obvious. The spot where the mask ends gets loose from time to time is especially obvious where the neck meets the shoulder. The most obvious is during the attack on the trailer park right after a propane tank explodes and Rawhead runs toward and attacks the man who fired the gun.
- Quotes
Reverend Coot: [Declan is pushing Coot up to be killed by Rawhead Rex] No, no, no! Declan, wait! Think, think! He doesn't care about you! When it's finished with you, what will it do with you?
Declan O'Brien: Kill me... I HOPE!
Reverend Coot: Declan, for the love of God!
Declan O'Brien: Get upstairs, fuckface! I can't keep God waiting!
- ConnectionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
- SoundtracksThat Eastertide With Joy Was Bright
Lyrics by John M. Neale
Music by Michael Praetorius and George Ratcliffe Woodward
Details
- Release date
- Countries of origin
- Language
- Also known as
- RawHeadRex
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,500,000 (estimated)
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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