Rawhead Rex

As well as delivering some of the shoddiest straight-to-video horror efforts ever made, the 1980s were also notorious for making stars of the real brains behind most projects - the writers. Popular authors such as Stephen King and Dean Koontz saw their names frequently advertised above the movie's title, used as the main selling point over any actors attached or the director in charge of the adaptation. One of the biggest names to emerge in the decade was Clive Barker, whose pull-no-punches approach and love of the stomach-churning side of sexuality provided a racier alternative to the milder King and Koontz. He would really make his mark in 1987 with his directorial debut Hellraiser, but before that came Rawhead Rex, adapted from a short story from Volume 3 of his Books of Blood series.

Just why Barker seemed so intent on bringing Hellraiser to the big screen himself is made perfectly clear after watching Rawhead Rex, a cheap, schlocky monster movie which Barker himself wrote the screenplay for, but quickly disowned after seeing the final product. Set in Ireland, Rawhead follows American Howard Hallenback (David Dukes), who drags his whole family to the cold, wet countryside in a bid to discover his roots and research sites that may be of religious and historical significance. But little does he know that nearby, a farmer has moved a sacred stone and unleashed the snarling demon Rawhead Rex upon the world. The peculiar priest Declan O'Brien (Ronan Wilmot) starts to act even more bizarrely when he encounters a strange vision after laying his hand on the church altar. Soon enough, mutilated bodies are being unearthed and citizens are vanishing, and with the police seemingly clueless, it's left to Howard to uncover the truth and send the monster back where it came from.

Directed by George Pavlou, Rawhead Rex is a terrible movie, losing points on everything from the camerawork to the acting (although Dukes actually isn't bad). The monster itself looks like hastily clumped-together paper mache school project, with a permanent open-mouthed expression unable to disguise the clear signs that the actor inside is struggling to see where they're going. It's offensive to the Irish, and just about anybody else with reasonable taste in cinema. Still, like many horror movies from the 1980s that receiving a pounding from the critics before gathering dust in the local video store, this is tons of fun for anybody with a weakness for tongue-in-cheek trash. It has a sense of humour, and certainly isn't afraid to have the most helpless of victims be dragged away by the rabid beast when you really expect them to turn up alive. Barker was understandably embarrassed but this certainly doesn't damage his reputation, and is enough to tide us over until Barker hopefully gets around to his long-planned remake.

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This is an hilarious horror flick, if you like bad movies and especially if you remember Glenroe et al from the 80's..its a veritable spot the face. I loved the fact that the 'bad' priest was church of Ireland, another classic Irish touch.

I found this really amusing, as I love this sort of bad movie. You'll never look at a fairy fort or ring fort the same way after seeing this!

Apparently, writer Clive Barker was so incensed by this laughably bad adaptation of one of his short stories that he decided the next movie to be based on one of his books would be directed by himself (the result being the rather excellent Hellraiser!). I can't say I blame the poor bloke: for an author to see his hard work turned into such a dreadful movie must be a painful experience.

It's an experience, however, that fans of really bad horror movies will probably find quite pleasurable, thanks to the fact that it not only features some truly terrible acting, but also one of the least convincing movie monsters of the 80s: the titular monstrosity looks like a bargain basement 'predator' (from the Schwarzeneggar movie)—a bizarre combination of pro-wrestler, a Mad Max-style warrior, and a bog-eyed mutant pig with ridiculously huge fangs!

The film opens with an Irish farmer attempting to remove a huge, ancient, neolithic monument from his field (he's obviously a man not too concerned about his country's heritage); when he finally gets the stone to shift, Rawhead Rex, a monstrous, nine foot tall creature that had been trapped underneath, is set free...

The rest of the film is pretty much your basic 'creature on the loose' movie (dressed up with some nonsense about a church built on a site originally used in pagan, pre-Christian rituals) which sees the ancient beast creating bloody havoc in the rural community before finally being defeated by 'girl power'. Along the way, viewers are treated to some pretty cheap-looking gore, a funny moment when the church verger is 'baptised' in urine by Rawhead, a shocking performance by the actor playing the scared gypsy kid, and a wonderfully gratuitous spot of female nudity when a woman is dragged though a caravan window by the monster, causing her top to fall off!

The writer Howard Hallenbeck (David Dukes) is spending vacation in the countryside of Ireland with his wife Elaine (Kelly Piper) and children researching legends and myths for his book. Meanwhile, a farmer is trying to remove an old column on the field and accidentally unleashes the evil pagan god Rawhead Rex that begins a crime spree in the village where Howard and his family are lodged.

"Rawhead Rex" is a cult trash written by Clive Barker in the beginning of his successful career in the film industry. The plot is flawed and silly, but it is funny to see. My vote is five.

Title (Brazil): "Monster - A Ressurreição do Mal (VHS)" ("Monster - The Resurrection of the Evil") / "O Senhor das Trevas (DVD)" ("The Lord of the Darkness")

The short story Rawhead Rex is a gory and stomach churning piece of literature appearing in Clive Barker's Books of Blood Volume 3. Reading it one sees the possibilities of a good old fashioned monster on the loose movie. Unfortunately, most of the graphic violence of the story is removed from the film that followed. Although many of the character details remain the same, except that the protagonist and his family are Londoners instead of Americans in the short story. The setting, score, a few actors and the occasional scare make the films worth seeing for true Clive Barker completists. Be warned, what does make the proceedings less alluring is the fact that Rawhead himself is a great disappointment; the direction somewhat poor and from a script by Barker himself I expected more. Not even in league with his superior Hellraiser, effective Candyman or intriguing Nightbreed. Though I must admit I must've seen this film about eight times since it was initially released.

Trivia note: The mother of the American Family is the actress who plays the nurse Joe Spinell skewers in Maniac.