Soul Man

Pills that can tan your entire body?! Huh. ;)

C.Thomas Howell is so good in his role. His charm is so intoxicating and you always wanna laugh at him. He looks like a cuter version of steve-o from jackass, with discolored skin and a black curly 'fro! He looks so obviously NOT black.

The best part of this film is the editing style. I recently discovered the importance of editing; it's good that this one was edited at a very quick and entertaining pace, otherwise it would've seemed outdated by today.

I actually think a film like this would make it today, since there's a heavy backlash from the '90's 'political correctness' theme. There are some heavy themes here, (although it's a comedy) but C.Thomas Howell keeps you wanting more. Supporting roles from James Earl Jones, the character Sarah, and her son are all great, but C.Thomas Howell keeps this film timeless; he is perfect.

I remember watching Soul Man about twelve years ago when it was first aired on TV. Crazy, hilarious, sarcastic, emotional; what the hell I could go on forever describing this film.

This is the only film besides "The Outsiders" that C. Thomas Howell played a dual role of himself and a black student impersona. Okay I can agree with some comments that movie began to over step it's bounderies with the way African American culture was dealt with, but at the smae time I felt that it was stabalized with the humour adding that extra touch rather than people taking it more "Politically correct" way.

James Earl Jones and Rae Dawn Chong both did fabulous jobs as there acting really help give their characters' some edge that made it somewhat convincing.

Overall a brilliant film. If you can try to avoid the fact that it might be cliched of dealing with racial differences in a light hearted manner. Remember this is a comedy and not something to take "SERIOUSLY".

Another quality film from the 80's to add to the hitlist.

When I started to watch this film I thought, not another teen movie. That's not to say it wasn't funny because it was hilarious but then something happened in the film as it began to give a message of racism in American society in particular(and the world by inference). The premise that a white student could become black just by using tanning pills is so ridiculous but if you get over that funny leap in belief and you give this film your time you will be rewarded with a sentimental love story with a anti-racist message and what's more, the movie makes you think- what if I were black? Would I be treated like that just on the basis of the colour(or color as you Americans spell it) of my skin?

The main character Howell comes across as a bit of a j***k, pardon my language, at first but you see him mature with what he sees happening around him. His self importance disappears with every racist moment and we are left with not a broken man as maybe someone who had to put up with it all through their life (a Black person) but because he can go back to being seen as important in society (i.e. a white man) he is left enriched by the experience and an infinitely better person. The love angle is very well portrayed especially by two people who actually went on to get married after the movie in real life which just shows the chemistry between them on screen. The only thing after seeing this movie that I can see wrong with it is its competing ideas and themes- you are not sure what you have watched, was it a teen movie, love story, drama or anti-racist 'propaganda'. Personally as someone who likes all those types of movies I think it is the my greatest modern movie of all time. 10/10

Ridiculously unfunny 80s switcheroo comedy about a teenager named Mark (C. Thomas Howell) who desperately needs a scholarship to get into Harvard - the only problem is, the one remaining scholarship is open only to blacks. You can guess Mark's brilliant plan, as well as the fate of the entire movie. Funny premise and great co-stars (James Earl Jones, Leslie Nielsen, Julia Louis-Dreyfus) cannot a good movie make. Jokes are wasted and the film is way too predictable.

** / *****

As much as this movie floundered at times I still liked it. There were points I was thinking, "This is absurd," yet they pulled it off. What started off to be something of a daft comedy full of despicable racial stereotypes was all just a set up for a grand ending.

Mark Watson (C. Thomas Howell) is a rich white L.A. kid living a shallow life, but he does get accepted to Harvard Law, which is no small task. It's at this time that his father (James B. Sikking) takes the advice of a less than stable psychiatrist and cut his son off financially.

Mr. Watson: "Son I want to give you your manhood."

Mark: "What would that mean in practical terms?"

Mr. Watson: "Well, it means I want you to go to Harvard, I want you to work hard-- very very hard. I also want you to feel good about yourself. You wanna feel good about yourself don't you son?"

Mark: "Sure Dad."

Mr. Watson: "Ha ha ha. That's why I've decided to let you pay your own way."

Mark: (stunned beyond belief) "Dad. That's... that's a sweet gesture, but it's really not necessary."

Mr. Watson: "Oh I think it is."

Mark: "What are you saying dad?"

Mr. Watson: "I'm saying that I took the money in your tuition account and used it to buy timeshare in a condo in Barbados."

And there you have it. Confident, excited Mark was turned into desperate Mark. In his desperation he hatched a hair-brained scheme. He would make himself up to look Black in order to get the Henry Q. Bouchard scholarship which is reserved for qualified Black applicants. What could go wrong? As Mark put it,

"It's gonna be great! These are the 80's man, it's the Cosby decade. America loves Black people."

Oh, how wrong he was.

For me, this movie was the cinematic representation of the book "Black Like Me." In 1959 John Howard Griffin took some pills to darken his skin in order to experience what it was like to be Black. He wrote an incredible book about the experience. Soul Man is a more humorous version of that same experiment.

Mark slowly learned that everyone didn't love Black people and that this plot of his would be much tougher than he imagined. And that was the most pleasing part of the movie. Seeing a privileged white kid come around to understand--even if only an inkling--what it's like to be Black.