Tai-Pan

Adventure film based on James Clavell's novel about a 19th-century trade baron who makes his headquarters in Hong Kong. This is the 3rd worst motion picture I've ever seen in a theater (behind Rebel and Dune.) It seemed that the original intention was to have made this as a TV mini series and not for theatrical release. One point in the film Bryan Browns character Dirk Struan tells another male character "When you make dung you'll wipe your arse with paper". The entire theater crowd erupted in laughter for about five minutes and it appeared that the line was not intended to be humorous. That's how bad this movie was.

TAI-PAN

Aspect ratio: 2.39:1 (J-D-C Scope)

Sound format: Dolby Stereo

1840's China: Thrown off the mainland because of his opium dealings, a western merchant (Bryan Brown) sets up home on the island of Hong Kong where he faces conflict from friend and foe alike in the lead-up to colonization.

Hugely derided at the time of its release, this handsome production - based on the novel by James Clavell, and directed by TV specialist Daryl Duke (THE THORN BIRDS) - plays to the gallery at every turn, embracing the book's labyrinthine plot and outrageous melodrama with unashamed fervour, an approach which appears to have sealed its fate at the box-office. The movie opens a little too abruptly, indicating a troubled post-production, but John Briley's busy screenplay (co-written with Stanley Mann) unfolds against a colorful historical backdrop and includes just enough nudity and violence to keep boredom at bay. Brown's performance is compromised by an unconvincing Scottish accent, and he's upstaged by Joan Chen (THE LAST EMPEROR) as the Chinese girl who loves him regardless of his failings, while handsome Tim Guinee (HOW TO MAKE AN American QUILT) is achingly sincere as Brown's naive young son, led astray by villainous merchants plotting his family's downfall. Also starring John Stanton, Russell Wong, Norman Rodway, Kyra Sedgwick and Bert Remsen in supporting roles. Production values strive to capture an epic feel and are largely successful, though no one's ever going to mistake this for "Lawrence of Hong Kong"! Italian makeup maestro Giannetto de Rossi (a regular contributor to the films of Lucio Fulci) provides some occasional flashes of gore, including a brief - but realistic - decapitation near the beginning of the picture.

first, inject countless clichés and stereotypes, populate the cast with some well-knowns, and add some 'tit'illation.

and wait for the box office receipts to pour in!!!

I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.

it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.

some good acting but not enough to overcome the numerous shortcomings.

I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?

Im glad IMDb exists so that duds like this can be outed and red-flagged.

I agree with other comments that this should have been a miniseries but on HBO not commercial TV. The scenes with the various women would have been destroyed with censorship. I believe that it did give an accurate "feel" to the times and events depicted.

Upon viewing this I immediately ordered the book ( I had ignored it due to some disappointment at Nobel House ). Also bit the bullet and ordered Shogun the miniseries. Mr. Clavell's work s are to be appreciated even in movies that fall short. I do wish Bryan Brown had a better accent but Joan Chen mimicked it perfectly.

The supporting cast both western and oriental were excellent. Also the "few" ships used were great. Now I want Noble House on DVD.

I found this movie to follow the novel pretty closely, considering of course that the novel is about 900 pages and the movie is only two hours! While not of the same outstanding caliber of adaptation as the Shogun miniseries, it nevertheless manages to generate some excitement and give a flavor for the happenings of that period, during which the colony of Hong Kong was founded.

Joan Chen was especially good as Mai-Mai, and all the other parts were at least adequately cast. The locations, sets and production values were of uniformly good quality. The only thing lacking was enough time to tell a story this long and complex--in such a short production one only has time to hit the high points of the plot. But it was enjoyable nevertheless.