Sword of Gideon

This made-for-TV movie is based on the book "Vengeance" by Jonas. Both are told from the viewpoint of "Avner" (played by Steven Bauer), an agent in Israel's secret service, who is recruited to lead a covert assassination squad dedicated to eliminating the terrorists responsible for the "Black September" attack on Israeli Olympians in Munich in 1972.

Israel launched different initiatives against the "Black September" terrorist organization. Avner's was deeply covert, involving a team of former Mossad agents, officially resigned from the secret agency, who operated completely independently and were paid like mercenaries. In this way the Israelis hoped to avoid disasters like the botched Lillehammer operation that killed an innocent man and resulted in the arrest of agents linked directly to Mossad.

Avner and his team create their own mercenary network using Israeli money and set about their eye-for-an-eye operation. However the stress and paranoia of their task begins to eat away at their resolve and, when a team member is himself assassinated, the team takes its own revenge. Soon they feel unable to trust even their own countrymen...

The telemovie is well done with good pacing and suspense. The moral and ethical issues that are the central theme are handled creditably and you come to care about the team members. There are strong supporting characters, particularly Rod Steiger as the team's Mossad contact "Mordechai Samuels" and Colleen Dewhurst as Israeli PM Golda Meir. Michael York also turns in a nice performance as the team's explosives expert.

With the events of 9/11 and the middle east suicide bombings,this is still a topical movie.There seem to be 2 versions of this movie,strive for the longer one.Its a HBO film that I saw on a different cable station and then bought the film on EBAY.The film on e-bay was a unedited still in its original box for 86 minutes but with a few scenes cut out.Maybe there was a European vs US issue?At any rate the scenes cut out hightened as point of view in favor of Isreal which I share.This film is propaganda to be sure,but isn't all film? In a powerful scene that was shortened to cut out this statement,Golda Mair the Isreal Premire is explaining to the new Mossad recruit why their cause is rightous.This paraphrase was cut from the short version where she says,"The killed our children while the world played games" Its a haunting film.

This drama about the Israeli secret service's attempts at avenging the terrorist murderings of their Olympic athletes in the '70s might not leave you on the edge of your seat, but definitely makes for good watching, and is worth the rental price. (Rod Steiger makes a good showing as a retired Jewish spy!)

Basically, Israeli intelligence (called Mossad) carries out an assassination campaign against the alleged terrorists with varying success. Made-for-TV action sequences have a tendency to be a trifle stale, but in this movie they actually come across with a sense of realism, if not necessarily "edge-of-your-seat" exciting (unlike Hollywood which, while fun & exciting, is about as realistic as the National Enquirer).

This movie will be much more enjoyable to watch if you have at least some background/interest in modern Israeli history, otherwise it's just typical made-for-TV fare...

Re the summary of this movie... It is a few years since I saw it, but I do not recall any of the "anti-war" or "anti Israel" sentiment suggested in the summary. Of course one takes movies like this with a pinch of salt from a historical point of view, but the message I got from it was distinctly "Don't Mess With Israel(is)".

When Psycho was redone, the same camera angles, etc. were utilized as in the original Hitchcock version. Having just seen Munich, The Sword of Gideon inspired a big deja vu. Twenty years later and the great Spielberg could not find a way to improve on Gideon. Gideon's emotion was no less and support from people like Rod Steiger and Colleen Dewhurst is hard to top. The Gideon sets were replicated in the Munich version as well. Interestingly, both movies ran about the same exact amount of time. Bauer's Avner was intense and emotional. If one of these films is to be seen, I'd call it a six of one and half a dozen of the other.