The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Dec... Read allThe Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
- Awards
- 2 nominations total
- Unicron
- (voice)
- Ultra Magnus
- (voice)
- Galvatron
- (voice)
- Kranix
- (voice)
- Astrotrain
- (voice)
- Prowl
- (voice)
- …
- Grimlock
- (voice)
- Devastator
- (voice)
- Spike
- (voice)
- …
- Cyclonus
- (voice)
- …
- Narrator
- (voice)
- Quintesson Judge
- (voice)
- (as Rege Cordic)
- Optimus Prime
- (voice)
- …
- Jazz
- (voice)
- Inferno
- (voice)
- (scenes deleted)
- Perceptor
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
All bow to Transformers
All cartoons should translate so well
As when Batman came to the big screen in 1989, the filmmakers took something old and made it new again. In the case of the Transformers, the movie was dark, loud, and very adult considering the fact that it springs from what was another silly fad the children of the 80's latched onto.
I don't know how people older and younger than I will perceive it, but the film is Shakespearean in its beauty. The 1980's soundtrack works surprisingly well, even now, unlike other 80's attempts, like, say Heavy Metal.
The movie picks up in 2005, or about 20 years after the cartoon supposedly took place. Young Spike is now older and has a child of his own, and all the Autobots and Decepticons are back, with some new faces. In the opening moments, Unicron (Orson Welles), destroyer of worlds, eats a planet of peace-loving people (supposdely robots, but still eerily reminiscent of our Earth populi), killing millions. Decepticons don't just plot against the Autobots-- they murder them in cold blood (er, oil?)
This is the equivalent of the X-Files movie getting made, and Cigarette Smoking Man getting to use dirty words. It is a true expansion to the big screen, an intelligent version of the TV show, made not to pander to their audience, but to elevate it.
This movie is impossible to find in the States, but if you ever watched the TV show, it will bring you to a new level. If you've never heard of the TV show... it's still a great Anime-yarn, and a helluva lot better than that X-Files flick.
Campy 80s fun
Either tap in or get lost. You'll be missing a great film if you don't though.
If you think I'm going to get all gooey and teary-eyed then go into nostalgia overload then forget it because I'm not. I say this with a straight face and a critic's eyes: this is a good film. It may be a two hour toy commercial. It may have made zip at the box offce. It may get bad press from idiotic fossils that just aren't prepared to make the effort to tap into the universe the film is set in. But the fact remains that to anybody that's grown up with Transformers, this film is marvelous. Why? Because it does it right! The characters act right. The style is right. It's all done so perfectly that no right minded Transfan could possibly complain. How many Batman fans (and I mean real Batman fans) can honestly say the same thing about their film franchise.
It's easy to get preachy about the violence in a film aimed at kids. It gives the moral majority something to do other than examine each Disney film for subliminal messages. I found it refreshing to actually see this kind of film refuse to pull its punches. It's an action film without tapping into the over-sentimental gushy stuff that usually turns kids off anyway. This is a war. Death and violence are part of it. Will it effect the children that watch it. Maybe, but I don't know which way. I saw first saw the film when I was 7. I saw all of my favourites get blown apart. I saw my absolute, total, complete and utter hero, the person that personified all that was good and noble to me (you know who I mean) get killed saving his friends in an ultimate display of bravery and courage. I cried. My mum cried. I still do. I think that one moment made me more afraid and ashamed of death and destruction than a dozen Private Ryans.
The animation is top notch, there's an amazing soundtrack and the voice talent is good too. Not perfect, but Nimoy's portrayal of Galvatron is incredible. Espicially when you consider that it was probably done as a 'For the money not the art' job. The script isn't bad either. It has a host of sharp, quotable one-liners that would put Bruce Willis to shame ("I've got better things to do tonight than die.") The story is a rip off of Star Wars but what isn't and who cares? It's cool. The animation is superb. I said that earlier but I really do believe that it's better than Disney at some points. Certainly better than the average output at the time. It doesn't compare with today's graphics but it hasn't aged badly at all. The sountrack can sound a little too cheesy at times but the energy and verve of the film is there and it backs up the visuals with ease.
In the end it won't matter. This film won't mean a thing to anybody that doesn't know who Jazz, Bumblebee and Soundwave were to begin with. They won't watch it. They won't like it. And you know what? We don't care. Those of us that can name all five mebers of the Stunticons know better. They gave us what we wanted. And we remain eternally grateful.
As extended commercials go, it's a winner!
Surprisingly enough, there is a lot worth mentioning in this film, both good and bad.
On the minus side, of course, the predominantly 80s soundtrack has aged quite horrendously and some new characters are less appealing than they should be, chiefly the dinobots whose "comic relief" is neither comical nor relieving. The ending also feels rushed, which is a shame since such a fast-paced and action-packed film as this could have used a calmer denouement.
On the plus side, though you can fault the film's purely commercial objective, you can only admire its inventiveness. Unicorn is a beauty, both in design and in how the creature is used. The opening planet destroying scene is abrupt, savage and hugely impressive, even 20 years later. Optimus Prime is used to maximum effect, as is the whole Megatron/Galvatron storyline. The fast pacing and varied locals are the real strength though, since our heroes run from planet to planet and bump into intriguing (and often disturbing) creations, such as the genocidal Quintessons. The film's laudable level of violence is probably a key component of its enduring appeal.
All in all, one can only hope that at least a few of the many neat ideas explored here will find their way into the sequel to 2007's live action version.
This may not be Shakespeare, but to an extent, it is worthy of its minor cult following. A more than adequate 85 minutes with touches of bizarre genius.
Did you know
- TriviaOrson Welles' final role. He completed his dialogue on October 5, 1985, five days before his death.
- Goofs(at around 20 mins) When Optimus Prime arrives at Autobot City and begins wiping out Decepticons, he is seen shooting Soundwave. However, Soundwave is clearly seen later on unhurt, carrying Megatron's damaged body.
- Quotes
[before their final battle]
Megatron: [surprised] Prime!
Optimus Prime: One shall stand, one shall fall.
Megatron: Why throw away your life so recklessly?
Optimus Prime: That's a question you should ask yourself, Megatron.
- Alternate versionsMetrodome Distribution released a 'reconstructed edition' of the movie in September 2005. The film was completely restored from the original film image for this DVD release. Metrodome went back to the original 35 mm (1.33:1 ratio) full frame negative and placed it within a widescreen format of 16:9 by creating an anamorphic transfer that respects the film's full screen format. The result is a side-curtained 1.33:1 image within a 1.78:1 ratio that fully preserves the entire field of potential viewable negative and presents the complete image with the maximum amount of visual detail possible.
- ConnectionsFeatured in Stan Bush: The Touch (1986)
- SoundtracksInstruments of Destruction
Written by Ernest Petrangelo, Robin Ward and Steven Serpa
Performed by NRG
Produced by NRG
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Transformers: La película
- Filming locations
- New York City, New York, USA(Sunbow Productions)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $5,849,647
- Opening weekend US & Canada
- $1,779,559
- Aug 10, 1986
- Gross worldwide
- $5,862,568
- Runtime
- 1h 24m(84 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1(original aspect ratio)




