IMDb RATING
5.0/10
845
YOUR RATING
Mike Strauber catches his wife Sharon in bed with his best friend Jerry. He gets mad and takes off to embark on an adventure of murder and self-mutilation in demented games of truth or dare.Mike Strauber catches his wife Sharon in bed with his best friend Jerry. He gets mad and takes off to embark on an adventure of murder and self-mutilation in demented games of truth or dare.Mike Strauber catches his wife Sharon in bed with his best friend Jerry. He gets mad and takes off to embark on an adventure of murder and self-mutilation in demented games of truth or dare.
A.J. McLean
- Little Mike
- (as Alexander J. McLean)
D.C. 'Dash' Goff
- Park Ranger
- (as Dash Goff)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I was at the video store with my friend, and while trying to find a third movie, I mentioned this, and she took it from the shelf and said, "We're getting this. Come on."
Ugh, of all the movies....
There are bad horror movies (which I've had my fill of) and there is this. This movie probably could have been disturbing or bizarrely entertaining, but it just sort of came off as tiresome and plodding.
If you've read the other reviews, you've gotten some idea of the plot. I hadn't really understood what the movie was about, but it's as basic as it seems. A guy comes home to find his wife cheating on him with another man. He leaves, and slowly goes insane (well, actually, it's pretty quick) and begins playing these sick Truth or Dare games, first with a hitch-hiker he imagines and goes on a camping trip with, and then in the mental hospital with two inmates after he kills his wife's lover and tries to kill her. He eventually breaks free from the hospital, wearing a weird copper mask, and goes on a senseless, inane killing spree. Throw in two detectives and a return trip to finally kill off the wife, and you've got a movie. Not a very good one, but a movie.
Yes, the film is gory at times. There's gratuitous violence, a few scenes of nudity, and virtually no structured plot. Some people can appreciate that. Yet, somehow, this is a really boring movie! It all gets so routine and actually quite slow that you'll find yourself getting quite tired. It's also quite ridiculous. People are being killed in public, and no one else notices. (ie: the three people at the bus stop) And it's also a bit tasteless. (Come on, running over a mother and baby?)
The one thing I feel almost obliged to note is the song during the closing credits, properly titled "A Critical Madness," sung by some hack and her choir from a church (!) Listen to this song, I dare you, it's almost disturbing. I found it to be the only entertaining part of the movie.
Do I recommend this? What do you think? I guess if you need to see it to see what the deal is with this movie (like I did) sure, see it. But really...you could do better.
Ugh, of all the movies....
There are bad horror movies (which I've had my fill of) and there is this. This movie probably could have been disturbing or bizarrely entertaining, but it just sort of came off as tiresome and plodding.
If you've read the other reviews, you've gotten some idea of the plot. I hadn't really understood what the movie was about, but it's as basic as it seems. A guy comes home to find his wife cheating on him with another man. He leaves, and slowly goes insane (well, actually, it's pretty quick) and begins playing these sick Truth or Dare games, first with a hitch-hiker he imagines and goes on a camping trip with, and then in the mental hospital with two inmates after he kills his wife's lover and tries to kill her. He eventually breaks free from the hospital, wearing a weird copper mask, and goes on a senseless, inane killing spree. Throw in two detectives and a return trip to finally kill off the wife, and you've got a movie. Not a very good one, but a movie.
Yes, the film is gory at times. There's gratuitous violence, a few scenes of nudity, and virtually no structured plot. Some people can appreciate that. Yet, somehow, this is a really boring movie! It all gets so routine and actually quite slow that you'll find yourself getting quite tired. It's also quite ridiculous. People are being killed in public, and no one else notices. (ie: the three people at the bus stop) And it's also a bit tasteless. (Come on, running over a mother and baby?)
The one thing I feel almost obliged to note is the song during the closing credits, properly titled "A Critical Madness," sung by some hack and her choir from a church (!) Listen to this song, I dare you, it's almost disturbing. I found it to be the only entertaining part of the movie.
Do I recommend this? What do you think? I guess if you need to see it to see what the deal is with this movie (like I did) sure, see it. But really...you could do better.
This film is truly one the crown jewels in the kingdom of So Bad It's Funny. This charmer was shot in the mid 80's and it follows the exploits of Mike Strauber, a schmuck who has the worst luck with women. Upon returning home from work he finds his big-breasted hottie wife doing the nasty with their best friend, he obliges them with a hilarious dramatic reaction before taking off in his gold Firebird to, uh, drive around for a long, long time. As the story unfolds, we see poor Mike suffer a nervous breakdown that results in hallucinations and self-mutilation. It's all the more tragic because this poor slob can't even get an IMAGINARY girl to score with him! Anyway, we spend the rest of the movie finding a masked, disfigured, murderous Mike out to exact revenge upon his good-for-nothing cheating wife with the great tits. Of course along the way he manages to kill a number of innocents including: a group of old people at a Bus Stop, a little leaguer, some cops, a couple of "punk rockers" and even a baby in carriage using a number of weapons including a submachine gun and a battle mace! "Truth Or Dare" showcases some of the worst acting, wrting, and music ever committed to film, and believe me, it all works in this film's favor! If you're looking for 90 minutes of sick, jaw-droppingly bad horror hilarity, this is the film for you!
This is a true gem and, unfortunately, one that can never be duplicated due to the ease at which low budget films can be made very high quality today. The creativity in the use of many types of killing weapons is very unique-everything from a chainsaw to a mace(that wooden stick with the spikey ball on the end). There are some decent examples of stunts/dummy heads being blown away as well. What really blew me away was the fact that an original song was composed and performed for the end credits of the film.
The movie is about a total psycho and the original song is performed by a gospel choir-very strange. On a sidenote-see if you can spot a future member of the backstreet boys as he is killed. Here's a hint-chainsaw.
The movie is about a total psycho and the original song is performed by a gospel choir-very strange. On a sidenote-see if you can spot a future member of the backstreet boys as he is killed. Here's a hint-chainsaw.
My review was written in July 1986 after watching the show on Peerless video cassette.
"Truth or Dare?" (subtitled "A Critical Madness") is a subpar horror film aimed rather crassly at the gore market. Though touted as a feature made expressly for home video, "TOD" features 16mm lensing not much better than video-lensed forerunners in the genre, such as "Copperhead" and "The Ripper". It certainly isn't interesting or professional enough to warrant a theatrical release.
John Brace overacts portraying a man whom we learn via psychological mumbo-jumbo to be suffering from a childhood trauma traceable to the kids' game Truth or Dare? In which he imagines an alternate reality and is given to both self-mutilation and dishing out ultra-violence to other folks. Opening scene of him catching his wife (Mary Fanaro) in bed with another man triggers his craziness.
Film derails quickly via poor continuity and no credibility generated by Tim Ritter's script. Driving away from home angrily, Brace picks up a voluptuous hitchhiker (Kerry Ellen Walker) and improbably decides to go camping with her, tent and all. Around the campfire she insists on a game of Truth or Dare? And dares him to cut off his finger after she has poked out her own eye.
Brace is hospitalized, but typical of the film's sloppiness he has all his fingers undamaged for the rest of the picture. Conversely, when he goes on the rampage at a mental home with a hand grenade, survival knife, chainsaw and even a machine gun, it seems as if these are fantasy items but they turn out to be real. Where'd he get them?
Nonsensical episodes are just an excuse for gore footage, some of it left mercifully off-screen but also incorporating poorly done explicit violence. Filmmaker Yale Wilson botches most key scenes, such as making the simple finale of Brace versus his shrink needlessly confusing. Tech credits and supporting cast are weak, particularly the monotonous synthesized musical score.
"Truth or Dare?" (subtitled "A Critical Madness") is a subpar horror film aimed rather crassly at the gore market. Though touted as a feature made expressly for home video, "TOD" features 16mm lensing not much better than video-lensed forerunners in the genre, such as "Copperhead" and "The Ripper". It certainly isn't interesting or professional enough to warrant a theatrical release.
John Brace overacts portraying a man whom we learn via psychological mumbo-jumbo to be suffering from a childhood trauma traceable to the kids' game Truth or Dare? In which he imagines an alternate reality and is given to both self-mutilation and dishing out ultra-violence to other folks. Opening scene of him catching his wife (Mary Fanaro) in bed with another man triggers his craziness.
Film derails quickly via poor continuity and no credibility generated by Tim Ritter's script. Driving away from home angrily, Brace picks up a voluptuous hitchhiker (Kerry Ellen Walker) and improbably decides to go camping with her, tent and all. Around the campfire she insists on a game of Truth or Dare? And dares him to cut off his finger after she has poked out her own eye.
Brace is hospitalized, but typical of the film's sloppiness he has all his fingers undamaged for the rest of the picture. Conversely, when he goes on the rampage at a mental home with a hand grenade, survival knife, chainsaw and even a machine gun, it seems as if these are fantasy items but they turn out to be real. Where'd he get them?
Nonsensical episodes are just an excuse for gore footage, some of it left mercifully off-screen but also incorporating poorly done explicit violence. Filmmaker Yale Wilson botches most key scenes, such as making the simple finale of Brace versus his shrink needlessly confusing. Tech credits and supporting cast are weak, particularly the monotonous synthesized musical score.
This was a masterpiece in film making. Well, not really. For all of our self indulgent films of crap then we should all take notes from this film. This is a "horror" movie that takes says that it is not. It is funny, clever, gruesome, and bad, but its badness makes it what it was. The over acting, extremely bloody death scenes, and the gratuitius nudity, make it an entertaining film. Nothing now can hold its own weight because they take themselves too seriously. This was, is, the true film that make made horror movies, not Scream or I Know What You Did when you were trying to scare me, fun. Attention all horror movies of our time, either do something that no one else has, or be creative and make us laugh. If you can't do that, then release this movie, as bad as it was.
Did you know
- TriviaOn the 4 September 2013 episode of The Late Late Show with Craig Ferguson (2005), Elijah Wood said that he was five years old when he watched his first horror movie - Truth or Dare?: A Critical Madness (1986), which was a then-newly released. He said that it was what made him fall in love with horror films, that it remains one his all-time favorite horror movies, and that he has introduced it to several of his friends over the years.
- GoofsDuring the campfire scene, Mike Strauber is dared to rip out his tongue. Later, he is able to talk frequently. This is explained in the film as being through speech therapy, however, this would not help a man lacking a tongue.
- Alternate versionsThe wide-screen DVD from Sub Rosa features a redone version of the opening credits in a different font (the title graphic, however, remains the same) giving Tim Ritter back his directing credit (producer Yale Wilson took it on the previous VHS release).
- ConnectionsFeatured in Arbeitslos (2005)
- SoundtracksCritical Madness
Written by Johnny Britt and Ken Karlson
Performed by Kay Reed with the Church Of Our Savior Choir
- How long is Truth or Dare??Powered by Alexa
Details
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- Eliminator (¿Verdad o Atrevimiento?)
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Box office
- Budget
- $250,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color
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