Chief Inspector Morse has an ear for Western classical music, a taste for beer, and a nose for crime. He and Detective Sergeant Robert Lewis solve intriguing cases in and around the Oxford a... Read allChief Inspector Morse has an ear for Western classical music, a taste for beer, and a nose for crime. He and Detective Sergeant Robert Lewis solve intriguing cases in and around the Oxford area.Chief Inspector Morse has an ear for Western classical music, a taste for beer, and a nose for crime. He and Detective Sergeant Robert Lewis solve intriguing cases in and around the Oxford area.
- Won 6 BAFTA Awards
- 9 wins & 12 nominations total
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An all time classic; well acted, finely plotted and utterly addictive. In short outstanding. Not to put too fine a point on it, no series, in any genre, before or since, has managed to sustain such a high level of quality. It lays down the pillars adhered to by almost all t.v. detectives of today; a subservient side-kick, a lead character with a drinking problem but rather than establishing cliches, it creates archetypes. Without peers.
Based on average crime novels by Colin Dexter, this is truly one of the times that the television version actually surpasses the novels in quality and makes the stories come alive and touch the heart and the mind. What makes this series so compelling, like the Duchess of Duke Street, Rumpole and Foyle's War, is the main character and the actor who created this marvelous,complex and compelling character. John Thaw and the producers/writers who worked with him made this a timeless series in the only way possible: make the lead character charismatic and intriguing (and extraordinarily well acted). It is virtually impossible for a series to last beyond several episodes based only on plots (I know, many will argue with this, but I stand my ground). The series has to be character driven to maintain its brilliance, episode after episode--in this case 33 episodes. That is not to say that the plots are unimportant, but only that they are clearly secondary to Morse and his relationships with those around him--especially his sergeant and his superior. But most important are his relationship with life and his values and the way he chooses to live his life; these are especially enthralling for a t.v. series (or movie or play or novel for that matter). I highly recommend this show--even for those not normally inclined to watch mysteries. This transcends the genre spectacularly. By the way, I greatly enjoy the Midsomer Murder series, but they are merely entertaining. The Morse episodes not only entertain, but can considered to be art.
John Thaw will never have a better part than that of the crusty copper , Morse. Fans of the crime genre will love this as it usually is a great whodunnit every time with no car chases or fights and as such is always refreshingly different from the usual cop show. Just add in that Morse is a total loser with the ladies, likes a drink, enjoys listening to recordings of tragic operas. Great way to solve murders, sitting in the pub downing a beer in the middle of the day. It beats chasing armed assailants up back alleys or staking out clubs hiding in garbage cans any day.The only criticism of the show is that Oxford is portrayed as the murder capital of Europe when in real life it is probably one of the least criminal places in the world with parking offences probably being its most common crime.
It is not without reason that Morse is held up as one of the finest television series ever made. It is therefore no wonder that after the tragic death of John Thaw efforts were made to keep the spirit of the show alive through Lewis and then Endeavour. Every single part of this show was perfection itself, the writing, production, music, and of course the impeccable performances of John Thaw and Kevin Whateley.
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
Not since the great team of Basil Rathbone and Nigel Bruce (in the early film Sherlock Holmes series) have there been such a happy combination as John Thaw and Kevin Whately as Morse and Lewis, in "Inspector Morse". Based on the rather academic crime novels of Colin Dexter this is surely one of the best TV whodunit series. Thaw is much at home playing the cantankerous, cultured, clever, and egocentric Police Inspector who enjoys a drink, while Whately does well as his obedient sidekick. Clever plots and intelligent scripting make this a thought provoking and interesting series. Which has lead to other quirky British Police Inspectors such as Barnaby in The Midsomers Murders, and Frost in A Touch of Frost. One might argue that Oxford, and for that matter in the other series small English country villages seem alive with serial killers, rather not conducive to tourism, but allowing for poetic license these stories capture the interest more than most.
Did you know
- Crazy creditsThe opening notes of the theme music are based on the word "Morse" in Morse code, altered for musical purposes. The same notes are also included at the end and in places within the theme music. In the 1995 documentary "The Mystery of Morse: The Making of Morse", the composer stated that the theme sometimes spells the name of the murderer, a cryptic version of the name, or, as a red herring, an innocent character. However, there is nothing documented on the Internet for any specific name or episode. Morse code experts say that, aside from the code for "Morse", any other Morse code-like notes in the theme are complete gibberish, probably because the code was modified greatly for musical purposes.
- ConnectionsEdited into Inspector Morse: Rest in Peace (2000)
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- 摩斯探長
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