Best Seller

Brief Synopsis - A detective who wrote a best selling novel about a crime he helped foil is approached by a man who wants to be the focus of his next book since he claims to be a hitman who has killed hundreds for his boss.

My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.

Unfortunately, it doesn't stand up so well nearly 30 years later.

The premise is actually a very good one, but the performances and script feel quite subdued.

I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.

I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.

The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.

There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.

It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.

What looks like a b-grade buddy film (there were plenty around this time and usually looking to be humorous), is far from it. Director John Flynn's 'Best Seller', which was written by Larry Cohen (who makes a crackerjack combination), is actually a stark, stinging and darkly witty and violent crime caper with an out-the-shadow concept. Novel writing (mainly the sharp exchanges and character inserts) and its zesty tempo couldn't be faulted. Even with its talky core, Flynn keeps it gustily hard-boiled and rancorous with its occasional action sequences and lean suspense. Knowing that it heavily relies on the performances to be successful, Flynn sets-up the film around the pairing of James Woods and Brian Denneby. Woods effortlessly vivid and unbalanced performance frighteningly commands attention and Denneby is sensationally rock-steady. The two worked off each other impeccably and build a sympathetic, but also conflicting edge that never feels forced. Cohen's biting script illustrates and develops quite a stimulating, random and unusual relationship between the two. While his usual social commentary (quite a familiar one) and plot devices playing second fiddle to the complex arrangement. The rest of the support cast don't quite have the same impression, but Paul Shenar and Victoria Tennant are good in their roles. The weak points would have to be that of Jay Ferguson's ugly sounding synthesiser score and a mishandled conclusion. A solidly rewarding crime thriller drilled home by two tremendous lead performances.

6. BEST-SELLER (action, 1987) In 1972, Policeman Meechum (Brian Dennehy) survives an armed robbery, which in turn inspires him to write a book about his ordeal. It becomes a best seller. Years later he meets Cliff (James Woods), a mysterious loner who saves his life. Cliff knows many personal things about Meechum's life and tells him that he can provide him with another assured best seller. In order for Meechum to believe him, Cliff takes him on a tour of his previous work as a hit-man. An uneasy alliance is formed, as Cliff's darkest secrets reveal his own.

Critique: There are many reasons to like Best-Seller. It has a good, entertaining premise (a rogue assassin on the loose), the moody cinematography (another Adam Greenberg job), and displays a strong performance from the always reliable Brain Dennehy. But best of all, it has what I consider to be James Woods' best role to date.

This capriciously underrated 1-time character-actor has given excellent performances in many films including: the sleazy TV-producer in David Cronenberg's interesting, albeit obscured masterpiece 'Videodrome' (1983), his red-neck southerner in 'The Onion Field' (1979-his breakthrough film), and in Oliver Stone's sadly neglected 'Salvador' (1986- for which he received an Academy Nominee).

In most of his films, Woods has specialized in playing low-life has-beens, who have few redeeming qualities. The only fault I saw in his earlier roles was immaturity, and the lack thereof of making his characters work. In Best-Seller, he plays it cool. The character of Cliff knows what he wants and how to get it, and proves himself worthy of Meechum's respect. What better actor to give us a tour through the life of a criminal, hit-man, sleaze-ball, all-nice guy?

QUOTES: Cliff: "Will power is what distinguishes the amateur from the professional. Do you have it Dennis? Will power?..Let's hope so."

This is a thoroughly enjoyable B movie that came and went quickly from the big screen back in the late 80's. I happened to catch it then--and now own it in my movie collection.

Woods plays Cleve, a brilliant and perhaps psychotic former hit-man, who wants Dennis, a cop turned author (Brian Dennehy), to write his story. He also wants to expose his former employers. Cleve ensures Dennis that the book will be a "Best Seller" and begins taking Dennis on a lurid tour of his former hits.

Like most films, this doesn't transfer quite as well onto the small screen, but it is still well worth the viewing; (plus you get to hear James Woods warble a tune in French). Actually, Woods is way cool in this film, and delivers some of his most compelling work ever. Brian Dennehy pulls off the tough task of making the writer character equally interesting and compelling. An unlikely buddy film that has plenty of action, makes you care, and quite simply--works.

"Best Seller" is essentially a two character movie. On one hand there is Brian Dennehy as a veteran cop who also writes crime novels based on real events. On the other hand there is James Woods as a professional killer who has been spurned by his former employer (Paul Shenar). He seeks out Dennehy to try to convince him to write his story of how a now rich and powerful magnate rose to the top over the bodies of others.

The first part of the movie involves Woods trying to convince Dennehy that his story is on the level. The second part of the story covers Shenar's attempts to intimidate Woods and Dennehy and prevent the publication of Dennehy's book.

Woods and Dennehy play off of each other marvelously. Woods is cold and calculating as the hit man and Dennehy is torn between his sworn duty as a cop and his desire to get to the truth.

"Best Seller" is not for the faint of heart. There are scenes of graphic violence, which I feel are necessary within the context of the story. The film is worth a look if for nothing else than to watch two veteran performers at their best.