An ex-hit man wants a police detective/novelist to write his biography.An ex-hit man wants a police detective/novelist to write his biography.An ex-hit man wants a police detective/novelist to write his biography.
- Awards
- 2 nominations total
Charles Tyner
- Cleve's Father
- (as Harold Tyner)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
perfect casting of james woods and dennehy make it work
I watched this because imdb users rated it well, and I wasn't disappointed. The casting of woods and brian dennehy is perfect which helps to make the story of an ex-hitman telling his story to cop-turned-author believable. Scenes at woods" boyhood home, and his parents also help; Woods" ex-hitman character is written and played as a real, multi-dimensional person, not as a stereotype.. The scene about the gift in the plane and his wanting to befriend dennehy, are quite touching.
An unlikely buddy film that works.
This is a thoroughly enjoyable B movie that came and went quickly from the big screen back in the late 80's. I happened to catch it then--and now own it in my movie collection.
Woods plays Cleve, a brilliant and perhaps psychotic former hit-man, who wants Dennis, a cop turned author (Brian Dennehy), to write his story. He also wants to expose his former employers. Cleve ensures Dennis that the book will be a "Best Seller" and begins taking Dennis on a lurid tour of his former hits.
Like most films, this doesn't transfer quite as well onto the small screen, but it is still well worth the viewing; (plus you get to hear James Woods warble a tune in French). Actually, Woods is way cool in this film, and delivers some of his most compelling work ever. Brian Dennehy pulls off the tough task of making the writer character equally interesting and compelling. An unlikely buddy film that has plenty of action, makes you care, and quite simply--works.
Woods plays Cleve, a brilliant and perhaps psychotic former hit-man, who wants Dennis, a cop turned author (Brian Dennehy), to write his story. He also wants to expose his former employers. Cleve ensures Dennis that the book will be a "Best Seller" and begins taking Dennis on a lurid tour of his former hits.
Like most films, this doesn't transfer quite as well onto the small screen, but it is still well worth the viewing; (plus you get to hear James Woods warble a tune in French). Actually, Woods is way cool in this film, and delivers some of his most compelling work ever. Brian Dennehy pulls off the tough task of making the writer character equally interesting and compelling. An unlikely buddy film that has plenty of action, makes you care, and quite simply--works.
Decent thriller with excellent star duo.
Writer Larry Cohen concocts this interesting, entertaining movie that mainly hinges on the often antagonistic relationship between two strong personalities. Brian Dennehy stars as Dennis Meechum, a cop who also writes books based on true crime stories, who is approached by Cleve (James Woods), a professional hit-man for an unscrupulous businessman, David Madlock (Paul Shenar). The hit-man feels inadequately compensated for his years of service, and is now an incredibly disgruntled ex-employee, enough to approach the cop / author to propose writing a book that reveals all the ugly details of the businessman's rise to the top. Capably directed by action specialist John Flynn ("Rolling Thunder", "Lock Up", "Out for Justice"), "Best Seller" tells a pretty good story in slick enough fashion, with some effective moments of very nasty violence. It also has very strong subtext about portraying a dark side to capitalism and corporations, as well as Cleve's own very dark version of The American Dream. It's well paced, with some potent scenes that establish what kind of man Cleve is. Yet, for a man who most of the time comes off as pure scum, he has definite intelligence and a real presence, and in the end does have a redemptive quality; it's the kind of role meant for an actor of Woods's abilities, and he plays it for all it's worth. But Dennehy is equally his match as the dedicated cop both disgusted with and intrigued by his new associate. Appealing Allison Balson plays Dennis's daughter, although supporting players Shenar and Victoria Tennant ultimately end up with not that much to do, and Shenar's character is not what you'd call subtle. Other fine players in the movie include George Coe, Anne Pitoniak, Mary Carver, Sully Boyar, Kathleen Lloyd, and Charles Tyner, with a too brief, uncredited appearance by Seymour Cassel as one of the bodyguards. Reasonably engrossing, with an ending that at least isn't 100% predictable, although some viewers may not find it terribly satisfying. But the interplay between two experienced and reliable movie stars makes it all worthwhile. Seven out of 10.
Exciting But Violent Thriller
"Best Seller" is essentially a two character movie. On one hand there is Brian Dennehy as a veteran cop who also writes crime novels based on real events. On the other hand there is James Woods as a professional killer who has been spurned by his former employer (Paul Shenar). He seeks out Dennehy to try to convince him to write his story of how a now rich and powerful magnate rose to the top over the bodies of others.
The first part of the movie involves Woods trying to convince Dennehy that his story is on the level. The second part of the story covers Shenar's attempts to intimidate Woods and Dennehy and prevent the publication of Dennehy's book.
Woods and Dennehy play off of each other marvelously. Woods is cold and calculating as the hit man and Dennehy is torn between his sworn duty as a cop and his desire to get to the truth.
"Best Seller" is not for the faint of heart. There are scenes of graphic violence, which I feel are necessary within the context of the story. The film is worth a look if for nothing else than to watch two veteran performers at their best.
The first part of the movie involves Woods trying to convince Dennehy that his story is on the level. The second part of the story covers Shenar's attempts to intimidate Woods and Dennehy and prevent the publication of Dennehy's book.
Woods and Dennehy play off of each other marvelously. Woods is cold and calculating as the hit man and Dennehy is torn between his sworn duty as a cop and his desire to get to the truth.
"Best Seller" is not for the faint of heart. There are scenes of graphic violence, which I feel are necessary within the context of the story. The film is worth a look if for nothing else than to watch two veteran performers at their best.
Tough, sub-text-laden thriller about a strange relationship between a cop and a slick hired killer.
This is an interesting, action filled, suspenseful, and violent thriller adequately narrated. Concerns L. A. Detective/bestselling author with writer's block Meechum (Brian Dennehy) is a burnt-out wreck whose sideline as a crime novelist has dried up since his wife's death; he, nowadays, lives only with his daughter Holly (Allison Balson). Sleazy, amoral hit-man Cleve (James Woods) steps out of Meechum's past and offers him the dirt on his ex-boss Madlock (Paul Shenar), major league criminal turned legitimate corporation chief. Along the way, Cleve is a cold murderer who carries out grisly killings without mercy and in cold blood, but he now wants his own story written. The deal is that Meechum gets to write again and Cleve gets to be the hero of a hard-hitting exposé of Madlock's bloodstained past. Both of whom move towards a grudging respect for their manic alter ego. A hired assassin, a cop turned author, together they're rewriting the rulebook on the Mob !. Writing A Book Is Easy. Writing A Best Seller Is Murder. If words could kill...
This Larry Cohen-scripted thriller reworks the old idea of the symbiotic relationship between a killer and a policeman, adding a new twist. A superbly gritty thriller in which Dennehy is pretty good as the jaded cop and he is paired well with the psychotic Woods. It's a tense and engagingly movie, some ignored in the Eighties, but now better regarded than the past. Furthermore, an explosive finale, violently proceeded with bloody images and a lot of crossfire. Tough action, hardboiled dialogue and tightly constructed storyline keep the action bloody and crisp, while the jaundiced swipes at American capitalism are laced with cynism. Unfortunately, the potentially breathtaking confrontation between two-fisted James Woods and convincing Brian Dennehy never quite lives up to expectations. A solid main cast, and the veteran supporting actors help, including several known secondaries, such as: Victoria Tennat, Paul Shenar, George Coe and brief appearances from Seymour Cassel, Kathleen Lloyd and Charles Tyner.
Flynn's lean shooting achieves a gritty B film edge as sparks fly, adding an exciting musical score in 80s style by Jay Ferguson. Craftsman director John Flynn made nice films, though some of them sunk in obscurity, and he gave notable performances to Rod Steiger (The sergeant), Jan-Michael Vincent(Defiance), Silvester Stallone (Lock-up) and even Steven Seagal (Out of justice); here he gave immense credibility to Brian Dennehy and James Woods. Flynn began to work as a second unit director and film assistant on such features as "Kid Galahad," "Two for the Seesaw," and "The Great Escape." Soon after, Flynn made his debut with the unknown "The Sergeant" with Rod Steiger. He went on with the equally little seen "The Jerusalem File." John scored his first substantial commercial hit: "The Outfit" with a star-studded cast and providing an awesome acting from Robert Duval. Flynn achieved his greatest enduring cult popularity with the really strong and potent vendetta thriller winner "Rolling Thunder" with William Devane. His subsequent movies are likewise solid and worthwhile; they include the thrilling urban vigilante opus "Defiance," the sturdy Sylvester Stallone prison drama "Lock Up," a Steven Seagal action vehicle "Out for Justice," and the nifty virtual reality horror outing "Brainscan." John did two made-for-cable-TV pictures in the early 90s: "Nails" and the acceptable crime drama "Scam." His last film was the passable direct-to-video mobster item "Protection". ¨Best Seller¨ rating : 6.5/10. Good, the result is an enjoyable outing of action thriller genre.
This Larry Cohen-scripted thriller reworks the old idea of the symbiotic relationship between a killer and a policeman, adding a new twist. A superbly gritty thriller in which Dennehy is pretty good as the jaded cop and he is paired well with the psychotic Woods. It's a tense and engagingly movie, some ignored in the Eighties, but now better regarded than the past. Furthermore, an explosive finale, violently proceeded with bloody images and a lot of crossfire. Tough action, hardboiled dialogue and tightly constructed storyline keep the action bloody and crisp, while the jaundiced swipes at American capitalism are laced with cynism. Unfortunately, the potentially breathtaking confrontation between two-fisted James Woods and convincing Brian Dennehy never quite lives up to expectations. A solid main cast, and the veteran supporting actors help, including several known secondaries, such as: Victoria Tennat, Paul Shenar, George Coe and brief appearances from Seymour Cassel, Kathleen Lloyd and Charles Tyner.
Flynn's lean shooting achieves a gritty B film edge as sparks fly, adding an exciting musical score in 80s style by Jay Ferguson. Craftsman director John Flynn made nice films, though some of them sunk in obscurity, and he gave notable performances to Rod Steiger (The sergeant), Jan-Michael Vincent(Defiance), Silvester Stallone (Lock-up) and even Steven Seagal (Out of justice); here he gave immense credibility to Brian Dennehy and James Woods. Flynn began to work as a second unit director and film assistant on such features as "Kid Galahad," "Two for the Seesaw," and "The Great Escape." Soon after, Flynn made his debut with the unknown "The Sergeant" with Rod Steiger. He went on with the equally little seen "The Jerusalem File." John scored his first substantial commercial hit: "The Outfit" with a star-studded cast and providing an awesome acting from Robert Duval. Flynn achieved his greatest enduring cult popularity with the really strong and potent vendetta thriller winner "Rolling Thunder" with William Devane. His subsequent movies are likewise solid and worthwhile; they include the thrilling urban vigilante opus "Defiance," the sturdy Sylvester Stallone prison drama "Lock Up," a Steven Seagal action vehicle "Out for Justice," and the nifty virtual reality horror outing "Brainscan." John did two made-for-cable-TV pictures in the early 90s: "Nails" and the acceptable crime drama "Scam." His last film was the passable direct-to-video mobster item "Protection". ¨Best Seller¨ rating : 6.5/10. Good, the result is an enjoyable outing of action thriller genre.
Did you know
- TriviaJames Woods had just quit smoking prior to filming. When it came time to shoot the cigarette on the palm scene, Woods suggested he take an already lit cigarette off of a patron--that way he wouldn't have to light and smoke a cigarette.
- GoofsWhile the robbery at the beginning of the movie was set in 1972, the robbers are driving a 1975-1978 Ford Econoline van.
- ConnectionsReferenced in Saturday Night Live: James Woods/Don Henley (1989)
- How long is Best Seller?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Palabras que matan
- Filming locations
- Los Angeles City Hall - 200 North Spring Street, Downtown, Los Angeles, California, USA(Interior and exterior shots. 1972 flashback robbery scenes- As Police Depository Building.)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,278,150
- Opening weekend US & Canada
- $905,399
- Sep 27, 1987
- Gross worldwide
- $4,278,150
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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