Chuck Berry: Hail! Hail! Rock 'n' Roll

I saw this a few years after it came out. The concert footage was filmed in Berry's hometown of St. Louis at the Fox theater on October 18, 1986 on his 60th birthday. It was also the same year the Berry was inducted into the Rock and Roll Hall of Fame in it's inaugural class. Assembeled for the concert are musicians Chuck Levelle, Bobby Keyes, Joey Spampinato and Steve Jordon along with Berry's longtime collaborator and pianist Johnnie Johnson under the musical direction of Keith Richards. Guest performers are Eric Clapton, Etta James, Linda Ronsdat, Robert Cray, Julian Lennon and the guest of honor himself Chuck Berry. Interviews on his career are provided by his rock and roll contemporaries Jerry Lee Lewis, Little Richard, Roy Orbison, Bo Diddley and The Everly Brothers. Additional interviews on his inspiration come from Bruce Springsteen and an older clip from John Lennon. Taylor Hackford directed. Hackford won an Academy Award in the short film category with the first project he ever did. In 1980 he began directing feature films and has since only directed 10 films but they include Against all Odds, An Officer and a Gentleman, Delores Claiborn and Ray. As a producer he also did the documentary When We Were Kings. The cinematographer is Oliver Stapleton who had only photographed some Indy films before Haill Haill Rock & Roll but would go on to do such films as Earth Girls Are Easy, The Grifters, The Cider House Rules, Buffalo Soldiers and Pay it Forward. We see Chuck Berry being his controlling, difficult ornery self here and this likely would have been an amazing film if director Hackford was allowed free reign with his camera and Chuck would have allowed a more introspective view into what is Chuck Berry but Berry calls the shots and rocks and music director Richards reels. This is a good documentary and Chuck Berry and 50's rock & Roll fans should check it out. It's amazing to think that this is 20 years gone already and Chuck Berry will be turning 80 this fall. I would give it an 8.0 out of 10.

Incredible to only seeing it now! VHS from the library. Can watch the "confrontation" scene between Chuck and Keith over and over! It's like minutes 33-37 with Chuck serious mind-fudging' with Keith over this cool riff in "Carol" Just over and over and over. That guitar should have gone directly over Chuck Berry's head with a bigger bang! Though maybe there is a subtle different from the first try to the final approval. Beats me, but teaching Keith? Never thought I'd see that!

What a fun movie and SO well done! Chuck Berry is just a genius, but a total lunatic and not what you'd call a people person! Just wildly good history. Glad it will be there as documentation.

This is a concert/documentary film celebrating the 60th birthday of rock and roll pioneer Chuck Berry. The film is a mix of biographical history on Berry, testimonials from his contemporaries, rehearsals leading up to the big show, and finally the concert celebration featuring Berry, a back-up band headed by Keith Richards, and guest vocals from a variety of artists, such as Eric Clapton, Etta James, Linda Ronstadt, Robert Cray, and Julian Lennon.

The testimonials include Little Richard, Bo Diddley, Jerry Lee Lewis, Roy Orbison, Willie Dixon, the Everly Brothers, and Bruce Springsteen. The film is informative on the history of Berry and rock and roll music in general, and is also at times uncomfortable as we see just how moody Berry can be, especially to Keith Richards, who seems almost at the end of his rope (but doesn't he always?). The concert is good, even if Berry occasionally confounds his bandmates with unexpected key changes and sometimes sloppy musicianship (much to Richards' chagrin). Old school rock fans will love it, and even those who generally don't care for this kind of music will find some interest in the history and the larger-than-life character of Chuck Berry.

I just happened to catch this for the third or fourth time, and first time with my wife, on Universal HD today. Taylor Hackford does a phenomenal job in this movie. Chuck Berry, one of the most complicated and conflicted figures in the history of rock and pop music is rich territory and Hackford managed to catch Berry in all of his many guises - charming, professional, intelligent, thoughtful, bitter, petulant, unprofessional, difficult, and combative. What really marks this movie as a superior documentary is Hackford refusal to judge Berry to focus on just documenting the man and his behavior in a variety of situations and from a variety of sources. There really is no ax-grinding going on in this movie and there is no whitewashing - everything is what it is whether it's Berry in a touching scene with his mother and father or it's Berry in a petulant rehearsal stare-down with Keith Richards when Berry isn't getting his way.

Hackford's other great achievement in this movie is the excellent recording of Berry's 60th Anniversary Concert, the predominate reason for the whole project and the involvement of other pop/rock music notables, at St. Louis' Fox Theatre. Backed by Keith Richards, Johnnie Johnson (Berry's pianist and forgotten early influence), Steve Jordan, Bobby Keys, Robert Cray, and Joey Spaminato, Berry performs what is probably his best show in 30 years. Hackford catches the performer's excitement, the crowd's excitement, and Berry's energy and showmanship in a way those of us too young to have seen or heard Berry can begin to understand why he serves a such a seminal influence in pop and rock music.

The movie is full of entertaining nuggets. Hackford's interviews with Keith Richards are fascinating. Richards' comments are just insightful about Berry, the influence of Berry's music, and the influence of Johnson of Berry's songs; they're also fascinating in just watching and listening to Richards himself - part mystic, part philosopher, part drunk. Also particularly interesting is a three-way conversation between Berry, Little Richard, and Bo Diddly who go into great detail about their early careers, music, business, and how racism negatively affected their careers and their recognition as the earliest purveyors of rock and roll.

I think this movie is interesting regardless of whether your actually interested in Berry beforehand or not. It is as fine a documentary that any director could produce and you should watch this movie whenever the chance presents itself.

I don't think many people saw Hail Hail Rock and Roll when it came out in 1987. I've always considered it one of the greatest Rock and Roll movies ever made, and actually own it on VHS. Now that it's out on DVD (4 discs!), I'm working through the bonus discs.

Disc 2:

Disc 2 contains a number of rehearsals plus a piece on what a nightmare it was to work with Chuck Berry on this project (which was, after all, to celebrate himself!). In the film, if I remember correctly, Keith Richards says something like, "Man, I've worked with Mick Jagger, but this guy (Chuck) is something else." Now, on this DVD, the producers tell their story, and what a story it is. A lot has been said about the great scene in the movie where Chuck continually criticizes Keith's guitar playing on "Carol", but that is nothing compared to what he put the producers through, between constantly asking for more money, being late or not showing up, plus an incredible experience at one of the prisons where Chuck spent time in his youth. (On the other hand, even in 1987, everyone knew Chuck Berry was a total prima donna, so expecting to get all the filming done in 5 days was a bit of hubris, no?) While this piece is a bit wordy (as many "bonus features" are), it's a great story, and it's too bad there wasn't more film and less shots of people speaking to the camera.

The rehearsals really show the difference between Chuck Berry when he's off stage (picky, self-centered, neurotic) and Chuck when he's performing (a unique entertainer). The rehearsals all take place at Chuck's house, and the main players are Keith Richards, Eric Clapton, and Johnny Johnson. Again, too much "talking heads" between the music, but the point of the rehearsals (we're told, but can also see), is to witness the incredible coming together of the band as they learn to play with each other. That's something you rarely see, particularly with musicians of this caliber, and if you love Chuck Berry music, you'll really love these rehearsals tapes.

On the production side, I thought the sound and camera work was uniformly excellent for the live music parts of the disc.

Disc 3:

Disc 3 contains three bonus features. The one I liked most was titled "Chuckisms" and covers Chuck's language and love of poetry. The best scene is with Chuck reciting a William Wordsworth poem from memory while Robbie Robertson strums his guitar. "Just beautiful," as Chuck says several times in the recitation. You can really hear the origin of Chuck's own lyrics.

The second bonus feature has Bo Diddley, Little Richard and Chuck sitting around a piano discussing the early days of rock and roll. This feature touches (very lightly) on the trials of black performers in the 1950's trying to break into the white-dominated business. However, mostly due to the influence of Little Richard, it never really gets very serious. If you're really interested in this period, I recommend Chuck Berry's autobiography.

The last feature on disc 3 is Robbie Robertson and Chuck sitting around the coffee table talking about Chuck's life as they go through a huge scrapbook. This has some poignant moments, but again, only lightly touches on stuff that Chuck's autobiography covers in great detail. I have to wonder if Robbie Robertson knew much about Chuck Berry before sitting down with him. He asks questions like, "Why did you write about high school?", when everyone knows that Chuck wrote about what his fans were interested in, because Chuck himself was mostly interested in making money.

As a result, I think the Robertson interview gives the wrong impression, of Chuck as a genius inventing a new music form. The truth, if you believe the autobiography, is that Chuck had a genius, but it was for being incredibly sensitive to his audiences. When they applauded, he did more of what caused that, and when they didn't, he didn't do that again. Robertson also mis-reads Chuck (I thought it was pretty funny), when he calls Chuck's second prison term, "running into a brick wall". Chuck says, not at all, that's where he took all those business courses that made him into the businessman he is, and as a result, he's rich when many of his contemporaries are not. Robertson also seems amazed that Chuck never took drugs. Chuck replies that with a list of entertainers (Elvis, Janis, etc.) who are now dead, and he does have a point.

I thought the part about why Chuck's lyrics are so easy to hear missed the truth. The truth was that Chuck listened to music, and realized that the guys (white) who were making the money clipped their words distinctly, so he did too. As a result of that (plus a publicity photo that made him look white), Chuck got booked in venues where he could not play when he showed up. Did he mind? Not if he was paid.

So, in summary, disc 3 is exactly what the director promised. They had a lot of footage that didn't make it into the film, for good reason, so they stuck it in the bonus features. I recommend disc 3 for folks who just can't get enough of Chuck Berry. There is almost no music on this disc, but Chuck comes across very well and the mature "Father of Rock and Roll".