Catch the Heat

It's hard to believe that acclaimed writer Stirling Silliphant wrote this lame screenplay until you find out that the movie's star, Tiana Alexandra, was his real life wife. He didn't do her any favors with this vehicle that failed to make her a star. Apparently she realized the awfulness of this movie during production, because throughout she gives a performance that comes across as being extremely p*ssed off about being there. Her bad performance is a big reason why the movie fails, but the movie also suffers from being extremely boring. There are only two (brief) action sequences in the first half of the movie, and those action scenes as well as the action in the second half come across as extremely flat and without any excitement at all. The only thing of interest in the movie is that it was filmed on location in Argentina, which does occasionally give a backdrop that's eye-catching.

I thought CATCH THE HEAT was pretty fun for a typical martial arts-flavoured B-movie of the 1980s, and it's always nice to have one with a rare female lead. This time it's Vietnamese actress Tiana Alexandra-Silliphant who plays the role of a female cop tasked with going undercover as a prostitute to infiltrate Rod Steiger's drug-smuggling operation. The story is pretty ridiculous and the lame romantic sub-plot with the woodenheaded male cop is definitely unwanted, but Alexandra-Silliphant is game for anything and the fights are quite a bit of fun. I always appreciate a film where the casting director has an eye for supporting talent too, and we get the hulking likes of Brian Thompson, Professor Toru Tanaka, and John Hancock playing criminals and henchmen here. Still, the most frightening thing is Steiger's toupee...

My review was written in May 1987 after a Cannes Film Festival Market screening.

"Feel the Heat" is an unabashed action showcase for oriental actress Tiana Alexandra, wife of film's scripter Stirling Silliphant. Previously seen in TWE's exercise video the "Karatix", Alexandra is a real looker, solid martial arts practitioner and the only reason to sit through this weak programmer.

With apologies to Whoopi, Alexadra stars as Checkers Goldberg, a government narcotics agent working for David Dukes, who is sent undercover to Buenos Aires to infiltrate Rod Steiger's drug ring. She poses in outrageous Suzie Wong slit dresses as a bubble-headed dancer, immediately turns Steiger on and stumbles upon the secret of the smuggling operation. It turns out (believe it or not) that Steige4r has $500,000 of heroin surgically implanted in his dancers' breasts unbeknownst to them, and sends them to America where silicone is substituted for the smack. Alexandra dutifully goes along with the gag in hopes that boss Dukes will arrive in the nick of time before her cover is blown, i.e., before Steiger and his doctor discover she already has a massive chest hidden under those tight-fitting gowns.

This nonsense is just an excuse for all-purpose chase scenes and shootouts, plus Alexandra kicking into submission various thugs, even felling the massive former wrestler Professor Toru Tanaka. She's alluring and sports a perky personality, but hubby Silliphant's klutzy script sinks the outing. It's hard to believe the writer of "Narcissus on a Red Fire Engine" for tv's "Route 66" seri4es and a horde of other interesting shows and pics penned the dumb puns and vulgarities here.

Dukes, Steiger and the supporting cast have little to do.

A tired-looking Rod Steiger was given top billing for this predictable action movie although his screen time is relatively brief. The story is unoriginal and most of the budget seems to have been spent on an exciting beginning and climax - what comes in between is extremely dull.

Unusually for its day, much of the action is handled by a woman and the film, despite all its faults, is popular amongst femfight devotees for the concluding scenes in which the sinuous but deadly Tiana Alexander, clad in skintight black leotards, uses martial arts to dispose of numerous opponents.

If it were not for spunky heroine, "Checkers Goldberg", played by Tiana Alexander, "Catch the Heat" could be dismissed as just another mindless shoot em up to fill the drive in theaters. Her performance is so upbeat and entertaining however, that it overcomes the "I've seen it all before" plot. The first hour is the best part of "Catch the Heat", with "Checkers" kicking and killing "Professor Toru Tanaka". The late David Dukes is along for the ride as Alexander's partner, but his performance is completely forgettable. The same could be said for Rod Steiger, who plays a geriatric villain. The movie is not to be taken seriously, and comes across as more or less mocking itself. - MERK