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8.1/10
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A documentary following Kenzo Okuzaki, a 62-year-old WW2 veteran notorious for his protests against Emperor Hirohito, as he tries to expose the needless executions of two Japanese soldiers d... Read allA documentary following Kenzo Okuzaki, a 62-year-old WW2 veteran notorious for his protests against Emperor Hirohito, as he tries to expose the needless executions of two Japanese soldiers during the war.A documentary following Kenzo Okuzaki, a 62-year-old WW2 veteran notorious for his protests against Emperor Hirohito, as he tries to expose the needless executions of two Japanese soldiers during the war.
- Awards
- 9 wins & 1 nomination total
Featured reviews
This guy is really something. A raving mad and very dangerous man, Kenzo Okuzai spares no effort to atone for his formerly sinful and wasted life. Sometimes accompanied by the relatives of two army officers executed on false charges, Okuzai confronts the six executioners and their commanders in their homes, without notice. He demands they tell the truth, physically attacks them when they are disrespectful, and offers to call the police if the man wants. All the while, Okuzai relentlessly pursues the truth, which is probably that the murdered men went straight onto the menu.
This doco is, by turns, sickening, fascinating, compulsive .... and excrutiatingly funny. Not easy to watch, but highly recommended.
This doco is, by turns, sickening, fascinating, compulsive .... and excrutiatingly funny. Not easy to watch, but highly recommended.
Like "Fires on the Plain," this documentary gives you the side of World War Two they left out of the John Wayne films. A Japanese war veteran is haunted by memories of fellow soldiers who were executed (and eaten!) by officers in New Guinea. Ironically, the officers used false charges that the soldiers were themselves cannibals as an excuse for executing them. The old soldier goes on a quixotic and unpopular crusade to bring the truth to light.
An uncomfortable but very engaging documentary, The Emperor's Naked Army Marches On (great title) follows a man named Kenzo Okuzaki who fought in WW2, deeply regrets his past, and uses extreme and confrontational methods to try and seek redemption, as well as expose higher-ups in the army who he believes committed some very confronting war crimes.
His motives start sympathetic, but as it goes on, it becomes more and more apparent that he's a deeply disturbed and often quite frightening individual. Perhaps a lot of it stems from the trauma of fighting in WW2, but it's hard to know for certain.
He makes for a very compelling central figure, and he's a big reason the film is so provocative and troubling to watch. Different viewers may feel different things of course, but I found supporting his cause but not all of his methods to make this something of an emotional/ethical roller coaster to watch.
I know it's the kind of movie that will stick with me, and I got a similar feeling from it that I got from 2012's The Act Of Killing. Each confronts difficult subject matter in a unique way, and each tells their stories and conveys themes without using voiceover narration or archive footage of the horrifying events discussed (sometimes, what you imagine is more horrifying).
I would rate this higher, but the one thing that holds it back a little is the final five minutes. There's a ton of dramatic developments that happen near the end of this story, but they're mostly conveyed in title cards right before the end credits roll, and it feels very abrupt. You still understand where Okuzaki's personal mission leads to, but you don't really feel the impact in the same way you feel the events that came before, which is a slight shame.
Other than that, this is a pretty great documentary- keeps you engaged and glued to the screen, but challenges you when it comes to the ideas and themes it presents.
His motives start sympathetic, but as it goes on, it becomes more and more apparent that he's a deeply disturbed and often quite frightening individual. Perhaps a lot of it stems from the trauma of fighting in WW2, but it's hard to know for certain.
He makes for a very compelling central figure, and he's a big reason the film is so provocative and troubling to watch. Different viewers may feel different things of course, but I found supporting his cause but not all of his methods to make this something of an emotional/ethical roller coaster to watch.
I know it's the kind of movie that will stick with me, and I got a similar feeling from it that I got from 2012's The Act Of Killing. Each confronts difficult subject matter in a unique way, and each tells their stories and conveys themes without using voiceover narration or archive footage of the horrifying events discussed (sometimes, what you imagine is more horrifying).
I would rate this higher, but the one thing that holds it back a little is the final five minutes. There's a ton of dramatic developments that happen near the end of this story, but they're mostly conveyed in title cards right before the end credits roll, and it feels very abrupt. You still understand where Okuzaki's personal mission leads to, but you don't really feel the impact in the same way you feel the events that came before, which is a slight shame.
Other than that, this is a pretty great documentary- keeps you engaged and glued to the screen, but challenges you when it comes to the ideas and themes it presents.
The Emperor's Naked Army Marches On was one of the most amazing documentaries I've ever watched. Okuzaki and his wife endured so much over the 5 years, so much pain and emotional suffering to track down the truth. To search for the truth behind what really happened to the soldiers that were in Okuzaki's unit relied on so much of their passion and commitment..I really admire that. Okuzaki along with Kazuo - the amazing director behind this film track down officers one by one...using whatever/appearing however necessary to get within the walls of questioning...completely deceiving most of the time. Each officer who was under Hirohito's power was to explain how the two soldiers died...any form of resistance resulted in abuse verbally and even physically. When the cause was mentioned and when I discovered how the bodies were processed - - I was like ugh!! Who does that?? And the most amazing yet bothersome conclusion I came to in of all this is that I just absorbed Okuzaki's true life experience...a very harsh, painsaking true realism.
For the Japanese stationed on New Guinea during the Second World War, life was hell. Trapped in the oppressive heat of the jungle, with enemies on all sides and barely any food or water; men had to do desperate, base things to survive. Most of them would rather forget their experiences, or pretend they never happened. One man, however, refuses to let the past die: Kenzo Okuzaki, a middle-aged anti-monarchist anarchist. He too was stationed on New Guinea, and believes fate has bestowed upon him a mission: to find out the truth behind the mysterious deaths of two soldiers from his old unit. Almost forty years after the end of the War, Okuzaki embarks on this investigation, where he uncovers incredible, uncomfortable truths; documented for your viewing pleasure in Kazuo Hara's 'The Emperor's Naked Army Marches On.'
A powerful fly-on-the-wall documentary, 'The Emperor's Naked Army Marches On' is fascinating and unpredictable. A character study, as well as a poignant look at the experience of WWII Veterans in Japan, the film has a lot to offer. Okuzaki is a terrifically strange fellow whose every waking moment is consumed by anarchist ideals, and his quest is utterly compelling.
Fond of blowing his own trumpet, he is a charismatic eccentric whose investigative skills are surprisingly subtle and effective. He traverses Japan, interviewing various veterans involved in the murders. For a time, he brings the siblings of the two victims with him to engender sympathy from those he interrogates; a canny psychological trick. Okuzaki bombards his subjects with questions and non-stop chatter, breaking down their defences and- more often than not- uncovering long buried truths in the process.
Okuzaki is quite clearly a dangerous man, though, who does some questionable things to try and get people to talk. At times one wonders whether or not the presence of the camera isn't encouraging his outrageousness, and that he may be hampering his own mission. By attacking- or threatening to attack- the majority of those he interviews, Okuzaki comes across as more than a little unbalanced, which puts into question the validity of his investigation. Is he a crusader of justice, or an insane bully who beats people until they say what he wants them to?
The film paints a portrait of Okuzaki as a mixture of the two; something of an insane crusader. Indeed, despite his violent tendencies- or perhaps because of them- Okuzaki successfully solves the murders; uncovering some more in the process. He brings closure to the families of victims, and showcases how uncaring the Japanese government was during the War. Director Hara also uses the film to shed a light on the experience of Veterans after the War, and how the surviving men carry with them the shame and guilt of combat.
The soldiers Okuzaki interrogates are all broken men, in one way or another, haunted by their memories of New Guinea. The stories about the depravity they were forced to endure and partake in are devastating, and you can see the weight of that trauma is still overwhelming. A frail veteran by the name of Kichitaro Yamada- who Okuzaki visits twice and kicks a few times- has the most to say, and his revelations are staggering. By the time the credits roll, viewers will have a different perspective on Japan's involvement in WWII, and will clearly see the depths humans can sink to in order to survive.
There is nothing quite like 'The Emperor's Naked Army Marches On.' Wholly engrossing and consistently unpredictable, it has influenced generations of documentarians- from Joshua Oppenheimer to Bing Wang- and its power has not been diminished by time. It is an extraordinary odyssey in the company of a madman that offers viewers a unique cinematic experience not likely to be forgotten. Insightful, poignant, profound: Kazuo Hara's 'The Emperor's Naked Army Marches On' is a masterpiece.
A powerful fly-on-the-wall documentary, 'The Emperor's Naked Army Marches On' is fascinating and unpredictable. A character study, as well as a poignant look at the experience of WWII Veterans in Japan, the film has a lot to offer. Okuzaki is a terrifically strange fellow whose every waking moment is consumed by anarchist ideals, and his quest is utterly compelling.
Fond of blowing his own trumpet, he is a charismatic eccentric whose investigative skills are surprisingly subtle and effective. He traverses Japan, interviewing various veterans involved in the murders. For a time, he brings the siblings of the two victims with him to engender sympathy from those he interrogates; a canny psychological trick. Okuzaki bombards his subjects with questions and non-stop chatter, breaking down their defences and- more often than not- uncovering long buried truths in the process.
Okuzaki is quite clearly a dangerous man, though, who does some questionable things to try and get people to talk. At times one wonders whether or not the presence of the camera isn't encouraging his outrageousness, and that he may be hampering his own mission. By attacking- or threatening to attack- the majority of those he interviews, Okuzaki comes across as more than a little unbalanced, which puts into question the validity of his investigation. Is he a crusader of justice, or an insane bully who beats people until they say what he wants them to?
The film paints a portrait of Okuzaki as a mixture of the two; something of an insane crusader. Indeed, despite his violent tendencies- or perhaps because of them- Okuzaki successfully solves the murders; uncovering some more in the process. He brings closure to the families of victims, and showcases how uncaring the Japanese government was during the War. Director Hara also uses the film to shed a light on the experience of Veterans after the War, and how the surviving men carry with them the shame and guilt of combat.
The soldiers Okuzaki interrogates are all broken men, in one way or another, haunted by their memories of New Guinea. The stories about the depravity they were forced to endure and partake in are devastating, and you can see the weight of that trauma is still overwhelming. A frail veteran by the name of Kichitaro Yamada- who Okuzaki visits twice and kicks a few times- has the most to say, and his revelations are staggering. By the time the credits roll, viewers will have a different perspective on Japan's involvement in WWII, and will clearly see the depths humans can sink to in order to survive.
There is nothing quite like 'The Emperor's Naked Army Marches On.' Wholly engrossing and consistently unpredictable, it has influenced generations of documentarians- from Joshua Oppenheimer to Bing Wang- and its power has not been diminished by time. It is an extraordinary odyssey in the company of a madman that offers viewers a unique cinematic experience not likely to be forgotten. Insightful, poignant, profound: Kazuo Hara's 'The Emperor's Naked Army Marches On' is a masterpiece.
Did you know
- TriviaAmerican documentary filmmaker Erroll Morris listed this film as one of the top ten non fiction movies.
- Quotes
Kenzo Okuzaki: Stop it! I said, stop filming! I'm being beaten up.
- ConnectionsFeatured in The Story of Film: An Odyssey: Movies to Change the World (2011)
- How long is The Emperor's Naked Army Marches On?Powered by Alexa
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Box office
- Budget
- $222,000 (estimated)
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