Gardens of Stone

This is a great movie and it makes a very interesting pairing with Apocalypse Now to achieve Coppola's complete take on the Vietnam war. While Apocalypse Now was a surrealistic view of the front lines and insanity of war, Gardens of Stone is pulls no punches with a realistic portrayal of the home front, which presented its own type of warfare during Vietnam. As the other reviewers said, the acting is top notch throughout. Caan and Jones are perfect, but I disagree with the comments about Masterson and Huston. Theirs are key supporting roles and critical to the success of the movie. Huston is especially good in her scenes with Caan to bring the story full circle. This is an overlooked gem and highly recommended.

After 'Apocalypse Now', it's hard to believe that this film was directed by Francis Ford Coppola with such sensitivity. Truly a testament that in many ways demonstrates that Coppola is one of film's greatest directors.

This film shows the lives of many different people and their backgrounds in opposing the Vietnam war. James Caan is a military officer working as a home guard at Arlington National Cemetery during the casualties of America's most tragic conflict. It shows his relationship with Anjelica Huston and James Earl Jones as his closest friends. D.B. Sweeney and Mary Stuart Masterson are great as the younger and more naive observers of the times.

Part documentary style, part sentiment and all inclusive drama showcase its impact in a more sedated manner than most other films dealing with its subject but worth a look as an alternative.

In the late 60s, a cynical Korean vet (James Caan) would rather be training soldiers for Vietnam in Georgia, but instead he's stuck at Arlington National Cemetery playing what he calls "toy soldier" with his colleagues (James Earl Jones, etc.). When an old buddy's gung-ho son shows up (D. B. Sweeney), he settles for trying to keep him from becoming another statistic in The 'Nam. Anjelica Huston plays his potential girlfriend and Mary Stuart Masterson the greenhorn's girl.

Directed by Francis Ford Coppola based on the 1983 novel, "Gardens of Stone" (1987) is a worthy companion piece to all those Vietnam War flicks of the 70s-90s as it chronicles what was happening on the home front. It's a war drama, but not a war action film, yet not a dull, lifeless drama (more on this in a moment).

Caan and Jones have good chemistry as old Army buds and Sweeney works well as the "new kid" (he looks like a young Ben Affleck when he broke out ten years later). Meanwhile Mary Stuart Masterson was never more beautiful.

In ways the movie's reminiscent of Eastwood's "Heartbreak Ridge" (1986) with its spunkiness and a smidgen of comedy (which I wasn't anticipating), although don't expect the cartoonish character of Cpl. Stitch Jones (Mario Van Peebles). In other words, the proceedings aren't all dour. Yet there are heavy, moving parts given the topic. Coppola contrasts the beginning scene and ending scene. They're the same sequence, but it holds more weight the second time around for reasons you'll discover.

I was entertained, amused and moved. It's a necessary piece of the puzzle in understanding the era of the Vietnam War. While it's not on the level of greatness of Coppola's "Apocalypse Now" (1979) or "Forrest Gump" (1994), it's still a solid Coppola movie with a little sloppiness here and there. For instance, the war games episode could've been done more coherently and entertainingly, as was done in "The Dirty Dozen" (1967). But time means money in cinema and they had a deadline.

I've heard people complain about how this or that wasn't technically accurate or realistic, but filmmakers aren't interested in being 100% true-to-life. If they were, no one would go see their flicks. Let me put it this way, movies are real-life with the boring parts taken out, as well as exaggerations thrown in. Take "Platoon" (1986), for example. Do ya really think everything that took place in that movie happened to ONE platoon in real life? Of course not. Oliver Stone simply took many different highlights of the 'Nam experience and condensed them into one 2-hour tale of a single platoon.

The notable cast also includes the likes of Dean Stockwell, Sam Bottoms, Larry Fishburne, Dick Anthony Williams and Elias Koteas. Bottoms and Fishburne of course worked previously with Coppola on "Apocalypse Now."

Before shooting commenced, Francis' 23 year-old son, Gian-Carlo Coppola, was tragically killed in a speedboat accident in May, 1986. The reckless driver of the boat was Griffin O'Neal (Ryan's son), who was slated to play the role given to Elias Koteas.

The film runs 1 hour, 51 minutes, and was shot at Fort Myer & Arlington National Cemetery and nearby Washington DC.

GRADE: B.

It's the military funeral of Jackie Willow (D.B. Sweeney) as he recounts his journey. It returns to Jackie's first day at Fort Myer which provides soldiers for Arlington National Cemetery and he's gungho to fight in Vietnam. He's the son of a friend of Sgt. Clell Hazard (James Caan) who tries to talk him out of Vietnam. He helps screw-up Wildman (Casey Siemaszko) from platoon Sgt. Flanagan (Laurence Fishburne). Sergeant Major Goody Nelson (James Earl Jones) and wife Betty Rae set up Hazard with anti-war Washington Post reporter Samantha Davis (Anjelica Huston). Pete Deveber (Elias Koteas) is a clerk and Homer Thomas (Dean Stockwell) is the commander. Jackie marries Rachel Feld (Mary Stuart Masterson), the daughter of a colonel.

Francis Ford Coppola revisits Vietnam with something less epic and more traditional. There are great actors. The thing I remember most is the story of the Vietcons fighting helicopters with arrows. This is certainly not as iconic as Apocalypse Now. It doesn't mean that it's not a worthwhile watch. For a war movie, this surprisingly has little war action. That's probably what throws most people off.

Being a former drill instructor , I can testify to the fine portrayal of the lead character by Mr. Caan . The entire film is an excellent depiction of the dedicated military man , without the usual condemnation of the military in general , so often found in films made since the Viet Nam conflict . The acting , in general , is superb , making the characters believable and the story touching . It is certainly one of Mr. Caan's finest roles and he is accompanied by a terrific cast who contribute magnificently to the overall effectiveness of the story telling . I have seen this film a number of times and will continue to do so on a periodic basis , because of the subject matter and the acting in it. It is highly recommended !!!