A woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are purs... Read allA woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are pursuing him after he escaped their underworld.A woman discovers the newly resurrected, partially formed, body of her brother-in-law and lover. She starts killing for him to revitalize his body and escape the demonic beings that are pursuing him after he escaped their underworld.
- Awards
- 2 wins & 6 nominations total
- 1st Victim
- (as Antony Allen)
Featured reviews
It has such a magnetic quality to it. The story is different from most horror movies. It has lore and a whole world. The acting isn't good but it has such an 80's charm. The whole thing does.
The special effects...they are all practical. It looks so good. It must have took hours to get some of them looks perfect!
I can understand now why this movie has such a large following. It is just unique and has such allure.
But even that story is being somewhat pushed to the background and it focuses more on a family, of which the wife falls madly for the the no good brother of her soon to be husband. The brother however messed with the cube and got stuck in Pinhead's hell of pain. He however managed to escape it but only in a skeleton form. He needs blood to slowly regain his body and asks the wife to kill for him. This is were most of the movie its 'horror' comes from.
The movie doesn't get its horror aspects from its normal usual scare- or gross out moments. It's more a movie that works on its atmosphere and story development. Perhaps it's also due to the restrained budget, that simply forced the film-makers to be creative with the things they had at hand. The movie is no big Hollywood production and as a matter of fact it actually is an UK movie, that still got obviously aimed toward the American market as well though, in terms of its overall style.
And even though the movie was low-budget, the movie certainly did not look that way. Also its effects such as its make-up and the effects used for the more gory parts of the movie are really great looking. The make-up of course helped to make Pinhead an horror icon-figure, though in this movie he isn't even called by the name Pinhead, which was only a name that got developed later for marketing purposes.
The movie also features a great musical score by Christopher Young, that fits the movie really well. It's one of his more memorable works.
A real original horror movie, that has grown into being a classic already.
8/10
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Instead of some maniac ripped from Halloween, we get a simple wooden box. Simple, or so Frank thought.
What results is a cinematic masterpiece, a great mix of gore and violence, as well as a great musical score and some nice drama. The acting is fine, but there are imperfections. One common complaint: The characters are not pleasant enough we can latch onto them. Maybe that's because these seem more realistic than the characters we CAN latch onto. Just a thought, don't jump on this.
What really gets me, though, is the people calling it down, saying it's not quality entertainment. Come on guys, if it was SUPPOSED to be Shakespeare, it would not advertise as being able to "tear your soul apart."
The presence of the cenobites was originally intended not to carry the story but to emphasize it. As usual, the sequaes ignored it. Hey, merchandizing.
This is the only one of the series that depends on the story more than the demons. We hardly ever see the infamous Pinhead at all.
all in all, this was a fun movie. No Shakespeare, but it's not supposed to be. Just dramatic, gory, groundbreaking horror, delivered to us excellently by Mr. Barker.
This is the film that started the franchise off, and not only is it by far the best of the 'Hellraiser' films it also for me, and quite a few others it seems, is one of the stronger horror films of the 80s, though not quite of all time. What is meant by being by far the best of the 'Hellraiser' films is that it is the only one to be above very good, the nine sequels were very variable (leaning towards the disappointing) and the latter films particularly are suggestive of the franchise having run its course.
'Hellraiser' is notable for being the directing debut of celebrated and extremely talented author Clive Barker. His books have always been hugely compelling, with intelligent exploring of ambitious themes, vivid attention to detail and characterisation, meticulous atmosphere and distinctive chills and sense of dread, his popularity is more than well deserved. He also adapts his source material 'The Hellbound Heart', a terrific book and even better than this already very good film, and all those qualities are lifted off the pages onto the screen. It is also notable for introducing us to Pinhead, who would justifiably become a horror icon.
By all means 'Hellraiser' is not a perfect film. The ending is schlocky and at odds with the rest of the film, which was up to then very disturbing and remarkably intelligent and the ending felt like it belonged somewhere else.
Also felt that Barker's direction did occasionally show his inexperience, namely in some unfocused and not always necessary close-ups.
Most of the time though he does a great job, capturing the spirit and atmosphere of the book with ease and the momentum is never lost. 'Hellraiser' is genuinely scary with plenty of chills, unnerving dread, nail-biting suspense and a hair-raising sense of claustrophobic tension. It is very graphic but not in a cheap way, going over the top with the shock value and not pointlessly so, traps that it could easily have fallen into and ones fallen into so many times in horror. Personally thought the Cebonites were used well, they are still terrifying and using them as catalysts rather than focusing too much on them (mentioned already very well) added to the mysteriousness, they look good too.
It's not just scary though. 'Hellraiser' has truly inventive storytelling stemming from a unique premise back then and seldom equalled now. It also has some abitious themes like pain and desperation that are handled intelligently, giving the film some emotional power and surprising dimension not always found in horror, it is just so wonderful to find a film with a great concept seen recently that lives up to it and exceeds it even. Just want to say this is not trying to knock the genre at all, in case it's sounding that way. 'Hellraiser' holds up well on the visual front, some eerie camera work and lighting, the effects are far from amateurish and the make-up manages to be some of the most effective of the 80s.
The script is thoughtful with Barker's prose all over it and the characters show his attention to detailed characterisation, nobody is bland or annoying. The music doesn't seem to have pleased everybody, for me it was haunting and didn't dimish the atmosphere at all. Was surprised too by how good the acting was, have seen some terrible acting in horrors recently so this was refreshing. What a staggeringly frightening performance from Doug Bradley and Clare Higgins is particularly good of the rest of the cast.
Summing, very good with many great elements. 8/10 Bethany Cox
Nearing the 90's, horror films started to go down hill. In 1991 and 1996, we got two really good thriller horrors, being "SCREAM" and "Silence of the Lambs". This film however, was the last of it's kind to give us some good late 80's slasher craze which was still born and still very fresh with horror freaks.
I won't go into the plot because I believe everyone should have seen Hellraiser by now, if not, well GO SEE IT! All I can say is that the concepts of the box is terrific. A new way to kill a slashing demon is always a terrific and creative concept and it works really well in this one. I also love the soundtrack suite which is haunting beautiful and dramatic in parts. The actors are superb and their characters are believable.
Doug Bradley as Pinhead is the best and he knows how to give us a creepy killer which cannot be stopped. I dunno why in "Revelations" they got a different actor to play him. Doug is Pinhead, end of story.
I also like the way the death scenes and plot are shown. The director takes it a little step at a time while as most directors just go full on with the violence and exploit everything. Clive actually took his time to tell the story and that's what made most of the ending sequences and starting deaths so intense. It all left us to the core suspense.
Also, the 1987 film is the only Hellraiser film I have really liked. I've also seen part 3, 4 and 6. 3 was OK, 4 was dodgy and 6 sucked. The thing about the first film was that it had a dramatic fantasy to it, while being realistic, people were dying for real. The other Hellraiser films I have seen since then haven't really had the same impact but instead really try to rehash and be as shocking, doesn't work at all!?
My verdict on this 87 classic is a 7.5/10.
P.S: I just hope they can get this right in the remake next year.
Did you know
- TriviaThe Chatterer and Butterball Cenobites had dialogue in the original script. However, when their make-up made coherent speech impossible, their lines were given to the Female Cenobite and especially Pinhead, which helped to cement his reputation as the film's trademark character.
- Goofs(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Quotes
Kirsty Cotton: [Kirsty, in tears] Who are you?
Lead Cenobite: Explorers, in the further regions of experience. Demons to some, angels to others.
- Alternate versionsThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConnectionsEdited into Hellbound: Hellraiser II (1988)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Puerta al infierno
- Filming locations
- 187 Dollis Hill Lane, Dollis Hill, Brent, London, England, UK(55 Lodovico Street)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,000,000 (estimated)
- Gross US & Canada
- $14,564,027
- Opening weekend US & Canada
- $4,453,232
- Sep 20, 1987
- Gross worldwide
- $14,579,627
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1