Hollywood Shuffle

Robert Townsend's independent debut is a light-hearted farce that explores the struggles of black actors of Hollywood. But the issues that the film could be applied to talented folks in any field who are prevented from reaching their full potential because of stereotypes.

Many of the cast were unknowns at the time but they did an excellent job in the various skits. My favorite is the parody of Siskel and Ebert's TV show, where two street hoods sneak into the movies to give their own rather unique reviews. Amadeus is slammed by the amateur critics because "the movie's title is too hard to pronounce" while a movie about Zombie Street Pimps is given the thumbs up, because of the attention to detail. This is typical of the kind of humor employed throughout the movie - Townsend takes a racial stereotype and turns it outside out, making us think and laugh out loud at the same time.

I wish more directors, black or not, would follow Townsend's personal, self-effacing approach to movie-making but I guess it's easier to produce yet another violent shoot-em up or special effects showcase. Oh well.

I've forced this film on all my friends and there isn't one who regrets seeing it. A couple haven't been that enthusiastic at first; thought it was all right but didn't understand the fuss I make about it, but the next day they'll want to watch it again.

I find it pretty embarrassing when someone quotes the inevitable Austin Powers, but for months after seeing this film I just couldn't help it - probably the reason I had to get everyone I know to watch it.

Some films have great scenes and some are just good films; this is both. Genuinely funny with real heart.

Say it with me now: WINKY DINKY DOGGG.

Hollywood Shuffle (1987) was the directorial debut of Actor/ Director Robert Townshend. His self financed film Hollywood SHUFFLE pokes fun at the struggles many black actors face whilst looking for an acting career in Hollywood. It's sad as well because many of these stereotypes are still true to this day. While progress has been made in the American Movie Industry, they still need to make more progress. This film showed people how the Movie making business handles the majority of young black actors who're trying to make it in the movies.

The story is about a young, talented and aspiring actor who wants to make it in Hollywood as a director. But when he tries out for roles, he meets a lot of stumbling blocks. Many of these are about his racial background (i.e. he's not black enough, he's too black, doesn't act black, etc. etc.). Eventually he's offered a role but will he throw away his dignity to accept it? Can young Robert make it in Hollywood without "selling out"? Will his peer drag him down? To find out you'll just have to watch Hollywood SHUFFLE.

Highly recommended film.

. . . just the idea of having the audacity to finance a major movie using one's credit cards. And while it's unclear what those card companies thought of the project, the movie-going public are the recipients.

Robert Townsend, infant terrible of the late 80s makes a splashy, dynamic debut in "Hollywood Shuffle." There's no doubting Townsend's unbridled energy, imagination, and punch. Here's a man who has something to say, and uses comedy, parody and satire to make his points.

How the film will appeal depends on individual tastes. However, Townsend has assembled a good looking cast, which throws itself into the proceedings with enthusiasm and verve.

More power, Mr. Townsend.

As a black man and a longtime movie fan, it angered and frustrated me as to how blacks were stereotyped and exploited in Hollywood over the years. This was especially true during the first half of the 80's when I saw talented actor like Larry Fishburne play a hoodlum in DEATH WISH 2, Wesley Snipe play a hoodlum in WILDCATS and Mario Van Peebles play a hoodlum in EXTERMINATOR 2. Of course they've gone on to bigger, and totally unexpected, better things. That's why this satire hit a nerve with me. The one scene that sticks in my mind are the audition scenes where blacks audition for demeaning roles casted by clueless white producers and directors trying to tell blacks to act the way they think blacks should act (ain't that a blip!) and looking for an "Eddie Murphy type". The script, co-written by Townsend and co-star Keenen Ivory Wayans is accurate and on the money. While Wayans has sone on to better things (IN LIVING COLOR, I'M GONNA GIT YOU SUCKA and SCARY MOVIE), Townsend has not been so fortunate (The uneven THE FIVE HEARTBEATS, The lame TV sit-com THE PARENT 'HOOD and the godawful B.A.P.S.). The film also features Helen Martin, Damon Wayans, Anne-Marie Johnson and John Witherspoon. If you a fan of on-target satires, I strongly recommend this movie.