Housekeeping

great film, but probably the most misrepresentative ad campaign i've ever seen for a movie. this is NOT a comedy. Christine Lahti's Sylvia is NOT a one dimensional free-spirit. she is disturbed, as is the entire family. this translates perfectly from the book, as does the film's look and emotional atmosphere.

as for the opinion that Sylvia is a Pied Piper, that's just wrong. she could care less if anyone follows in her path. it just so happens that her niece is seduced by virtue of what i would interpret as instinct. the family has a long history of breaking from the norm, much to its detriment. the niece is merely fulfilling her filial destiny.

to say that the story presents a polemic about nonconformity shortchanges the viewer from the complexity of emotions that it evokes. there is no argument. this is just the way things turn out for these folks. and in my opinion, the ending leaves us questioning, just as it does in the book, how much control we have over destiny.

Bill Forsyth is a Scottish-born director and writer of great insight with a whimsical view of the world. His movies tend to focus on low-key characters and obscure places rarely seen in filmdom. "Local Hero" is one of my all-time favorites. I now add "Housekeeping" to the list.

The movie is adapted from a novel by Marilynne Robinson. It takes place in the tiny town of Fingerbone, located in the Cascade Mountains of what I assume is Eastern Washington or Idaho, given many references to Spokane and Portland. I have lived in Seattle for many years, and I adore the scenery featured in this movie. One can almost smell the pungent, bracing aroma of decaying logs, fir trees, and smoldering campfires in the outdoor scenes.

Christine Lahti is an actress of rare gifts. Her basic decency and warmth comes through in every film I have seen her in. She plays rootless Sylvie, who comes to be the guardian of two adolescent orphaned nieces, Ruthie and Lucille. The story takes place in the 1950s, and the fashions, cars, and social mores are all dead-on. She and the girls live in a large house on the outskirts of Fingerbone, the same home Sylvie and her deceased sister Helen grew up in. The story explores the relationships of these three women, and the shifting dynamics of those relationships. There is an implied parallel of Ruthie and Lucille with Sylvie and Helen. "Housekeeping" supplies a rich family history for these off-beat characters, and provides a context for their behavior and development.

There are very few men in this film. It is resolutely about the lives of women among other women. The story unfolds over several years, and we see how Lucille (the younger sister) comes to be the responsible one, who yearns to live 'like other people'. Sylvie exists in a dream world, and Ruthie is gradually drawn into that land of longing and detachment. Eccentric is how most people would describe the behavior of Sylvie, but I prefer haunted. Haunted by the lingering presence of dead siblings and parents, haunted by the inability to fit in to modern society, haunted by the endless possibilities of other places and times. To me, "Housekeeping" is a ghost story, but these ghosts yet live.

"She IS sad. I mean, she should be sad."

Years since I saw it in the moviehouse or video. NOT a comedy in the yuk yuk sense. I only wish I could have been on the set to say, "Bill, Focus more on the girls, not the aunt! You did them both so well!" It was just a question of balance in this absorbing movie. Christine Lahti had such a good, strong performance and Forsyth let her take the movie, or at least gave many viewers the idea that her character's the focus. Stunning scenery, wonderful evocation of family and place, and fascinates with its exploration of watery metaphors for our connection to and removal from people. Very faithful in tone to the book (a must-read by marilyn robinson, BTW), which I read after seeing the movie more than once. I wish I could see it on the big screen again.

I wish this movie were available on DVD!!!

Christine Lahti does her typically superlative job of depicting a woman whose values come from the heart rather than deriving from the dictates of western civilization. As always, she expresses the best of the free spirit which I believe can be found in any one of us.

Two young sisters end up in the custody of their aunt Sylvie, who has spent her life having abandoned the trappings of western civilization in general and of consumerism in particular.

In order to support her young nieces, Sylvie returns from the wild, so to speak, and helps to raise the girls in a manner which allows them to see the freedom of disassociation from society and its dictated "norms".

I love finding little gems like this. What a find Housekeeping (1987) is. What a watch. This is the second Bill Forsyth film I've watched in recent weeks and I'm completely in awe of both. With storytelling like this it's such a joy to watch. The quirks and eccentricities of the characters add another layer of magic in these stories and go a long way in emphasising that "I don't belong here" element that's was present in this film and also Local Hero (1983).

I'm amazed more people don't know about this one.