Yes, Madam!

So here it is -- Yes, Madam -- Michelle Yeoh's first starring role, back in 1985. I'd been wanting to see this one for a few years. I was a bit worried because the DVD appeared to be a bootleg once it arrived, but it worked fine, so I won't complain. But wow, Yeoh was so amazing in the film. She had won the title of Miss Malaysia just a couple years earlier, for damn good reason, but she took her start in the action genre seriously and trained hard for a few months before shooting began. Sammo Hung himself was the producer (and has a cameo, along with half the industry), and he was looking for two female leads, to make something different from the typical male buddy-cop films. For a co-star they got Cynthia Rothrock, who was making her start in the genre as well. Though she was the real deal as far as martial arts skill. I was interested in the film more for Yeoh but Rothrock certainly held her own. Well, with the action, not the acting, ha ha.

Now then, the average American audience might not think much of the movie. It's full of the kind of very odd and stupid HK humor that I've gotten used to. But Yeoh shines in every moment she's on screen, and the action scenes are incredible. In particular the final fights near the end of the film had me as excited as being at a Bulls game. I couldn't believe some of the stuff they were pulling off. My heart goes out to those stunt men!! The actual final minute of the film caught me off guard, though it was realistic. But damn... that ten minutes or so of fighting was among the best I've ever seen.

Everything with Michelle Yeoh and Cynthia Rothrock was great, but they were relegated to secondary roles with the movie instead having the bumbling criminals as the focus. It makes for an uneven movie that really shines in some parts, but drags in others.

This to me is the best movie Cynthia Rothrock ever made, and one of the best movie from Michelle Yeoh's early career. The final action scene involving the two guarantees it.

This was one of very early D&B movie studio's production. D&B movies brought more modern style to Hong Kong movies, and it's clear from this movie that it's years ahead compared other action movies of the time in terms of content, the fashion the actors are wearing, the modern looking background, the speed the scene moves, and the three dimensional shooting.

Hong Kong movies in few short years following this movie makes a stellar leap in terms of quality, but you can already see most of the elements in this movie.

Cynthia Rothrock plays inspector Carrie Morris from Scotland Yard, and Michelle Yeoh plays inspector Ng of Hong Kong police department. They're after a microfilm that was stolen by two small time crooks. The microfilm contains the names of the ones who are involved in criminal activity. The real bad guy who's got most to lose from the microfilm is Mr. Tin and is willing to go any extent to get the microfilm. Eventually, the small time crook, Yeoh, and Rothrock ends up in Tin's house, and massive fight ensues.

The number of casts appearing in this movie is amazing, and this helps to weave many threads in this story. The story has comedic touch, serious touch, and lot of action depending on who's playing the part of the story. It's definitely not one dimensional, and is entertaining to watch. The production is classy, and has high quality looks to it.

This movie started the "Huang Ka" (Royal) movie craze in Hong Kong, and many movies crowning these two characters were made. The movie has confusing number of titles like "Super Cops", "In the line of Duty", "Yes Madam", "Ultra Force", which actually makes finding this movie difficult.

The final fight scenes appears in many specials that chronicles Hong Kong martial arts movies to this day. The amazing physical ability of Michelle Yeoh, and Cynthia Rothrock launched them into superstar status.

This is one of the best martial arts themed movie to come out of Hong Kong, and is highly recommended for viewing whether you're a martial arts movie fan or not.

A revolutionary a film for kick starting and defining the Battling Babes genre, in the same way 'Zu' was for the fantasy swordplay movies, 'Yes, Madam!' combined the best of Hong Kong action cinema with a fresh, sexy and exciting look. Rarely ever had women played such dominant roles and kicked as much butt as they do here, while still being allowed to show a coy, feminine side.

Both Yeoh and Rothrock made their action debuts in this film, and they couldn't have been picked at a better time. The action choreography in HK was entering a new, fast and brutal phase while both girls were at the peak of their physical fitness. The end result is not only the definitive femme-fatale flick, but also one of the finest actioners to leap on to the screen in the mid 80's. The final fight scene alone is more than worth the cost of the DVD and puts Hollywood to shame with its raw power and inventiveness. The best offered in the West at the time was a macho Sigourney Weaver in 'Aliens', but even she wouldn't have been able to touch these girls! Also known as 'In the line of Duty 2' following the later produced 'Royal Warriors' aka 'In the line of Duty' (1986) 'Yes, Madam!' set a new trend in the later 80's whereby attractive women such as Cynthia Khan, Moon Lee, Yukari Oshima and many more were given free reign to dish out the pain, being made to look like the greatest screen fighters ever courtesy of rigorous training from the likes of Dick Wei, Yuen Kwai and Yuen Woo Ping. Even today we are reaping the rewards as female faces, new and old, do battle on the screen in modern classics like 'Crouching Tiger, Hidden Dragon'.

Entertaining cameos from Sammo Hung and Richard Ng as well as great fighting performances from the likes of Chung Fa and Dick Wei makes this a testosterone junkies dream! Ultimately lacking in great cinematography or even much of a plot, the name of the game is to excite the audience in as many ways possible, whether it's with lingering shots of a luscious, young Michelle Yeoh or an animated, head and arm cracking La Rothrock - this movie should not be missed by anyone interested in action - "Hong Kong style".

'Yes, Madam! (1985)' is a little disappointing because it's billed as a Michelle Yeoh/ Cynthia Rothrock action movie, but most of its runtime is dedicated to three bumbling thieves. It doesn't help that only about fifteen minutes of it is actually comprised of action, which makes the movie far less energetic and exciting than it could - and should - have been. That's not to imply that the set-pieces aren't spectacular when they do occur, just that they're far less frequent than they ought to be. To be fair, that's not necessarily true; with a more compelling story, the frequency of the fights wouldn't be an issue. It's just that most of the narrative isn't exactly compelling, and the occasional burst of enjoyable action isn't enough to raise the overall quality of the picture beyond that of its least kinetic moments. Still, it's not like the flick is ever unenjoyable, rather that it's only ever so enjoyable. Its unremarkably decency is, if nothing else, entirely consistent. It has a handful of funny moments, some entertaining ass-kicking and two absolute stars at its centre. It's a shame that Yeoh and Rothrock don't get more to do, particularly on the physical side of things, because they're really great when they do get time to shine. The finale, in particular, is fantastic. As is often the case with these kinds of movies, the most bonkers stuff is saved for the third act and it's glorious. There's an amazing moment where Yeoh leaps onto a balcony and does something I don't think I've ever seen before (and can't quite describe). Rothrock is really good at kicking people in all manner of ways, rapidly roundhousing her foes and making us smile in the process. The duo really are great at kicking butt and taking names and it's a blast whenever they're allowed to do it. It's a real shame that isn't all that often. The feature as a whole is good, but not great. Its story is somewhat repetitive, its side characters aren't all that compelling and its music is downright distracting (it sometimes uses music ripped straight from 'Halloween (1978)' of all things!). However, its infrequent action is superb, its comedy is often successful and its colourful aesthetic is enjoyable. It's a mixed bag, for sure, but it emerges as an entertaining action flick with a couple of stand-out set-pieces and two underused but electric actors at its centre.