Where Is the Friend's House?

This was my first Kiarostami's movie. There could not be a better one. Some trademarks of his movies are minimal dialogs, slow pace, purposeful and realistic acting. Many conversations happen during the ride on a car moving at gentle speed. A stark contrast of what we are used to. Yet, his movies touch you right in the heart. You get very involved with the characters. His movies never get overtly sentimental. He remarked in an interview that he doesn't like to cheat with the audiences.

"Where is the Friend's Home?" offers an insight into the simplistic and innocent world of childhood. Adults do not really see and appreciate that world. Watching this movie is a completely different experience. And writing a lot about this movie does not make a lot of sense. You can hardly wait to watch "And Life Goes on".

A must watch if you are into the art of beautiful cinema.

I'm sorry I've seen this movie doubled in Spanish and not subtitled in Portuguese but, even so, I found it lovely. It is all about how children live in the adult's world and how they perceive and deal with them. It is also about how children can understand each other and help each other to survive the power and rules of adults. It is filmed very closely to the children which means we see the adults, houses, streets and landscapes from their point of view. The story is very well written, playing very wisely with our expectations. It is an almost timeless and universal story but the where and when it happens is brilliant.

Abbas Kiarostami is a director from Iran. His movies are not shown in his native country. But elsewhere in the world he is a critically acclaimed director. His output in the 90's has been tremendously acclaimed and he is called the best or the most important director of the 90's.However before that came the beautiful " Where is the friend's home?" in 1987.

This movie is one of the most human movies I have ever seen. The story is quite simple. A little boy keeps forgetting to do his homework in the book and finally he is threatened with dire consequences. His friend has the book and must return it.

But the story has so much warmth and is shown with so much beauty that it is impossible not to like the film. The characters that we see throughout the movie are very nicely drawn out. Ahmed's interactions with the old man at the end are so beautiful and filled with emotion that I am brimming with joy just recalling those moments.

Akira Kurosawa said of his films, " When Satyajit Ray dies I was sad. But Abbas has taken his place"

A magnificent and unforgettable film with prodigious moments where you really wonder how the director did shoot some moments in such an intimate way without being noticed or without making the presence of the camera a problem. It's a poem (to friendship, honesty, childhood, purity) more than a movie.

This is a very enjoyable, slow-paced, yet uniquely enthralling movie. The plot is simple; a young boy must return a school notebook, taken by accident, to his classmate so he can do his homework for the next day. If his friend doesn't get it done he may be expelled. Immediately you are drawn into this simple task, seeing this child's often futile efforts to be acknowledged by the adults around him, empathizing with his difficulties.

A strange sense of foreboding begins to prevail as you await the outcome of his efforts. Will he complete his task and get home before dusk? Why is it so hard to get a straight answer from any of these adults?

The music is often enchanting and contributes much to the atmosphere. Personally I love the old blacksmith he runs into in the neighboring village. An old friendly man with a deep passion for making windows and doors. The life of the village and its history could be seen through the eyes of this old gent, but truly, the boy, has simply got to return this notebook!

If you want to chill out and watch a wonderful tale unfold over just 80 short minutes then go watch this movie. You won't be disappointed.