Two magically powerful monks are sent on a quest to fight the King of Hell.Two magically powerful monks are sent on a quest to fight the King of Hell.Two magically powerful monks are sent on a quest to fight the King of Hell.
Siu-Fung Wong
- Raga
- (as Siu-fung Wong)
Siu Tak-Foo
- Kubira's Soldier
- (as Foo Siu)
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Peacock! Heh Heh Heh Heh!
Peacock King is about two monks who are on a quest to stop some demon from entering the earth realm, I think. Eh! The story was relatively comprehensible but I was still somewhat perplexed for some unknown reason. Nam Nai Choi is one of my favorite directors ever because of his other films Story Of Ricky, 7th Curse and The Cat so I am going to be lenient with this one. Why i like this one is because of the cinematography in which is Choi's greatest strengths considering he was a cinematographer for Shaw Brothers, the special effects were actually cool as ****, the monsters were creative and the action was fun. And Gloria Yip, too, which I have a desire to put my nuts in her adorable face and butt! The pacing was sluggish but I don't care. Not his best movie but it is wacky fun.
Ambitiously messy
Hong Kong adaptations of Japanese manga tend to hit differently, The Peacock King is no exception, always moving at a frantic pace. There's plenty of ambition sprinkled throughout the film, be it the incredible set design, insane practical effects or the stunning claymation work, the film certainly earns its keep. The problem that ultimately holds this film back from being an all-time classic of its industry is that unfortunately, the story is so unbelievably messy with the most minor of things derailing the experience, having six credited writers certainly gives you that impression. Regardless of that, director Lam Ngai Kai more than delivers plenty of his signature style even including a sequence where Yuen Biao battles a reanimated dinosaur, yes that happens, it just all feels a bit more on the cheaper side with its budget having been spent on its effects more than anything else. Backed by a great cast, including a sadly underused Gordon Liu, and a decent musical score, The Peacock King manages to keep an enjoyable tone despite the cheapness of the proceedings. I'll get to the sequel at some point.
Disappointing
If you watch this movie to get some kung fu action out of Yuen Biao, you'll be pretty disappointed. Except for a couple of evasive flips and spins here and there, the is only one fight sequence in this movie, and it comes about an hour into it. This is a supernatural tale, neither funny nor scary, but with lots of pretty bad special effects.
The story is unclear and messy; yet another example of the fact that Hong Kong commercial cinema has never discovered the importance of a clear plot. Action, helpless women and funny effects seem to be all they think the audience wants.
Also, an already weak story is completely destroyed by the horrid English subtitles. Why can't they get someone who actually knows the language to at least rephrase the subtitles into something that makes sense? My theory is that the English subtitles are not for Western audiences at all, but for those Asians who happen not to speak Mandarin or Cantonese or any of the other five Asian languages this DVD was subtitled in.
Anyway, a main reason to watch this movie is Gloria Yip, perhaps the cutest Asian actress of all time. But she hardly has any lines here, nor much of anything to do - you should catch her in Flying Dagger (1993) instead, or Saviour of the Soul (1992).
All in all, this movie really hasn't got a lot going for it. Amazingly, it spawned a sequel, Saga of the Phoenix, where the entire cast returned. I haven't seen it yet, and, truthfully, I may not bother, because it looks like it's more of exactly the same.
Peacock King is yet another movie in which Yuen Biao is pretty much wasted. Why has he done so many bad movies? Was it just bad luck that none of them were hits, or does he actually like this kind of thing?
My rating: 3 out of 10.
The story is unclear and messy; yet another example of the fact that Hong Kong commercial cinema has never discovered the importance of a clear plot. Action, helpless women and funny effects seem to be all they think the audience wants.
Also, an already weak story is completely destroyed by the horrid English subtitles. Why can't they get someone who actually knows the language to at least rephrase the subtitles into something that makes sense? My theory is that the English subtitles are not for Western audiences at all, but for those Asians who happen not to speak Mandarin or Cantonese or any of the other five Asian languages this DVD was subtitled in.
Anyway, a main reason to watch this movie is Gloria Yip, perhaps the cutest Asian actress of all time. But she hardly has any lines here, nor much of anything to do - you should catch her in Flying Dagger (1993) instead, or Saviour of the Soul (1992).
All in all, this movie really hasn't got a lot going for it. Amazingly, it spawned a sequel, Saga of the Phoenix, where the entire cast returned. I haven't seen it yet, and, truthfully, I may not bother, because it looks like it's more of exactly the same.
Peacock King is yet another movie in which Yuen Biao is pretty much wasted. Why has he done so many bad movies? Was it just bad luck that none of them were hits, or does he actually like this kind of thing?
My rating: 3 out of 10.
Underrated fantasy film
A lot of people seem to misunderstand this type of film. It is fantasy, based on a famous Japanese Manga and various Japanese legends. It was very popular in Japan (making a huge star of Gloria Yip in this her first film), average in HK and poorly received in the rest of the world. Glad as I am to see it in such a good print I was surprised HK Legends released this film above others (like Pedicab Driver, still not released). It is not a straight kung fu film and to expect protracted one on one human fight scenes is to miss the point of such a film. Enjoy it for what it is, fantasy with reasonable (for the time) special effects and Yuen Biao as an actor.
Initially baffling, but the second go was an improvement
Despite reasonably pitiful special effects, this was still quite an entertaining martial arts movie. Quite a good amount of fighting, acceptable acting and an unremarkable plot, this was an acceptable way to pass the time.
If you like Yuen Biao or Hong Kong martial arts movies, you will probably get enough entertainment out of this without being blown away. The first time I saw this I think I must have been pretty tired as I fell asleep. The second time it seemsd a lot better...!!
I think it deserves a 6 out of 10 which is pretty good going.
If you like Yuen Biao or Hong Kong martial arts movies, you will probably get enough entertainment out of this without being blown away. The first time I saw this I think I must have been pretty tired as I fell asleep. The second time it seemsd a lot better...!!
I think it deserves a 6 out of 10 which is pretty good going.
Did you know
- Alternate versionsThe film's Japanese theatrical release (also seen on VHS and laserdisc) features over 12 minutes of additional and extended scenes missing from the Hong Kong cut, primarily focused on Hiroshi Mikami's Kujaku and Narumi Yasuda's Saeko Kazama. Some of these scenes would even be filmed with sync sound Japanese, unlike the standard-at-the-time "dubbed from start to finish" Cantonese of the HK cut.
- ConnectionsFollowed by Saga of the Phoenix (1989)
- How long is Peacock King?Powered by Alexa
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- Dioses contra demonios
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