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5.8/10
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An ex-C.I.A. hit man running from his past finds just how difficult it is to retire when he runs across a small town controlled by mercenaries and a family that's resisting their control.An ex-C.I.A. hit man running from his past finds just how difficult it is to retire when he runs across a small town controlled by mercenaries and a family that's resisting their control.An ex-C.I.A. hit man running from his past finds just how difficult it is to retire when he runs across a small town controlled by mercenaries and a family that's resisting their control.
- Director
- Writers
- Stars
Don MacKay
- Dr. Florian
- (as Don Mackay)
Tom Heaton
- Eli
- (as Tom Herton)
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- Writers
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There are some films that miss whatever target they are aiming for yet somehow are just great fun to watch. Malone, a fairly obvious updating of Shane, reaches deeply in to the duffers bag of clichés to pull out; the burnt out assassin, the beautiful former colleague, cute teenage girl and her brave but crippled father and, of course, a nutter who along with his evil henchmen are bent on taking over the government. Starting with the most inept of the baddie's henchmen Malone is gradually drawn in to the fight until he achieves his final pyrrhic victory and moves on. Burt Reynolds is actually not a bad actor when he's not trying to be 'a good old boy' all the time. Cliff Roberstson goes jarringly over the top. Laurren Hutton is beautiful, brave and loyal. Cynthia Gib is cute as apple pie in a see-through nightie and the much miss-used Scott Wilson does exactly what he needs to do. So why is this not a good movie? Dunno. There is nothing obviously wrong with the film. It doesn't look cheap, everyone hits their marks and speaks the lines. The end is a bit over the top and perhaps people were reluctant to let Burt Reynolds be serious. Never mind, I've added it to my list of films to be watch every time they turn up in the schedule and I guess I'll just continue to enjoy it for what it is, a good bad movie.
In Malone, Burt Reynolds is a CIA paid assassin who's tired of the life and wants out of the company. Of course the company doesn't see it his way and his former protégé Lauren Hutton is sent to terminate his contract with the agency.
But Reynolds in looking for obscurity finds a place where a mysterious millionaire Cliff Robertson is buying all the land in some obscure valley in Idaho to make it his headquarters for some ill defined right wing conspiracy. Robertson's bought the sheriff, Kenneth McMillan and several local louts to enforce his will on the community. Reynolds's car broke down here by sheer chance and he's taken in by garage owner Scott Wilson and his daughter Cynthia Gibb. When Robertson's thugs start leaning on them, Reynolds springs into action.
Burt Reynolds's style is a whole lot like James Garner, quizzical, cynical and charming. I'm not used to seeing him play it as tight lipped as he does in Malone, but he does carry it off. The film borrows a lot from the plot of Shane and I could certainly see a 1987 version of Alan Ladd in the part.
It's a good action film even though a lot of the plot issues are unresolved. More than fans of Burt Reynolds will enjoy this.
But Reynolds in looking for obscurity finds a place where a mysterious millionaire Cliff Robertson is buying all the land in some obscure valley in Idaho to make it his headquarters for some ill defined right wing conspiracy. Robertson's bought the sheriff, Kenneth McMillan and several local louts to enforce his will on the community. Reynolds's car broke down here by sheer chance and he's taken in by garage owner Scott Wilson and his daughter Cynthia Gibb. When Robertson's thugs start leaning on them, Reynolds springs into action.
Burt Reynolds's style is a whole lot like James Garner, quizzical, cynical and charming. I'm not used to seeing him play it as tight lipped as he does in Malone, but he does carry it off. The film borrows a lot from the plot of Shane and I could certainly see a 1987 version of Alan Ladd in the part.
It's a good action film even though a lot of the plot issues are unresolved. More than fans of Burt Reynolds will enjoy this.
Malone (Burt Reynolds) is a former CIA man who wanders into a town in rural Oregon on pure chance and becomes embroiled in a conflict with a group of far right extremists terrorizing the residents.
Malone was one of a number of Reynolds movies released in the 80s, and like many others was subject to critical derision and financial disappointment. In Malone's case it was unfavorably compared to classic western Shane, and while the comparison isn't unwarranted, Malone is still a well made contemporary action thriller with a traditional western framework.
Reynolds as the titular Malone is actually pretty good in the movie, and it's nice to see Reynolds play against his established persona that had colored his career from Smokey and the Bandit onward. While he still maintains his dry laconic delivery in some humorous instances in the movie, the movie also allows Reynolds to convey a level of simmering intensity hidden behind a stone faced facade of quiet resignation that makes Malone a bit meatier than your average 80s action shoot 'em up. The villains are adequately dispicable and hateful, with Cliff Robertson being a memorably grotesque Delaney and Alex Diakun giving superbly slimey performance as Delaney's sadistic henchman Madrid. The only drawback to Malone really is that the comparisons to Shane are indeed as accurate today as they were then, but is that necessarily a bad thing?
Malone is a perfectly serviceable action film. Burt Reynolds gives a commander performance in what's essentially a classic western dressed up in contemporary clothes. It doesn't have much lasting impact, but it's a perfectly suitable time killer.
Malone was one of a number of Reynolds movies released in the 80s, and like many others was subject to critical derision and financial disappointment. In Malone's case it was unfavorably compared to classic western Shane, and while the comparison isn't unwarranted, Malone is still a well made contemporary action thriller with a traditional western framework.
Reynolds as the titular Malone is actually pretty good in the movie, and it's nice to see Reynolds play against his established persona that had colored his career from Smokey and the Bandit onward. While he still maintains his dry laconic delivery in some humorous instances in the movie, the movie also allows Reynolds to convey a level of simmering intensity hidden behind a stone faced facade of quiet resignation that makes Malone a bit meatier than your average 80s action shoot 'em up. The villains are adequately dispicable and hateful, with Cliff Robertson being a memorably grotesque Delaney and Alex Diakun giving superbly slimey performance as Delaney's sadistic henchman Madrid. The only drawback to Malone really is that the comparisons to Shane are indeed as accurate today as they were then, but is that necessarily a bad thing?
Malone is a perfectly serviceable action film. Burt Reynolds gives a commander performance in what's essentially a classic western dressed up in contemporary clothes. It doesn't have much lasting impact, but it's a perfectly suitable time killer.
This was a breath of fresh air compared to the silly movies that he made from about 1980 to 1990. There were no silly comments just lots of action. VanDamme or Segal could not have done better. The local filming was beautiful and the acting by the supporting cast was first-rate and not overdone. Burt might be too old for this type of movie now but this is the stuff that he should have done when he was in his prime. I am glad I saw it as I gained new respect for his acting.
Even though some people state that this film is awful, but they are forgetting that most 80's action films where and this was one of many that was churned out then forgotten.
I vividly remember first watching this on video rental and thought it was brilliant and even though it's very dated I still love the film as an 80's classic like I would watch some old black and white film.
I don't feel I should have to wait until the film is 40 or 50 years old to claim it is an classic nor should I go with other persons comments that it is crap just because they are watching the film without growing up in the 80's when the film was made and is set in.
with regards jpclarke
I vividly remember first watching this on video rental and thought it was brilliant and even though it's very dated I still love the film as an 80's classic like I would watch some old black and white film.
I don't feel I should have to wait until the film is 40 or 50 years old to claim it is an classic nor should I go with other persons comments that it is crap just because they are watching the film without growing up in the 80's when the film was made and is set in.
with regards jpclarke
Did you know
- TriviaIn the closing credits, Malone is holding his Virginia driver's license as it slowly burns . The signature on the card of the Commissioner of Motor Vehicles reads "Alfred E. Newman", who is "Mad Magazine"'s goofy mascot.
- GoofsThe sheriff looks at Malone's drivers license which clearly has a street address in Baltimore, then immediately asks "Why do you have a post office box for an address?"
- Quotes
Paul Barlow: When were you in Viet Nam?
Richard Malone: 1961.
Paul Barlow: [gives it some thought] That was a little early, wasn't it?
Richard Malone: Not for what I was supposed to do.
- Alternate versionsUK cinema and video versions were cut by 1 second to remove an ear clap.
- ConnectionsReferenced in The Tonight Show Starring Johnny Carson: Burt Reynolds/Dick Shawn (1986)
- How long is Malone?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Мелоун
- Filming locations
- Hedley, British Columbia, Canada(the town setting)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $3,060,858
- Opening weekend US & Canada
- $1,377,691
- May 3, 1987
- Gross worldwide
- $3,060,858
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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