The Man Who Planted Trees

The first time I saw this film I sat in front of the TV and watched it like I had been hypnotized. The animation technique and the colours are breathtaking and I really, really wish I had seen it on the big screen. I'm sure the experience would have been sublime.

This is the kind if film that leaves the viewer (unless she/he is totally insensitive) full of awe and wonder at the determination shown by the protagonist, who, in the course of a lifetime, plants a forest.

Whether you view it as a simple and beautiful story about planting trees and loving nature, or as a fable with a deeper meaning, this film is absolutely wonderful.

I would buy it in a heartbeat if it ever came out on DVD.

Frédéric Back's 'The Man Who Planted Trees (1987)' is the one short film that has been fervently recommended to me above all others, and I'm surprised that it took me so very long to get around to it {fortunately, my stubbornness proved beneficial, since I was able to hold out for a high-quality copy}. My only previous experience with Back was his first Oscar-nominated effort 'All Nothing (1980)' in May 2007, and I enjoyed its artistry, even if the basis in Creationism kept me distanced from its central themes. This effort, arguably Back's most celebrated, tells the story of Elezeard Bouffier, an old shepherd who singlehandedly created a forest through decades of planting seeds. Though I initially assumed that Bouffier was a real-life figure, he was, in fact, a fictional creation of author Jean Giono, who apparently perpetuated the misconception. Either way, this shepherd's story is powerful and inspirational, Back's animation giving life to Giono's uplifting tale.

When I recall Frédéric Back's work, the first contemporary animator who comes to mind is Aleksandr Petrov, whose paint-on-glass animation allows similar dream-like visuals that morph from one image to another like a shifting desert landscape. 'The Man Who Planted Trees' doesn't resemble a moving oil painting, as does Petrov's work, but instead bears a slightly more minimalistic pastel-sketching style. Even so, the attention-to-detail is simply staggering. For the film's opening half, the colour palette is largely sepia-toned, emphasising the sheer barrenness of the desert, with bare rocks and coarse weeds lashed by a dry, bitter wind. As Bouffier plants his trees, Back gradually introduces colour into his work, symbolising the physical and spiritual rebirth of the region. My single slight criticism with the film is that the narration should probably have been used more sparingly. As warm as I found Christopher Plummer's voice, I think that some scenes would have proved more powerful had the viewer been left to his own accord, to absorb for himself the breathtaking beauty of Back's animation.

'The Man Who Planted Trees' serves, I think, as a fine counterpoint to Back's previous short film, 'All Nothing.' In the latter, a dissatisfied Mankind rapes and pillages the life that his Creator has placed upon the planet. In this film, Mankind gives back to nature; rather than destroying life, Bouffier creates it himself, even as two World Wars rage overhead. On at least two occasions, the narrator {Christopher Plummer in the English-language version, Philippe Noiret in the French} remarks that what Bouffier accomplished makes him something akin to God. Indeed, the government officials who arrive to observe his forest can think of no other explanation for the miraculous rebirth, declaring it an astonishing natural phenomenon. Nobody can believe that all this joy could have been created by the hand of a single man. I interpreted this as a touchingly humanist statement. After all, if an old shepherd like Elezeard Bouffier can give rise to such life, why, indeed, do we need a God at all?

I can't remember the last time I was so moved by an animated film. It is truly a work of art, lyrical, and inspired. The story is a very nice parable, but the way it was told by the artist here is incredibly moving. Many years of work (eight?)by the team of animators headed by Frederick Back created this 30-minute film. Only the loving product of the heart and of the right brain could yield art like this. Christopher Plummer's voice evokes the wise elder of the film's subject, and the music provides a background that blends well with the gentle crayon and charcoal drawings that form this work, but it is the drawings that are the centerpiece, in my opinion, although some might say it was the story. The work moved me to tears without any of the manipulation of most modern films. I could imagine children and teenagers being inspired and moved by this, also, and I think it should be shown to all children. I echo other viewers' recommendation that this would make a wonderful gift for someone you love, at any age.

I watched this masterpiece on the first day of my Intro to Film class, it's one of the professor's favorites, and I can't see why it shouldn't be... For half an hour I just sat there, completely mesmerized by the beautiful animation and wonderful message of this film... In this era of Finding Nemo, Valiant, and all the 3-D overdose, watching this film is a breath of fresh air... It makes you long for the simpler days of animation, and a single frame of this particular animation is more lively and real than Pixar or Dreamworks can ever hope to achieve...

But the story... Wow... Halfway into the film, I was still sitting there, mouth agape, but then tears just started rolling down my cheeks, as corny as it may sound... Christopher Plummer's soft, grandfather-like voice (and I'm sure the French version has an equally, if not more, accomplished narrator) conveys one of the most meaningful, touching stories I've ever heard... For the first time, there's a movie that I genuinely think everyone should watch, as otherwise they'd be deprived of what may be their greatest cinematic experience ever... This is one superb, inspiring film, and it deserves every single award and nomination it has received...

Possibly the most beautiful story ever written. Utter perfection in it's simplicity. Sheer poetry to rival the greatest of all bards. The author should receive a special oscar for giving this peaceful, wonderful tale to the world. If it were out on video I would purchase it in French and English. No ecological group could argue any better for what mankind can be capable of, but so often finds itself lacking.