A Lebanese female terrorist is badly injured during an American mercenary operation in Beirut. She's transported back to the US, experimentally operated on, and turned into a cyborg killing ... Read allA Lebanese female terrorist is badly injured during an American mercenary operation in Beirut. She's transported back to the US, experimentally operated on, and turned into a cyborg killing machine.A Lebanese female terrorist is badly injured during an American mercenary operation in Beirut. She's transported back to the US, experimentally operated on, and turned into a cyborg killing machine.
Paul Walker
- Jason
- (as Paul W. Walker)
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This film starts on the island of Crete, where a group of Lebanese terrorists led by a man named "Hassim" (Arnon Zadok) and his girlfriend "Samira" (Sandahl Bergman) kill several innocent people before kidnapping two American children and taking them to an unknown location just outside Beirut. Once informed of the terrorist demands, a senior CIA advisor named "Harry Carlson" (Paul Kent) suggests sending a former operative named "Eric Matthews" (Robert Ginty) to rescue the children and eliminate those responsible. It's during this time that we learn that Eric is nursing a personal grudge against Hassim. After the mission is completed and the children are rescued, Eric is somewhat disappointed because Hassim managed to escape. Not only that, but Samira is also seriously wounded during the firefight and cannot tell Eric where Hassim might have gone. What Eric doesn't know, however, is that the CIA has other plans for Samira, which include turning her into a cyborg killing machine and sending her out to kill Hassim and as many other terrorists as she finds. Unfortunately, during this process, she somehow overrides her programming and sets out to kill everyone in the CIA as well--including Eric and his entire family. I won't reveal more, but just say that this movie came out during a time when cybernetic films were quite popular, with "Terminator" and "Robocop" probably being the most well-known. Sadly, this film isn't nearly as good as either of them, mainly due to poor character development and cheap action scenes. Frankly, although Sandahl Bergman performed adequately, I can't say the same about Robert Ginty--or anyone else, for that matter. In short, this was a dull, low-budget, paint-by-numbers production, and I have rated it accordingly.
Some five years ago, around the time of his untimely and unfortunate death, my movie buddy and I watched quite a lot of trashy Robert Ginty B-movies such as "Warrior of the Lost World", "White Fire" and – of course – "The Exterminator". We watched them as a tribute to Ginty, but obviously also because they always guarantee low-brained and ultra-violent entertainment. It's too bad that we couldn't get our filthy little hands on "Programmed to Kill" back then, because this also would have made a great installment for a Robert Ginty theme night. Although, in all fairness, it isn't Robert Ginty who steals the show here, but cult wench Sandahl Bergman. Also known as "The Retaliator", the plot is highly derivative of "The Terminator" (and arguably also of "Robocop", but it looks as if this film got released slightly earlier the same year) but correct me if I'm wrong but I don't think anyone is looking for originality or groundbreaking new story lines in an '80s actioner like this! Although a rather blatant rip- off, the script is nonetheless engaging and fast-paced, with plenty of gratuitous violence and cheesy dialogs. Bergman stars as Samira, a terrorist from the Middle East most wanted by the CIA because she herself is dangerous and because she's engaged to the brain of the terrorist organization. Together with her posse, Samira kills a bunch of tourists in Lebanon and takes two young American children hostage, but the CIA recruits mercenary Eric Mathews to set things right. The heavily wounded Samira is brought back to the States, but there she's secretly transformed into a cyborg and programmed to serve as a weapon against her former friends. This all goes well at first, but Samira's new circuits quickly go haywire and she turns against her masters. Once again, the reluctant Eric Mathews is brought in to save the day. "The Retaliator" – I actually prefer that title – is definitely a lot of fun while it lasts and features a couple of reasonably impressive and well-staged action sequences/stunts. In my personal favorite scene, Samira calls a CIA boss and kills him through shouting in the horn until his ears bleed. The climax is also quite exciting with a massive amount of explosions, machinery action and POV executions through cyborg-vision! Admittedly the film also won't make an everlasting impression and suffers from a few dull and pointless sub plots, like Mathews' troubled family situation. By the way, Ginty's teenage son Jason is played by Paul Walker – who also sadly passed away already – in one of his very first roles.
A female terrorist (Sandahl Bergman) is captured during a raid in Greece and used as a guinea pig by the CIA in a secret experiment to turn her into a cyborg killing machine. Naturally, she goes haywire on her first mission and then sets out to kill anyone involved in the project, including the special agent (Robert Ginty) who captured her but soon turned on "the company." Watching this, I soon realized my whole life was a lie: I always felt Lady Terminator (1989), Eve of Destruction (1990) and Steel and Lace (1991) were the first in the "killer female cyborg" but this Allan Holzman & Robert Short film had them scooped. It works best when there is bloody action going on and whoever decided to cast Bergman as a mostly non-speaking, emotionless robot was a genius. James Booth has a rather thankless role as a bad guy in a suit and look for a young Paul Walker as Ginty's son.
"The Retaliator" / "Programmed To Kill" would probably have been better if it had focused more on Sandahl Bergman's nearly unstoppable robot / killing machine and less on Robert Ginty's CIA agent / mercenary. In the pantheon of 1980's action stars, Ginty ranks pretty low. He just doesn't have much charisma. His family troubles in this movie are dull, and his reckless character is not very likable (at one point, he even blows up a jeep full of American security guards just doing their job - trying to protect the government facility that he had just infiltrated!). Bergman is a good pick for the part of a female killing machine, but the script barely even gives her any speaking lines, and the budget doesn't allow for much in the way of special effects and extra powers. Some fine stunts, but too many of the action scenes are filmed in near-darkness. Pretty forgettable, all in all. *1/2 out of 4.
Just a note for convenience that this movie is alternately titled, "The Retaliator" on several online databases...just apparently not IMDB. Nor did it show up under searches on "retaliator" on IMDB as of the date of this "review".
Did you know
- TriviaAlso known as "The Retaliator."
- GoofsWhen Samira starts to malfunction and "turn bad" after killing Hussein, she has flashbacks of previous events through her memory system. However, these flashbacks are presented to Dr Brock and the technicians as "live feed" through her surveillance system (as if looking through her own eyes, with what she sees being what they see), and several of the flashbacks are shown from the actual camera angles of the film, in third person, rather than through Samira's eyes/cameras, which is impossible.
- Quotes
Eric Mathews: There... sure... is... something... going... haywire... here!
- Alternate versionsGerman VHS release by VPS Video was cut by a minute to reduce violence in a handful of scenes. This is done to not only secure a FSK-18 rating, but also avoid being indexed by the SPIO/JK (BPjM at that time).
- ConnectionsReferenced in Robot Ninja (1989)
- How long is Programmed to Kill?Powered by Alexa
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