Someone to Watch Over Me

I came across this one while looking up Ridley Scott's movies, and this one looked like one of his weaker ones, so I didnt expect much, but I was surprised. The action was great, the music was cool, and the actors had great chemestry, Lorraine Bracco gave the best performance. After seeing this, I think this is one of Ridley Scott's better movies, the ones that were supposed to be his best(Blade Runner and Gladiator) bored the hell out of me. If you like a good action/thriller, give this one a try. 8.5 out of 10.

How has Tom Berenger slipped out of the view of Hollywood? This man is a real talent, who conveys the confusion and pathos of an untenable situation with passion, conviction and realism.

Scott makes the tension palpable, and the supporting cast is so well rounded that IMHO it makes one of the best ever cinematic experiences. Mimi Rogers puts in a credible performance as a tortured socialite and the thrill of the chase makes for some startling and real scenes which keep you on the edge of your seat. If you want great entertainment without the hugest cerebral challenge (!) this is a fab way to spend an evening.

I saw this movie when I was younger and for some reason it always stuck with me. I'll always remember the music (the title song as well as the classical pieces used throughout), the vestibule of Mimi Roger's apartment palace, the scene of Tom Berenger having breakfast with his family, Lorraine Bracco's fiery performance as his wife, and the haunting opening aerial shots of NYC lit up at night. I watched it again for the first time in probably nine or ten years and it was like visiting with an old friend or curling up with a good book you had read before. You knew the story, but it was all fascinatingly interesting. The plot here is pretty basic: working class cop has to babysit upper class babe who witnesses heinous murder. It doesn't take a rocket scientist to figure out how it all ends, but director Ridley Scott somehow manages to keep it compelling thanks to some great direction and wonderful performances from the cast. Somewhere I saw this billed as an erotic thriller, which is way off base. Scott keeps everything here extremely classy. It's more of a romantic thriller and throwback to the noir films of the 1940's. This may not be the best film you'll ever see, but it's one of the better thrillers of the 1980's, and a worthy testament to Ridley Scott's versatility as a director. It's also nice to see Jerry Orbach in a supporting role that probably paved the way for his part in the never ending "Law and Order" TV series.

A highly stylized crime thriller that also manages to work as a tale of adulterous romance in addition to an effective parable of the culture clashes that are apparent between the upper and lower classes. This is a film with multiple agendas, and Ridley Scott, best known at the time for 1979's ALIEN and 1982's BLADE RUNNER, is frankly an odd choice to direct such a picture. However, Scott proves himself to be up to the challenge, and film plays like a slightly abstract dream that isn't afraid to crash down into gritty realism on occasion. With his film noir skills perfected with BLADE RUNNER, Scott turns the focus from the future to an equally idealized version of the present (well, 1987 to be exact), but he maintains the same sense of visual menace and harsh industrialism.

Tom Berenger has received a considerable amount of criticism for the irritating fake Brooklyn accent he delivers his lines in, but I overall I found him to be quite acceptable in the role. Even better is Mimi Rogers, who convincingly portrays the detached loneliness of the high society lifestyle without the benefit of screen dialogue that permits her to openly address such an issue. Jerry Orbach and John Rubinstein are also memorable supporting parts, but it is Lorraine Bracco who steals the picture as Berenger's feisty wife. Long before she was best known as Tony Soprano's psychiatrist, Bracco brought to the screen the ultimate portrayal of the modern wife and mother - loving but fierce, tough but compassionate, and not afraid to slap some sense into the man who has done her wrong.

And I love Sting's opening rendition of the title Gershwin classic.

We've seen the script a hundred times if we've seen it once; happily married cop assigned to stand guard over a beautiful woman, cop falls in love with woman, etc. The difference with this one is that it actually works, even though you know how the story is going to go. Berenger is solid in the lead and Bracco fantastic as the fiery wife, while Rogers is sultry in a very classy way as the other woman. Andreas Katsulas is menacing and scary as Venza, which was perfect for this part. The classical music scores add a perfect touch, and the ending is actually quite thrilling. Something about this one just clicks, making it one of the better films of the genre. 7.5 out of 10.