Spaceballs

There are some that say Mel Brooks's best satire is Spaceballs. Personally I like The Producers, but I'd never argue with anyone who holds out for this gut splitting comedy which uses both subtle satire and heavy bellylaughs drilled into the viewer with the skill and speed of one writing with light saber pen.

The main object of the satire is the original Star Wars movie, but during the course of the film Brooks took a shot at The Wizard Of Oz, The Bridge On The River Kwai, Lawrence Of Arabia, Planet Of The Apes and Alien and a few others I could name if I thought about it. The man does know his film history.

All is happy on the planet Druidia where King Dick Van Patten is eagerly awaiting the wedding of his daughter Princess Daphne Zuniga to her intended bridegroom, the eager Prince Valium played by Jim J. Bullock. But evil forces in the galaxy are afoot, the planet Spaceballs has a permanently polluted atmosphere and its President Skroob and his aides Colonel Sanders and Dark Helmet played respectively by Mel Brooks, George Wyner, and Rick Moranis have hatched a scheme to kidnap the princess and suck the atmosphere out of Druidia and take it back to Spaceballs.

They look like they just might succeed, but a Han Solo like character Lonestar (Bill Pullman)and his faithful half man, half dog companion John Candy pull off a rescue, but they are hunted people now throughout the galaxy. All seems lost, but fate has directed them to a desert like planet where they meet up with Yoda who acquaints them with the most potent force in the universe, the all powerful Schwartz.

The gags come so fast and furious that if you pop a kernel of popcorn in your mouth you could miss a gem. The performances are letter perfect and Brooks gives everyone in the cast his own bit or two. I forgot to mention Joan Rivers who is the voice of a C3PO character called Dot Matrix, companion to Zuniga the Druish princess complete with virgin alarm. And watch out if you mess with Zuniga's hair.

If I had to name a favorite it would be Rick Moranis playing Dark Helmet. When the helmet is down it's a James Earl Jones like voice that emerges, deep and sinister. When the helmet comes up all you see is Rick Moranis and it looks like it wasn't just the kids that got shrunk.

Spaceballs is a film that can be enjoyed by folks who love good comedy and for science fiction fans who don't take themselves too seriously. For someone like Mel Brooks to please both those crowds is really something.

A classic remnant from the tail end of Mel Brooks's manic, pun-drenched peak. It may not be as smart as The Producers or as complete as Blazing Saddles, but it's every bit as funny as anything he's ever made and that's saying something. Its light-handed approach to storytelling, where the jokes come first and the plot developments are a distant second, is actually very similar to 1981's History of the World, Part I - which should be no surprise, as they're back-to-back in his sequential catalog. Rick Moranis, Bill Pullman and John Candy really come to life in their roles as not-so-subtle parodies of Darth Vader, Han Solo and Chewbacca, respectively, with Moranis in particular somehow getting deep laughs out of lines so cheesy a Taco Bell nacho would flinch. As dumb comedies go it's a heavyweight champion, so infinitely quotable that my buddies and I had to enforce a strict "one Spaceballs reference per day" policy back in school to keep things from getting out of hand. Absurdly stupid fun.

They say that imitation is the highest form of flattery. It's the 1980's and the Star Wars trilogy is a mega success as was Michael Jackson. With a movie franchise that successful and a pop artist that successful you must parody the two. Enter Mel Brooks and Weird Al Yankovich, but this review isn't about the song "Eat it."

Spaceballs was truly funny. In fact, it is a parody that other parodies should model themselves after. Many parodies overdo it and exaggerate things so much that it's not funny but just awkward. Spaceballs had a nice mix of slapstick humor and funny characters. The casting was supreme with Rick Moranis playing Dark Helmet, John Candy playing Barf, and even Mel Brooks as Yogurt. This was a spoof that George Lucas had to laugh at.

This movie can be absolutely hilarious, if you are in the right mood for it. If you didn't liked this movie, then you probably weren't in the right mood, because there is no way you can dislike and find this movie unfunny.

Most fun thing about the movie is Rick Moranis as Dark Helmet who is the complete opposite in every way of the ultimate bad guy from the entire universe; Darth Vader, especially in size. Like almost every other Mel Brook's movie this movie has some extreme hits and some extreme misses, by seriously it all is just a matter of taste. What might seem funny for some is unfunny to others and vice versa.

The acting is over the top and quite bad actually especially Bill Pullman and Daphne Zuniga. Thank goodness that the sidekicks are the better and funnier characters in this movie, characters with poetic names such as Barf, Colonel Sandurz, Major Asshole, Yogurt and Pizza the Hutt.

The movie suffers from some horrible eighties songs, the curse of almost every eighties movies these days, other than that, there isn't much negative to say about his movie even though it is far from Brook's best.

7/10

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SPACEBALLS was a childhood favourite of mine and I'm pleased to see that it still holds up today for audiences. It's a loving spoof of the whole STAR WARS franchise with Mel Brooks on top form as he mercilessly ribs George Lucas for his addition to merchandising, ridiculous costumes, plot elements, and the like. That SPACEBALLS also tells its own entertaining story that holds up as a stand-alone adventure is testament to its effectiveness. Strong production values and fun effects only add to the experience.

The cast is a superior one with the highlights including Joan Rivers as 'Dot Matrix' and the lovably goofy John Candy playing a half-man, half-dog. Rick Moranis really shines though in his best role as 'Dark Helmet' and many of his scenes are the funniest the film has to offer; also watch out for Mel Brooks's scene-stealing 'Yogurt'. The laughs come thick and fast and not all of them are funny, but when the film hits it really hits; the scenes involving instant video cassettes and breaking the fourth wall are the funniest. My overall highlight though has to be John Hurt's cameo, which is the icing on an already splendid cake.